LEADER 04147nam 22006495 450 001 9910495170403321 005 20220120201018.0 010 $a3-030-75028-0 024 7 $a10.1007/978-3-030-75028-2 035 $a(CKB)5590000000549234 035 $a(DE-He213)978-3-030-75028-2 035 $a(MiAaPQ)EBC31005868 035 $a(Au-PeEL)EBL31005868 035 $a(EXLCZ)995590000000549234 100 $a20210728d2021 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aBarrie Kosky?s Transnational Theatres /$fedited by James Phillips, John R. Severn 205 $a1st ed. 2021. 210 1$aCham :$cSpringer International Publishing :$cImprint: Springer,$d2021. 215 $a1 online resource (XVI, 211 p. 39 illus., 35 illus. in color.) 225 1 $aGlobal Germany in Transnational Dialogues,$x2522-5332 311 $a3-030-75027-2 327 $aIt Begins with the Theatre: Barrie Kosky?s Workshop -- ?Very much a laboratory?: Barrie Kosky and the Gilgul Ensemble 1991?1997 -- ?Aesthetic Ideas?: Mystery and Meaning in the Early Work of Barrie Kosky -- Something for Everybody? Art, Community, the Unfamiliar, and Barrie Kosky at the Adelaide Festival -- Dramaturgies of Repetition and the Denial of Catharsis: Traumatic Breaking Points in Barrie Kosky?s Approach to Character -- When All Else Fails, Sing: Barrie Kosky?s The Women of Troy -- Barrie Kosky?s Grotesques and the Ecstasy of Theatre -- ?Es klang so alt und war doch so neu?: Barrie Kosky and Wagner?s Die Meistersinger von Nürnberg -- (Not) Repeating the Past in Barrie Kosky?s Die Meistersinger von Nürnberg. 330 $aThis book, the first of its kind, surveys the career of the renowned Australian-German theatre and opera director Barrie Kosky. Its nine chapters provide multidisciplinary analyses of Barrie Kosky?s working practices and stage productions, from the beginning of his career in Melbourne to his current roles as Head of the Komische Oper Berlin and as a guest director in international demand. Specialists in theatre studies, opera studies, musical theatre studies, aesthetics, and arts administration offer in-depth accounts of Kosky?s unusually wide-ranging engagements with the performing arts ? as a director of spoken theatre, operas, musicals, operettas, as an adaptor, a performer, a writer, and an arts manager. Further, this book includes contributions from theatre practitioners with first-hand experience of collaborating with Kosky in the 1990s, who draw on interviews with members of Gilgul, Australia?s first Jewish theatre company, to document this formative period in Kosky?s career. The book investigates the ways in which Kosky has created transnational theatres, through introducing European themes and theatre techniques to his Australian work or through bringing fresh voices to the national dialogue in Germany?s theatre landscape. An appendix contains a timeline and guide to Kosky?s productions to date. . 410 0$aGlobal Germany in Transnational Dialogues,$x2522-5332 606 $aCulture?Study and teaching 606 $aPerforming arts 606 $aTheater 606 $aMass media 606 $aTheater?History 606 $aCultural Studies 606 $aTheatre and Performance Arts 606 $aMedia Sociology 606 $aTheatre History 615 0$aCulture?Study and teaching. 615 0$aPerforming arts. 615 0$aTheater. 615 0$aMass media. 615 0$aTheater?History. 615 14$aCultural Studies. 615 24$aTheatre and Performance Arts. 615 24$aMedia Sociology. 615 24$aTheatre History. 676 $a306 702 $aPhillips$b James$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aSevern$b John R$4edt$4http://id.loc.gov/vocabulary/relators/edt 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910495170403321 996 $aBarrie Kosky?s Transnational Theatres$92589242 997 $aUNINA