LEADER 03058 am 2200685 n 450 001 9910495847703321 005 20240104030449.0 010 $a2-7574-1825-4 024 7 $a10.4000/books.septentrion.16881 035 $a(CKB)4100000000588747 035 $a(FrMaCLE)OB-septentrion-16881 035 $a(PPN)220897484 035 $a(EXLCZ)994100000000588747 100 $a20171005j|||||||| ||| 0 101 0 $afre 135 $auu||||||m|||| 200 00$aÉriger et borner diocèses et principautés au Moyen Âge$eLimites et frontières (vol II)$fNacima Baron, Stéphane Boissellier, François Clément, Flocel Sabaté 210 $aVilleneuve d'Ascq$cPresses universitaires du Septentrion$d2017 215 $a1 online resource (252 p.) 311 $a2-7574-1633-2 330 $aComment les grandes unités territoriales se sont-elles consolidées au cours du Moyen Âge ? La définition des frontières fut-elle du seul ressort du pouvoir ? Les études de cas analysent des entités représentatives supra-locales depuis la péninsule ibérique jusqu'à Byzance, en passant par le nord de l?Europe et la Méditerranée italienne. Les diocèses et principautés apparaissent ici non comme de simples limites, mais aussi comme des confins socio-culturels, interrogeant identités et altérités sur un territoire donné. The large territorial units are consolidated thanks to the fit between power, territory and the population that belong to them, and the limits are not simple lines but rather the vectors that define identity and otherness, each visualised on one or the other side of the limits. That is why the way the boundaries of supra-local entities, like the diocese and principalities, have been erected and established must be studied. 606 $aReligion 606 $aterritoire 606 $afrontière 606 $adiocèse 606 $aprincipauté 606 $aseigneurie 606 $aidentité 606 $aaltérité 606 $alimite 606 $aMoyen-Âge 615 4$aReligion 615 4$aterritoire 615 4$afrontière 615 4$adiocèse 615 4$aprincipauté 615 4$aseigneurie 615 4$aidentité 615 4$aaltérité 615 4$alimite 615 4$aMoyen-Âge 700 $aBaron$b Nacima$0737308 701 $aBoissellier$b Stéphane$0480444 701 $aBourgeois$b Luc$01303319 701 $aFray$b Jean-Luc$01301283 701 $aGall-Tanguy$b Régis Le$01459002 701 $aGarcia$b Charles$01325238 701 $aGlad$b Damien$0603928 701 $aLevillayer$b Amaury$01459556 701 $aMonclús$b Pere Benito i$01459557 701 $aMoulet$b Benjamin$01293678 701 $aPiel$b Thierry$01282021 701 $aSabaté$b Flocel$0682622 701 $aBaron$b Nacima$0737308 701 $aClément$b François$01285392 801 0$bFR-FrMaCLE 906 $aBOOK 912 $a9910495847703321 996 $aÉriger et borner diocèses et principautés au Moyen Âge$93658752 997 $aUNINA LEADER 03950nam 2200625 a 450 001 9910789818803321 005 20231212212649.0 010 $a94-6166-004-9 035 $a(CKB)2670000000079790 035 $a(EBL)1762960 035 $a(SSID)ssj0000539345 035 $a(PQKBManifestationID)11360950 035 $a(PQKBTitleCode)TC0000539345 035 $a(PQKBWorkID)10568631 035 $a(PQKB)10249750 035 $a(MiAaPQ)EBC1762960 035 $a(OCoLC)715171783 035 $a(MdBmJHUP)muse29503 035 $a(Au-PeEL)EBL1762960 035 $a(CaPaEBR)ebr10452823 035 $a(OCoLC)887504154 035 $a(EXLCZ)992670000000079790 100 $a20090513d2009 uy 0 101 0 $aeng 135 $aurun|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aMusical form, forms & formenlehre$b[electronic resource] $ethree methodological reflections /$fWilliam E. Caplin, James Hepokoski, James Webster ; edited by Pieter Berge? 210 $aLeuven $cLeuven University Press$d[c2009] 215 $a1 online resource (180 p.) 225 1 $aStudies in Musical Form 300 $a"The present volume arose from a symposium on Formenlehre that took place at the 6th European Music Analysis Conference (EuroMAC) in Freiburg, Germany, October 10-14, 2007"--Pref. 311 $a90-5867-822-9 320 $aIncludes bibliographical references (p. 171-175). 327 $aPreface / Ludwig Holtmeier -- Prologue: Considering musical form, forms and formenlehre / Pieter Berge? -- Part I. William E. Caplin & the theory of formal functions -- What are formal functions? / William E. Caplin -- Comments of William E. Caplin's essay "What are formal functions?" / James Hepokoski -- Comments of William E. Caplin's essay "What are formal functions?" / James Webster -- Response to the comments / William E. Caplin. 327 $aPart II. James Hepokoski & the concept of dialogic form -- Sonata theory and dialogic form / James Hepokoski -- Comments on James Hepokoski's essay "Sonata theory and dialogic form" / William E. Caplin -- Comments on James Hepokoski's essay "Sonata theory and dialogic form" / James Webster -- Response to the comments / James Hepokoski. 327 $aPart III. James Webster & the doncerpt of multivalent analysis -- Formenlehre in theory and practice / James Webster -- Comments on James Webster's essay "Formenlehre in theory and practice / William E. Caplin -- Comments on James Webster's essay "Formenlehre in theory and practice / James Hepokoski -- Response to the comments / James Webster -- Epilogue: The future of formenlehre / Pieter Berge? -- Bibliography -- About the authors. 330 $aThe tone of the debates among Caplin, Hepokoski, and Webster (in the form of comments on each author''s essay and then responses to the comments), though tactful, is obliquely blunt and tendentious; like the best of tennis pros, each author strives to serve an ace and defends the net against a passing shot (with Caplin, the ace is for formal function; with Hepokoski for Sonata Theory and dialogic form; with Webster for multivalent analysis). But we can trust that this provocative exchange will thoroughly invigorate discussions about classical form and encourage diverse approaches to its analys 410 0$aStudies in Musical Form 606 $aMusical form 615 0$aMusical form. 676 $a781.8 700 $aCaplin$b William Earl$f1948-$0781762 701 $aHepokoski$b James A$g(James Arnold),$f1946-$0764242 701 $aWebster$b James$f1942-$0669921 701 $aBerge?$b Pieter$01141912 712 12$aEuropean Conference of Music Analysis$d(6th :$f2007 :$eFreiburg, Germany). 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910789818803321 996 $aMusical form, forms & formenlehre$93684549 997 $aUNINA