LEADER 03839 am 2200877 n 450 001 9910495977103321 005 20240126153815.0 010 $a2-36781-358-2 024 7 $a10.4000/books.pulm.5108 035 $a(CKB)5590000000006443 035 $a(FrMaCLE)OB-pulm-5108 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/86280 035 $a(PPN)251070719 035 $a(EXLCZ)995590000000006443 100 $a20201116j|||||||| ||| 0 101 0 $aeng 135 $auu||||||m|||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aSteven Spielberg $eHollywood WunderKind & Humanist /$fDavid Roche 210 $aMontpellier $cPresses universitaires de la Méditerranée$d2020 215 $a1 online resource (350 p.) 225 1 $aHorizons anglophones 311 $a2-36781-264-0 330 $aSteven Spielberg: Hollywood Wunderkind and Humanist focuses on the most commercialy successful American director of his generation, from his early career at Universal Television to the Oscar-winning Lincoln (2013). The fourteen chapters deal as much with his major hits as with films that have received little critical attention like The Sugarland Express (1974), 1941 (1979) and The Terminal (2004). They address questions of ethics, ideology and identity politics recognized as central to the director?s ?uvre, while seeking to make up for the lack of material on the films? formal qualities and on the notable contributions they have made to classical Hollywood genres such as horror, science fiction and the war movie. This book contests the idea that Spielberg is a ?naïve? director, a mere craftsman with an eye for composition and a natural talent for narrative economy. Instead, the book aims to foreground the work?s cohesion, its influences and self-consciousness, its steadfast inscription within the Western humanist tradition, and its resolve to engage with the contemporary and explore complex ethical issues through mainstream narratives, whether ?serious? Oscar contenders or action-filled popcorn blockbusters, a dichotomy Spielberg has increasingly sought to blur. 606 $aFilm Radio Television 606 $acinéma américain 606 $aesthétique 606 $aéthique 606 $aNouvel Hollywood 606 $apolitique 606 $aSteven Spielberg 606 $aAmerica cinema 606 $aEthics 606 $aAesthetics 606 $aNew Hollywood 606 $aPolitics 610 $aAmerica cinema 610 $aEthics 610 $aAesthetics 610 $aNew Hollywood 610 $aSteven Spielberg 610 $aPolitics 615 4$aFilm Radio Television 615 4$acinéma américain 615 4$aesthétique 615 4$aéthique 615 4$aNouvel Hollywood 615 4$apolitique 615 4$aSteven Spielberg 615 4$aAmerica cinema 615 4$aEthics 615 4$aAesthetics 615 4$aNew Hollywood 615 4$aPolitics 700 $aAchouche$b Mehdi$01326079 701 $aAssouly$b Julie$01326080 701 $aCharlery$b Hélène$01300449 701 $aChinita$b Fátima$01326081 701 $aCourcoux$b Charles-Antoine$01326082 701 $aCouté$b Pascal$01326083 701 $aGaudin$b Antoine$01286369 701 $aGiansante$b Rocco$01326084 701 $aKrämer$b Peter$0405354 701 $aLefait$b Sébastien$01300456 701 $aLipiner$b Michael$01326085 701 $aRoche$b David$f1988-$01586146 701 $aSouladié$b Vincent$01326087 701 $aStubbs$b Andrew$01326088 701 $aUpton$b Julian$01326089 801 0$bFR-FrMaCLE 906 $aBOOK 912 $a9910495977103321 996 $aSteven Spielberg$93872418 997 $aUNINA