LEADER 03044oam 2200697I 450 001 9910450963003321 005 20200520144314.0 010 $a1-134-87210-0 010 $a1-134-87209-7 010 $a1-282-32007-6 010 $a9786612320071 010 $a0-203-13777-9 024 7 $a10.4324/9780203137772 035 $a(CKB)1000000000254751 035 $a(EBL)165883 035 $a(OCoLC)60563517 035 $a(SSID)ssj0000360604 035 $a(PQKBManifestationID)11245658 035 $a(PQKBTitleCode)TC0000360604 035 $a(PQKBWorkID)10347477 035 $a(PQKB)10005726 035 $a(MiAaPQ)EBC165883 035 $a(Au-PeEL)EBL165883 035 $a(CaPaEBR)ebr10058219 035 $a(CaONFJC)MIL232007 035 $a(OCoLC)958105090 035 $a(EXLCZ)991000000000254751 100 $a20180331d1996 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe global jukebox $ethe international music industry /$fRobert Burnett 210 1$aLondon ;$aNew York :$cRoutledge,$d1996. 215 $a1 online resource (186 p.) 225 1 $aCommunication and society 300 $aDescription based upon print version of record. 311 $a0-415-09276-0 311 $a0-415-09275-2 320 $aIncludes bibliographical references (p. 153-165) and index. 327 $aBook Cover; Title; Contents; List of figures; List of tables; Acknowledgements; Introduction; Music and the entertainment industry; Music as popular culture; The music industry in transition; The production of popular music; The consumption of popular music; The American example; The Swedish example; Future sounds: a global jukebox?; Postscript; Appendix: Internet World Wide Web (WWW) music home pages; Bibliography; Index 330 $aPopular music is with us constantly. It is part of our everyday environment and in global terms it is now perhaps the most universal means of communication.The Global Jukebox is the first comprehensive study of the international music industry at a time of great change, as the entertainment industry acknowledges its ever growing global audience. Robert Burnett provides an international overview of the music business and its future prospects in the UK, Northern Europe and the United States and Canada. He examines the relationship between local and global cultures and between concent 410 0$aCommunication and society (Routledge (Firm)) 606 $aMusic trade 606 $aPopular music$xHistory and criticism 606 $aMusic$xSocial aspects 608 $aElectronic books. 615 0$aMusic trade. 615 0$aPopular music$xHistory and criticism. 615 0$aMusic$xSocial aspects. 676 $a338.4778 676 $a338.4778164 700 $aBurnett$b Robert$f1956,$0881576 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910450963003321 996 $aThe global jukebox$91968762 997 $aUNINA LEADER 02847 am 2200481 n 450 001 9910495816403321 005 20240104030449.0 010 $a2-35412-425-2 024 7 $a10.4000/books.pupvd.7627 035 $a(CKB)4100000009609529 035 $a(FrMaCLE)OB-pupvd-7627 035 $a(PPN)240432649 035 $a(EXLCZ)994100000009609529 100 $a20191022j|||||||| ||| 0 101 0 $afre 135 $auu||||||m|||| 200 02$aL?invention d?une Méditerranée$ePatrimoine, création, identité en Roussillon de la fin du xviiie siècle à l?entre-deux-guerres$fMarie-Hélène Solère-Sangla 210 $aPerpignan$cPresses universitaires de Perpignan$d2019 215 $a1 online resource (383 p.) 311 $a2-35412-260-8 330 $aEn Roussillon, entre 1810 et 1830, les milieux artistiques et culturels participent aux différentes politiques de mémoire. De ce mouvement naît la conscience d'une singularité roussillonnaise identifiée à travers le patrimoine, l'histoire et la culture. Ce livre présente dans un premier temps les conditions de réflexion et de mise en place d'actions naissantes sur le patrimoine. Elles ont pour cadre les années 1810-1860, une France politique qui tente d'effacer les particularismes et éviter son éclatement après le traumatisme de la Révolution tout en se projetant devant un horizon culturel méditerranéen. La seconde partie a pour cadre les années 1880-1930, l'évolution de la politique de mémoire non plus dictée seulement par les institutions nationales mais par le mouvement régionaliste et les diverses représentations que les Roussillonnais se font de leur région héritée ou à construire. Il s'agit de montrer les influences du régionalisme français qui associe le fédéralisme à l'idée que le Roussillon est partie intégrante de l'espace culturel français, l'influence des séparatismes catalans dans la constitution d'une nouvelle culture matérielle et d'une identité artistique fortement marquée par un lien historique jamais rompu avec la Méditerranée et qu'incarne l'?uvre de Gustave Violet. 606 $aArts & Humanities 606 $arégionalisme 606 $amémoire 606 $asingularité 606 $ainstitution nationale 606 $aidentité artistique 606 $apatrimoine artistique 606 $aRévolution 615 4$aArts & Humanities 615 4$arégionalisme 615 4$amémoire 615 4$asingularité 615 4$ainstitution nationale 615 4$aidentité artistique 615 4$apatrimoine artistique 615 4$aRévolution 700 $aSolère-Sangla$b Marie-Hélène$01458394 801 0$bFR-FrMaCLE 906 $aBOOK 912 $a9910495816403321 996 $aL?invention d?une Méditerranée$93658274 997 $aUNINA LEADER 03896nam 2200613 450 001 9910787999703321 005 20230126212230.0 010 $a3-95489-649-4 035 $a(CKB)2670000000534334 035 $a(EBL)1640326 035 $a(SSID)ssj0001216664 035 $a(PQKBManifestationID)11796304 035 $a(PQKBTitleCode)TC0001216664 035 $a(PQKBWorkID)11197395 035 $a(PQKB)10894713 035 $a(MiAaPQ)EBC1640326 035 $a(Au-PeEL)EBL1640326 035 $a(CaPaEBR)ebr10856424 035 $a(OCoLC)871779840 035 $a(EXLCZ)992670000000534334 100 $a20140414h20142014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aModern slavery in african land $esituations of trafficking women from ethiopia to sudan /$fShewit Gebreegziabher 210 1$aHamburg, Germany :$cAnchor Academic Publishing,$d2014. 210 4$d©2014 215 $a1 online resource (99 p.) 300 $aDescription based upon print version of record. 311 $a3-95489-149-2 320 $aIncludes bibliographical references. 327 $aModern Slavery in African Land; ACKNOWLEDGMENT; TABLE OF CONTENTS; ABSTRACT; ACRONYMS; DEFINITIONS; Chapter One: Rationale of the Study; 1.1. Statement of the Problem; 1.2. Research Objectives; 1.3. Research Questions; 1.4. Significance of the Study; 1.5. Scope of the Study; 1.6. Limitations of the study; 1.7. Structure of the Study; 1.8. Research Methodology; Chapter Two: Conceptual frameworks and the global, regional and national contexts of trafficking; 2.1. Contested Definitions of Trafficking; 2.2. Root Causes of Trafficking in Persons; 2.3. The Global and Regional Trafficking Patterns 327 $a2.4. Human Trafficking Record of East African Countries2.5. The National Context of Trafficking in Women; 2.6. International and Regional Instruments; 2.7. National Instruments; Chapter Three: The situations of trafficking women from Ethiopia to Sudan through Metema Route; 3.1. Background Information of Interviewees; 3.2. Expectations and Reasons for Leaving; 3.3. The Recruitment Process and Negotiation with Brokers; 3.4. Means of Transportation; 3.5. The Traffickers Web: Sharing Benefits; 3.6. The Condition Confronts Women at Arrival; 3.7. The Work Environment 327 $a3.8. The Moments of Being Captured by the Police3.9. Life in Prison; 3.10. Means of Returning Home; 3.11. Preventive (Counter Trafficking) Measures; Chapter Four: Conclusion and Recommendations; 4.1. Conclusion; 4.2. Recommendations; REFERENCES; List of Cases; List of Interviewees; Websites; APPENDICES 330 $aThis study objects to explore the experiences of women who are victims of trafficking, and specializes in women from Ethiopia who are taken to the Sudan, particularly through the Metema trafficking route. The study demonstrates the way how the trafficking women victims were trapped by the web of the traffickers, the means of transportations, the manner of treatment throughout the trafficking process, and the forms of exploitations at the arrival point. Moreover, an endeavor is made in order to point out the human rights violations in the case of trafficking. 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