LEADER 01119nam 2200253la 450 001 9910482812003321 005 20221108075833.0 035 $a(UK-CbPIL)2090320354 035 $a(CKB)5500000000095054 035 $a(EXLCZ)995500000000095054 100 $a20210618d1554 uy | 101 0 $adan 135 $aurcn||||a|bb| 200 13$aEn kort underuisning om en christen Ridder, med huilcke Fiender hand skal stride, Tilhob draget aff den hellige Skrifft ved Johan. Spangebergium, oc aff Tydsk fordansket aff Anders Barsbyl$b[electronic resource] 210 $aWittenberg $cJørgen Raus Arffuinge$d1554 215 $aOnline resource ([24] bl.) 300 $aReproduction of original in Det Kongelige Bibliotek / The Royal Library (Copenhagen). 700 $aSpangenberg$b Johann$0860716 801 0$bUk-CbPIL 801 1$bUk-CbPIL 906 $aBOOK 912 $a9910482812003321 996 $aEn kort underuisning om en christen Ridder, med huilcke Fiender hand skal stride, Tilhob draget aff den hellige Skrifft ved Johan. Spangebergium, oc aff Tydsk fordansket aff Anders Barsbyl$92147998 997 $aUNINA LEADER 01088cam0-2200349 --450 001 9910497710403321 005 20231024112610.0 010 $a88-86618-47-6 010 $a978-88-86618-47-2 100 $a20211007d2005----km y0itay50 ba 101 0 $aita 102 $aIT 105 $ay 001yy 200 1 $a<>parole dell'esclusione$eesodanti e rifugiati nell'Europa postbellica, il caso istriano$fa cura di Riccardo Marchis$g[interventi di Marco Buttino ... et al.] 210 $aTorino$cSEB 27$d2005 215 $a117 p.$d22 cm 225 1 $aLaissez passer$v8 300 $aInterventi di Marco Buttino ... [et al.] 610 0 $aMigrazioni$aEuropa$aSec. 20. 610 0 $aProfughi istriani 676 $a949.72023$v23$zita 702 1$aMarchis,$bRiccardo 702 1$aButtino,$bMarco 801 0$aIT$bUNINA$gREICAT$2UNIMARC 901 $aBK 912 $a9910497710403321 952 $aCollez. 2774 (8)$b3665/2020$fFSPBC 952 $a949.72 MAR 1$b10543$fbfs 959 $aBFS 959 $aFSPBC 996 $aParole dell'esclusione$91875504 997 $aUNINA LEADER 06275nam 22006375 450 001 9910299862203321 005 20250609110108.0 010 $a3-319-90787-5 024 7 $a10.1007/978-3-319-90787-1 035 $a(CKB)4100000006675064 035 $a(MiAaPQ)EBC5528890 035 $a(DE-He213)978-3-319-90787-1 035 $a(PPN)23054004X 035 $a(MiAaPQ)EBC6231795 035 $a(EXLCZ)994100000006675064 100 $a20180927d2018 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe Art of Law $eArtistic Representations and Iconography of Law and Justice in Context, from the Middle Ages to the First World War /$fedited by Stefan Huygebaert, Georges Martyn, Vanessa Paumen, Eric Bousmar, Xavier Rousseaux 205 $a1st ed. 2018. 210 1$aCham :$cSpringer International Publishing :$cImprint: Springer,$d2018. 215 $a1 online resource (462 pages) 225 1 $aIus Gentium: Comparative Perspectives on Law and Justice,$x1534-6781 ;$v66 311 08$a3-319-90786-7 327 $aChapter 1. Introduction -- Part I: Law, Justice and Art -- Chapter 2. The Bruges exhibition ?The Art of Law? -- Chapter 3. Law?s Manifestations: From Signs to Images ? on Early Modern Legal Iconology -- Chapter 4. Works of Art as Criminal Punishment in the Low Countries (14th-17th c.) -- Chapter 5. ?ut experiri et scire posset?. Pictorial Evidence and Judicial Inquiry in Hans Fries? Kleiner Johannes Altar -- Part II: Moralising Law and Justice Representations in the Late Middle Ages and Early Modern Era -- Chapter 6. Changes in Late-Medieval Artistic Representations of Hell in the Last Judgment in North-Central Italy, ca. 1300-1400: A Visual Trick? -- Chapter 7. Medieval Iconography of Justice in a European Periphery: The Case of Sweden, ca. 1250-1550 -- Chapter 8. Justitia, Examples and Allegories of Justice, and Courts in Flemish Tapestry, 1450-1550 -- Chapter 9. The Judgment of Cambyses: Multiple Sources and Post-David Nachleben of a Rich Iconographical Topic -- Chapter 10. Multilayered Functions of Early Modern Court Room Equipment: Lüneburg for Example -- Part III: Lawyers and Justices: Their Books, Their Work, Their Symbols -- Chapter 11. Civic Bodies and their Identification with Justice and Law in Early Modern Flemish Portraiture -- Chapter 12. The Paradoxes of Lady Justice?s Blindfold -- Chapter 13. Lawyers and Litigants: The Corrupting Appeal and Effects of Civil Litigation in Hendrick Goltzius? Litis abusus -- Chapter 14. Framing the Law. Legal Iconology of the Grotesque in the Sixteenth Century -- Chapter 15. The Mechanical Art of Rhetoric in an Ordinary Sixteenth Century German Formulary -- Chapter 16. A Ghostly Corpse in the City? Spatial Configurations and Iconographic Representations of Capital Punishment in the ?Belgian? space (16th-20th c.) -- Chapter 17. Liberté, Egalité, Fraternité ou la Mort. The Iconography of Injustice in the Work of Pierre Goetsbloets -- Part IV: Justice Architecture and Decorations in the Long 19th Century -- Chapter 18. Joseph-Jonas Dumont?s Prison Gatehouses: architecture parlante in Neo-Tudor Style -- Chapter 19. Experiencing Justice in the Cour d?Assises of Brabant (1893-1913). A Place of Education and Entertainment -- Chapter 20. The Judge, the Artist and the (Legal) Historian: Théophile Smekens, Pieter Van der Ouderaa, Pieter Génard and the Antwerp cour d?assises -- Chapter 21. Images of Justice in the Colonial Courts of British India. The Judicial Iconography of the Bombay High Court. . 330 $aThe contributions to this volume were written by historians, legal historians and art historians, each using his or her own methods and sources, but all concentrating on topics from the broad subject of historical legal iconography. How have the concepts of law and justice been represented in (public) art from the Late Middle Ages onwards? Justices and rulers had their courtrooms, but also churches, decorated with inspiring images. At first, the religious influence was enormous, but starting with the Early Modern Era, new symbols and allegories began appearing. Throughout history, art has been used to legitimise the act of judging, but artists have also satirised the law and the lawyers; architects and artisans have engaged in juridical and judicial projects and, in some criminal cases, convicts have even been sentenced to produce works of art. The book illustrates and contextualises the various interactions between law and justice on the one hand, and their artistic representations in paintings, statues, drawings, tapestries, prints and books on the other. 410 0$aIus Gentium: Comparative Perspectives on Law and Justice,$x1534-6781 ;$v66 606 $aLaw?Philosophy 606 $aLaw 606 $aConflict of laws 606 $aConflict of laws 606 $aCultural studies 606 $aTheories of Law, Philosophy of Law, Legal History$3https://scigraph.springernature.com/ontologies/product-market-codes/R11011 606 $aPrivate International Law, International & Foreign Law, Comparative Law $3https://scigraph.springernature.com/ontologies/product-market-codes/R14002 606 $aCultural Studies$3https://scigraph.springernature.com/ontologies/product-market-codes/X22040 615 0$aLaw?Philosophy. 615 0$aLaw. 615 0$aConflict of laws. 615 0$aConflict of laws. 615 0$aCultural studies. 615 14$aTheories of Law, Philosophy of Law, Legal History. 615 24$aPrivate International Law, International & Foreign Law, Comparative Law . 615 24$aCultural Studies. 676 $a344.43097 702 $aHuygebaert$b Stefan$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aMartyn$b Georges$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aPaumen$b Vanessa$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aBousmar$b Eric$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aRousseaux$b Xavier$4edt$4http://id.loc.gov/vocabulary/relators/edt 906 $aBOOK 912 $a9910299862203321 996 $aThe Art of Law$92065553 997 $aUNINA