LEADER 00926nam0-2200313---450- 001 990008847820403321 005 20090428104116.0 010 $a3-527-28581-4 035 $a000884782 035 $aFED01000884782 035 $a(Aleph)000884782FED01 035 $a000884782 100 $a20090428d1998----km-y0itay50------ba 101 0 $aeng 105 $aa-------001yy 200 1 $aIndustrial Catalysis$eOptimizing Catalysts and Processes$fR.J. Wijngaarden, A. Kronberg, K.R. Westerterp 210 $aWeinheim$cWiley-VCH$dc1998 215 $aXVII, 268 p.,$cill.$d25 cm 610 0 $aCatalysis 700 1$aWijngaarden,$bRuud J.$0505544 701 1$aKronberg,$bA.$0505545 701 1$aWesterterp$bK.R.$0505546 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990008847820403321 952 $a04 129-172$bDIC 4820$fDINCH 959 $aDINCH 996 $aIndustrial Catalysis$9805455 997 $aUNINA LEADER 00986nam--2200349---450- 001 990001567000203316 005 20100908111604.0 010 $a978-1-85437-875-0 035 $a000156700 035 $aUSA01000156700 035 $a(ALEPH)000156700USA01 035 $a000156700 100 $a20040415d2009----km-y0itay50------ba 101 0 $aeng 102 $aGB 105 $aa|||||||001yy 200 1 $aStreet art$ethe graffiti revolution$fCedar Lewisohn$g[foreword by Henry Chalfant] 210 $aLondon$cTate$d2009 215 $a160 p.$cill.$d27 cm 606 0 $aGraffiti$2BNCF 676 $a751.73 700 1$aLEWISOHN,$bCedar$0560536 702 1$aCHALFANT,$bHenry 801 0$aIT$bsalbc$gISBD 912 $a990001567000203316 951 $aXII.2.C. 1972$b4809 L.G.$cXII.2.C.$d00281780 959 $aBK 969 $aUMA 979 $aMARIA$b10$c20040415$lUSA01$h1137 979 $aANNAMARIA$b90$c20100908$lUSA01$h1116 996 $aStreet art$9937696 997 $aUNISA LEADER 02991nam 2200637 450 001 9910495876503321 005 20230801215242.0 010 $a0-520-91456-2 010 $a0-585-36501-6 024 7 $a10.1525/9780520914568 035 $a(CKB)111004366711912 035 $a(MH)005525227-3 035 $a(SSID)ssj0000245631 035 $a(PQKBManifestationID)12075633 035 $a(PQKBTitleCode)TC0000245631 035 $a(PQKBWorkID)10175516 035 $a(PQKB)10980855 035 $a(StDuBDS)EDZ0000083926 035 $a(DE-B1597)544018 035 $a(OCoLC)1149478097 035 $a(DE-B1597)9780520914568 035 $a(MiAaPQ)EBC30495767 035 $a(Au-PeEL)EBL30495767 035 $a(EXLCZ)99111004366711912 100 $a20230801d1994 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe Short, Swift Time of Gods on Earth $eThe Hohokam Chronicles /$fDonald Bahr [and three others] 205 $aFirst edition. 210 1$aBerkeley, California :$cUniversity of California Press,$d[1994] 210 4$dİ1994 215 $a1 online resource (343 p. )$cill. ; 300 $aBibliographic Level Mode of Issuance: Monograph 311 0 $a0-520-08467-5 311 0 $a0-520-08468-3 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tCONTENTS --$tACKNOWLEDGMENTS --$tINTRODUCTION --$tPART 0. PRELUDE, THE FONT TEXT --$tPART 1. GENESIS --$tPART 2. THE FLOOD --$tPART 3. NEW CREATION AND CORN --$tPART 4. THE WHORE --$tPART 5. ORIGIN OF WINE AND IRRIGATION --$tPART 6. MORNING GREEN CHIEF AND THE WITCH --$tPART 7. FEATHER BRAIDED CHIEF AND THE GAMBLER --$tPART 8. SIUUHU'S DEATH AND RESURRECTION --$tPART 9. THE CONQUEST UNTIL BUZZARD --$tPART 10. THE CONQUEST UNTIL SIWA? WA'AKI --$tPART 11. AFTER THE CONQUEST --$tCONCLUSION MYTHOLOGIES --$tAppendix: Correlation of Conquests --$tNOTES --$tREFERENCES --$tINDEX 330 8 $aIn 1935 two Pima Indians recounted and translated their entire traditional creation narrative. Juan Smith, reputedly the last tribesman with extensive knowledge of the Pima version of this story, spoke and sang while William Smith Allison translated into English and Julian Hayden, an archaeologist, recorded Allison's words verbatim. The resulting document, the "Hohokam Chronicles," is the most complete natively articulated Pima creation narrative ever written and a rare example of a single-narrator myth. 606 $aHohokam culture 606 $aPima Indians$vFolklore 606 $aTohono O'odham Indians$vFolklore 615 0$aHohokam culture. 615 0$aPima Indians 615 0$aTohono O'odham Indians 676 $a398.2089974 700 $aBahr$b Donald M.$01133548 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910495876503321 996 $aThe Short, Swift Time of Gods on Earth$93419672 997 $aUNINA