LEADER 05326nam 22006615 450 001 9910495227003321 005 20231206225754.0 010 $a9783030729172$b(eBook) 010 $a3030729176$b(eBook) 010 $z9783030729165$b(Hardcover) 010 $z3030729168$b(Hardcover) 024 7 $a10.1007/978-3-030-72917-2 035 $a(OCoLC)1266360205 035 $a(MiAaPQ)EBC6716416 035 $a(CKB)5600000000003575 035 $a(EXLCZ)995600000000003575 100 $a20210831h20212021 uy 0 101 0 $aeng 135 $aurcn#|||mna|a 181 $ctxt$2rdacontent 181 $csti$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aTransnational German cinema $eencountering Germany through film and events /$fIrina Herrschner, Kirsten Stevens, Benjamin Nickl, Editors 205 $a1st ed. 2021. 210 1$aCham, Switzerland :$cSpringer International Publishing :$cImprint: Springer,$d2021. 215 $a1 online resource (xi, 201 pages)$cillustrations (chiefly colour) 225 1 $aGlobal Germany in Transnational Dialogues,$x2522-5332 311 0 $a3-030-72916-8 320 $aIncludes bibliographical references. 327 $gPart I$tFilms in Global Circuits --$tTrans-national Encounters at the Berlinale: A Look From the Inside /$rIrina Herrschner and Kirsten Stevens --$tTranslation and Dissemination of German Films in China (1994-2018) /$rHaina Jin --$tTransnational Qualities of German Cinema: An Austro/European Audience Analysis /$rSibel Kaba and Deniz Özpalman --$tInternational Feature Film Co-Productions Between Australia and Germany: An Australian Perspective /$rFranziska Wagenfeld and Deb Verhoeven --$gPart II$tTransnational Audiences and Communities --$tTuvalu Live!: Live Re-scoring, Transnational Digital Participation and Audience Engagement in a Film Festival Context /$rSarah Atkinson --$tThe Black German Experience in Afro-European Cinema - or How Woke Twitter Called Out Amma Asante for Romancing the Reich /$rBenjamin Nickl -- #Germancinema in the Eye of Instagram: Showcasing a Method Combination /$rJoan Ramon Rodriguez-Amat and Yulia Belinskaya --$gPart III$tGerman Filmmakers in a Global Environment --$tIntercultural Experience Through Affective Encounters: Marten Persiel?s This Ain?t California (2012) /$rJames Cleverley --$tWerner Herzog and the Transnational-Appeal of the Mythic Hyperreal /$rStefan Octavian Popescu --$tLars von Trier and German Expressionism: Understanding von Trier?s Transnational Appeal /$rAleks Wansbrough -- ?Denglish?, ?International English?, ?Garbage Language? and ?Corporate Speak?: Transnational Non-language in Maren Ade?s Toni Erdmann /$rBlythe S. Worthy. 330 $a"This volume explores the notion of German cinema as both a national and increasingly transnational entity. It brings together chapters that analyse the international circuits of development and distribution that shape the emerging films as part of a contemporary ?German cinema?, the events and spectacles that help frame and re-frame national cinemas and their discoverability, and the well-known filmmakers who sit at the vanguard of the contemporary canon. Thereby, it explores what we understand as German cinema today and the many points where this idea of national cinema can be interrogated, expanded and opened up to new readings. At the heart of this interrogation is a keen awareness of the technological, social, economic and cultural changes that have an impact on global cinemas more broadly: new distribution channels such as streaming platforms and online film festivals, and audience engagement that transcends national borders as well as the cinema space. International film production and financing further heightens the transnational aspects of cinema, a quality that is often neglected in marketing and branding of the filmic product. With particular focus on film festivals, this volume explores the tensions between the national and transnational in film, but also in the events that sit at the heart of global cinema culture. It includes contributions from filmmakers, cultural managers and other professionals in the field of film and cinema, as well as scholarly contributions from academics researching popular culture, film, and events in relation to Germany."--Provided by publisher. 410 0$aGlobal Germany in Transnational Dialogues.$x2522-5332 606 $aMotion pictures, German 606 $aMotion picture industry$zGermany 606 $aFilm festivals 606 $aFilm festivals$2fast$3(OCoLC)fst00924266 606 $aMotion picture industry$2fast$3(OCoLC)fst01027150 606 $aMotion pictures, German$2fast$3(OCoLC)fst01027493 607 $aGermany$2fast 615 0$aMotion pictures, German. 615 0$aMotion picture industry 615 0$aFilm festivals. 615 7$aFilm festivals. 615 7$aMotion picture industry. 615 7$aMotion pictures, German. 676 $a384.8094309049 702 $aHerrschner$b Irina 702 $aStevens$b Kirsten 702 $aNickl$b Benjamin 801 0$bYDX 801 1$bYDX 801 2$bYDX 801 2$bMiAaPQ 801 2$bCaOWtU 912 $a9910495227003321 996 $aTransnational German cinema$92875511 997 $aUNINA