LEADER 05561nam 2200469 450 001 9910495202303321 005 20230629220431.0 010 $a3-030-73130-8 035 $a(CKB)4100000011990213 035 $a(MiAaPQ)EBC6683002 035 $a(Au-PeEL)EBL6683002 035 $a(OCoLC)1262372163 035 $a(EXLCZ)994100000011990213 100 $a20220412d2021 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aStorytelling in radio and podcasts $ea practical guide /$fSven Preger 210 1$aCham, Switzerland :$cPalgrave Macmillan,$d[2021] 210 4$d©2021 215 $a1 online resource (249 pages) 311 $a3-030-69631-6 327 $aIntro -- Preface -- Acknowledgments -- Contents -- List of Figures -- 1 Acoustic Narration: A New Beginning -- 1.1 Why We Need Stories -- 1.2 What Has Happened so Far: Serial and the Consequences -- 1.3 Narrative Audio: Create a Sonic Experience -- 1.4 The Ten Most Common Story Problems -- Bibliography -- 2 A Good Story: Delivering an Experience -- 2.1 More Drama: What Aristotle and Aaron Sorkin Have in Common -- 2.2 Make It Primal: Does It Touch Me in My Innermost Being? -- 2.3 High Stakes: What Is at Risk? -- 2.4 Bigger Idea: What's the Story Behind All This? -- 2.5 One-Liner: How to Pitch and Convince in just a Few Sentences -- 2.6 The Narrative Sentence: Four Elements for a Story -- 2.7 The Engines of a Good Story: Action and Revelation -- 2.8 Story Pillars: Narrative Change Management -- 2.9 Summary Example Analysis: Story Check Serial -- Bibliography -- 3 No Story Without Structure: Plot Development -- 3.1 If You Want Listeners, You Need a Plot -- 3.2 Audio Plot: Logical Sequence of Scenes -- 3.3 Select and Change Your POV: The Ladder of Abstraction -- 3.4 Act Structure: Creating Order -- 3.5 The Hero's Journey: Learning from Old Tales -- 3.6 Screenplay Paradigm: Designing Dynamic Transitions -- 3.7 Sonic Narratives: Principles and Core Elements -- 3.8 Five Narrative Metaplots -- 3.9 Storytelling for Short Reports and Reporter Interviews -- 3.10 Serials: Next Time... -- Bibliography -- 4 Character Development: The Actor Drives the Story -- 4.1 The Protagonist: Active, Focused and Flawed -- 4.2 Staging Characters, not People -- 4.3 3D-Relationship Between Listener and Character -- 4.4 Making an Appearance: Introducing Characters -- 4.5 Working with Characters: The Story Interview -- 4.6 Me: The Reporter as Protagonist -- 4.7 Checklist: Character Development -- Bibliography -- 5 Dynamic Storytelling: How to Build Suspense. 327 $a5.1 Binding Listeners to the Story -- 5.2 Suspense Killer -- 5.3 Deliver an Experience: Creating a Live-Feeling -- 5.4 Intriguing Opening: Reel Listeners in -- 5.5 Dramaturgical Expectation Management: Different from What You Thought -- 5.6 The List of Revelations: Wow-Moments for Listeners -- 5.7 Creating Rhythm: Enjoying the Special Moment -- 5.8 Emotions: Not Imitating and Pretending, but Showing and Creating -- 5.9 Cliche? Plus X -- 5.10 Flashback: More Than a Leap into the Past -- 5.11 The Final Sentence: All Things Considered -- 5.12 The Power of Audio: Embrace Intimacy -- 5.13 Checklist: Suspense Techniques -- Bibliography -- 6 Scenic Narratives -- 6.1 Scenes: Experience Reality -- 6.2 Designing Scenes: A Cosmos of Their Own -- 6.3 Introducing Characters Scenically -- 6.4 Tape: True-to-Scene Original Sounds -- 6.5 Scenic Original Sounds: Dialogical, Dirty, Dense and Indirect -- 6.6 Reconstructed Scenes: Accurate, Credible and Transparent -- 6.7 Wrong Reportage: When a Situation Has Nothing to Say -- 6.8 Checklist: Scenic Narratives -- Bibliography -- 7 Who Speaks: Developing and Implementing a Narrative Attitude -- 7.1 The Narrator: Beyond the 'German Narrator' -- 7.2 The Job of the Narrator: Presenting and Commenting -- 7.3 The Narrator's Mindset: Developing a Narrative Attitude -- 7.4 I, Narrator -- 7.5 Writing for Narration -- 7.6 Creating a Live Impression -- 7.7 Checklist: Narrative Attitude -- Bibliography -- 8 Staging: From Script to Sound -- 8.1 Good Staging Serves the Story -- 8.2 The Clean Original Sound -- 8.3 Editors and Directors: Making a Good Story Better -- 8.4 Studio Work I: Check Against Delivery -- 8.5 Scoring with Rhythm and Reason -- 8.6 Studio-Work II: Collage & -- Co -- 8.7 Checklist: Staging -- Bibliography -- 9 Ethics and the Limits of Narrations: Is This Still Journalism? -- 9.1 News Factors Vs Story Factors. 327 $a9.2 Narrations Do not Reflect Reality! -- 9.3 Narrations Rely on Emotions Only! -- 9.4 Narrations Lack Journalistic Distance! -- 9.5 Narrations Serve Journalistic Gonzo Egos! -- 9.6 Narrations Force Out All Other Forms! -- 9.7 Narrations Are Out of Date, Right?! -- Bibliography -- 10 Work Routine for the Narrative Reporter -- 10.1 The Perfect Pitch -- 10.2 Workflow for Narratives: The Seven Steps to a Finished Story -- 10.3 Fixes for the Ten Most Common Story Problems -- Bibliography -- Index. 606 $aStorytelling 606 $aRadio broadcasting 606 $aPodcasts 615 0$aStorytelling. 615 0$aRadio broadcasting. 615 0$aPodcasts. 676 $a808.543 700 $aPreger$b Sven$0849268 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910495202303321 996 $aStorytelling in Radio and Podcasts$92175025 997 $aUNINA