LEADER 04015nam 22006975 450 001 9910502593403321 005 20230224131513.0 010 $a3-030-84838-8 024 7 $a10.1007/978-3-030-84838-5 035 $a(CKB)5140000000014236 035 $a(MiAaPQ)EBC6784156 035 $a(Au-PeEL)EBL6784156 035 $a(OCoLC)1281975838 035 $a(DE-He213)978-3-030-84838-5 035 $a(EXLCZ)995140000000014236 100 $a20211015d2021 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aCreativity and Time: A Sociological Exploration /$fby Juan A. Roche Cárcel 205 $a1st ed. 2021. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2021. 215 $a1 online resource (220 pages) 225 1 $aPalgrave Studies in Creativity and Culture,$x2755-4511 311 $a3-030-84837-X 320 $aIncludes bibliographical references and index. 327 $aPart I Introduction -- 1 Originality or from the Origin to the Originary -- Part II Creative Categories of the Origin -- 2 Mythical Bases for a Sociological Definition of the Concept of Creativity -- 3 Creativity: Sociocultural Order and Chaos, Memory of the Past, and Projection of the Future -- 4 The Originality of Axial Civilizations and the Free Play of History 5 The Ages of Creativity -- Part III Creative Categories of the Originary -- 6 From Creative Capitalism to Old Age 7 Creative Work in the Global Economy of Risk and Uncertainty -- 8 The Connection Between Creative Economy and the Crisis of Representative Democracy -- Part IV Final Coda: Broken Creativity -- 9 Creativity Without Time. 330 $aThis book defends that the pursuit of originality constitutes one of the most important characteristics of creativity, but that originality refers, etymologically, to both origin and originary. Hence, the book is structured into two parts, dedicated, respectively, to the creative categories of origin and the creative categories of originary. Within the former are creation myths, games ? the origin of all cultural activity, the dialectic chaos-order, axial civilizations ? the germ of our time, and the struggle between generations ? a factor of social transformation, and, within the second, creative capitalism, creative work in the context of the global economy of risk and uncertainty, and representative democracy. However, these two concepts are not isolated, but deeply interrelated, in a way that explains how creative originality builds a temporal narrative. It has been dislocated in late modernity and, with it, creativity has been broken. Juan A. Roche Cárcel is a professor of sociology of culture and the arts at the University of Alicante (Spain). He is the author of numerous books and articles on culture and arts and president of the committee for the sociology of emotions at the Spanish Federation of Sociology (FES). 410 0$aPalgrave Studies in Creativity and Culture,$x2755-4511 606 $aSociology 606 $aSocial evolution 606 $aArt?Philosophy 606 $aEthnopsychology 606 $aEthnology 606 $aSociology 606 $aCultural Evolution 606 $aTheory of Arts 606 $aPsychological Anthropology 606 $aSociocultural Anthropology 615 0$aSociology. 615 0$aSocial evolution. 615 0$aArt?Philosophy. 615 0$aEthnopsychology. 615 0$aEthnology. 615 14$aSociology. 615 24$aCultural Evolution. 615 24$aTheory of Arts. 615 24$aPsychological Anthropology. 615 24$aSociocultural Anthropology. 676 $a153.35 676 $a153.35 700 $aRoche Ca?rcel$b Juan Antonio$01250378 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910502593403321 996 $aCreativity and time$92897478 997 $aUNINA