LEADER 04528nam 22006615 450 001 9910495234903321 005 20240318080925.0 010 $a9783030738273 010 $a3030738272 024 7 $a10.1007/978-3-030-73827-3 035 $a(CKB)4100000011994760 035 $a(MiAaPQ)EBC6689080 035 $a(Au-PeEL)EBL6689080 035 $a(DE-He213)978-3-030-73827-3 035 $a(EXLCZ)994100000011994760 100 $a20210729d2021 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aMusic in the Making of Modern Japan $eEssays on Reception, Transformation and Cultural Flows /$fedited by Kei Hibino, Barnaby Ralph, Henry Johnson 205 $a1st ed. 2021. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2021. 215 $a1 online resource (222 pages) 225 1 $aPop Music, Culture and Identity,$x2634-6621 311 08$a9783030738266 311 08$a3030738264 320 $aIncludes bibliographical references and index. 327 $a1. Introduction (Kei Hibino, Barnaby Ralph and Henry Johnson) -- PART I. Reception -- 2. Western Art Music in Pre-Edo and Meiji Japan: Historical Reception, Cultural Change and Education (Ayako Otomo) -- 3. Western Musical Elements in Japanese Koto Music from the 19th to 21st Centuries: Sonic, Visual and Behavioral Spheres in a Context of Cultural Change (Henry Johnson) -- 4. Guitar Making and Intercultural Communication in Japan and Australia (Gavin Carfoot) -- PART II. Transformation -- 5. Black Intentions: Maki Ishii, Ryohei Hirose, Makoto Shinohara and the Japanese Avant-Garde (Barnaby Ralph) -- 6. Scarlett, an American Musical Made in Japan; or, How Japanese Learned to Stop Worrying and Love Integrated Musicals (Kei Hibino) -- 7. Like Some Cat from Japan: Masayoshi Sukita's Photographs of David Bowie as Japan's First Appearance in the History of Rock Music (Yuki Gennaka) -- PART III. Cultural Flow -- 8.The Flow of Jazz in Japan: Why Jazz Resonates So Far from Home (Michael Pronko) -- 9. Juna's Groove and Emi's Beat: Women and Rock in Modern Japan (Barnaby Ralph in conversation with Emi Yonekubo and Juna Serita) -- 10. Manufacturing Identity: Femininity, Discourse and Representation in Japanese Popular Music (Aya Sato and Ayako Otomo). 330 $a"This innovative volume [...] brings together highly diverse genres, texts, and issues, including music education, gender, and traditional, classical, and popular genres. The chapters speak to each other through the unifying concept of affective media, and successfully provide a rich palette of a wide variety of the vibrant and multifaceted state of music in Japan today." - Professor Alison Tokita, Monash University, Australia This volume explores the notion of "affective media" within and across different arts in Japan, with a primary focus on music, whether as standalone product or connected to other genres such as theatre and photography. The volume explores the Japanese reception of this "affective media", its transformation and subsequent cultural flow. Moving from a discussion of early encounters with the West through Jesuits and others, the contributors primarily consider the role of music in the nineteenth, twentieth, and twenty-first centuries. With ten original chapters, the volume covers a wealth of themes, from education, koto music, guitar making, avant-garde recorder works, musicals and rock photography, to interviews with contemporary performers in jazz, modern rock and J-pop. Innovative and fascinating, the book provides rich new insights and material to all those interested in Japanese musical culture. 410 0$aPop Music, Culture and Identity,$x2634-6621 606 $aMusic 606 $aEthnology$zAsia 606 $aCulture 606 $aPopular culture 606 $aMusic 606 $aAsian Culture 606 $aPopular Culture 615 0$aMusic. 615 0$aEthnology 615 0$aCulture. 615 0$aPopular culture. 615 14$aMusic. 615 24$aAsian Culture. 615 24$aPopular Culture. 676 $a781.630952 676 $a306.48420952 702 $aHibino$b Kei$f1967- 702 $aRalph$b Barnaby 702 $aJohnson$b Henry 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910495234903321 996 $aMusic in the making of modern Japan$92833916 997 $aUNINA