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010   $a1-80064-160-5
035   $a(CKB)5590000000459392
035   $a(MiAaPQ)EBC6551438
035   $a(Au-PeEL)EBL6551438
035   $a(OCoLC)1247659268
035   $a(FrMaCLE)OB-obp-21470
035   $a(NjHacI)995590000000459392
035   $a(PPN)257806873
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100   $a20210901d2021      uy             0
101 0 $aeng
135   $aurcnu||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aMiddlemarch $eEpigraphs and Mirrors
210  1$aCambridge :$cOpen Book Publishers,$d2021.
210  4$dİ2021.
215   $a1 online resource (162 pages)
300   $aIncludes index.
311   $a1-80064-158-3 
330   $aIn Middlemarch, George Eliot draws a character passionately absorbed by abstruse allusion and obscure epigraphs. Casaubon's obsession is a cautionary tale, but Adam Roberts nonetheless sees in him an invitation to take Eliot's use of epigraphy and allusion seriously, and this book is an attempt to do just that.
606   $aQuotations, English
615  0$aQuotations, English.
676   $a082
700   $aRoberts$b Adam$0256840
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910498499903321
996   $aMiddlemarch$91905098
997   $aUNINA