LEADER 03015oam 2200661I 450 001 9910462558503321 005 20200520144314.0 010 $a0-429-24851-2 010 $a1-4398-5536-6 024 7 $a10.1201/b13032 035 $a(CKB)2670000000270664 035 $a(EBL)1044818 035 $a(OCoLC)817885669 035 $a(SSID)ssj0000757443 035 $a(PQKBManifestationID)11413944 035 $a(PQKBTitleCode)TC0000757443 035 $a(PQKBWorkID)10758794 035 $a(PQKB)10432825 035 $a(MiAaPQ)EBC1044818 035 $a(MiAaPQ)EBC4010135 035 $a(Au-PeEL)EBL1044818 035 $a(CaPaEBR)ebr10611476 035 $a(CaONFJC)MIL692954 035 $a(OCoLC)813329063 035 $a(Au-PeEL)EBL4010135 035 $a(EXLCZ)992670000000270664 100 $a20180331d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aChild abuse and its mimics in skin and bone /$fB.G. Brogdon, Tor Shwayder, Jamie Elifritz 210 1$aBoca Raton :$cCRC Press,$d2013. 215 $a1 online resource (210 p.) 300 $aDescription based upon print version of record. 311 $a1-4665-3798-1 311 $a1-322-61672-8 311 $a1-4398-5535-8 320 $aIncludes bibliographical references. 327 $aFront Cover; Dedication; Contents; Preface; Acknowledgments; About the Authors; 1. The Concept of Child Abuse in Historical Perspective; 2. Musculoskeletal Trauma in Infants and Children: Accidental or Inflicted?; 3. Radiological Mimickers of Physical Child Abuse; 4. Dermatological Signs of Physical Abuse; 5. Dermatological Mimics of Physical Abuse; Afterword 330 $aOf all children reported to child protective services for suspected maltreatment in any form, the percentage of substantiated cases of physical abuse actually is quite small. There are a number of dermatological and radiologically demonstrable musculoskeletal lesions that have been, or could be mistaken for, intentional physical abuse by the inexperienced or under-educated observer. This atlas illustrates the classic manifestations of physical abuse by dermatological and radiological examination as a standard against which the mimickers of physical abuse can be compared. Where appropriate, the authors provide pertinent historical, physical and laboratory information in support of the diagnosis--Provided by publisher. 606 $aForensic radiography 606 $aMusculoskeletal system 608 $aElectronic books. 615 0$aForensic radiography. 615 0$aMusculoskeletal system. 676 $a616.85/8223 700 $aBrogdon$b B. G$g(Byron Gilliam),$0850839 701 $aShwayder$b Tor$01041912 701 $aElifritz$b Jamie$01041913 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910462558503321 996 $aChild abuse and its mimics in skin and bone$92465694 997 $aUNINA LEADER 03328nam 2200505 450 001 9910496138803321 005 20230802133932.0 010 $a9780585181764 010 $a0-520-91909-2 010 $a0-585-18176-4 024 7 $a10.1525/9780520919099 035 $a(CKB)111004366718534 035 $a(DE-B1597)542668 035 $a(DE-B1597)9780520919099 035 $a(OCoLC)1153532214 035 $a(MiAaPQ)EBC30495558 035 $a(Au-PeEL)EBL30495558 035 $a(EXLCZ)99111004366718534 100 $a20230802d1995 uy 0 101 0 $aeng 135 $aur||#|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe feminine sublime $egender and excess in women's fiction /$fBarbara Claire Freeman 205 $aReprint 2019 210 1$aBerkeley, California :$cUniversity of California Press,$d[1995] 210 4$dİ1995 215 $a1 online resource (216 p.) 311 0 $a0-520-20888-9 327 $tFront matter --$tContents --$tAcknowledgments --$tIntroduction: The Feminine Sublime --$tI. The Awakening Waking Up at the End of the Line --$t2. "Sublime Speculations" Edmund Burke, Lily Bart, and the Ethics of Risk --$t3. Strange Bedfellows Kant, Shelley, Rhys, and the Misogynist Sublime --$t4. Love's Labor Kant, Isis, and Toni Morrison's Sublime --$tNotes --$tIndex 330 $aThe Feminine Sublime provides a new and startling insight into the modes and devices employed in the creation of women's fiction since the eighteenth century. Barbara Claire Freeman argues that traditional theorizations of the sublime depend upon unexamined assumptions about femininity and sexual difference, and that the sublime could not exist without misogynistic constructions of "the feminine." Taking this as her starting point, Freeman suggests that the "other sublime" that comes into view from this new perspective not only offers a crucial way to approach representations of excess in women's fiction, but allows us to envision other modes of writing the sublime. Freeman reconsiders Longinus, Burke, Kant, Weiskel, Hertz, and Derrida while also engaging a wide range of women's fiction, including novels by Chopin, Morrison, Rhys, Shelley, and Wharton. Addressing the coincident rise of the novel and concept of the sublime in eighteenth-century European culture, Freeman allies the articulation of sublime experience with questions of agency and passion in modern and contemporary women's fiction. Arguments that have seemed merely to explain the sublime also functioned to evaluate, domesticate, and ultimately exclude an otherness that is almost always gendered as feminine. Freeman explores the ways in which fiction by American and British women, mainly of the twentieth century, responds to and redefines what the tradition has called "the sublime.". 606 $aAesthetics, Modern 606 $aAmerican fiction$xWomen authors$xHistory and criticism 615 0$aAesthetics, Modern. 615 0$aAmerican fiction$xWomen authors$xHistory and criticism. 676 $a813.0099287 700 $aFreeman$b Barbara Claire$0549749 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910496138803321 996 $aThe feminine sublime$92857463 997 $aUNINA