LEADER 05058nam 22007095 450 001 9910495162403321 005 20230810172842.0 010 $a3-030-73403-X 024 7 $a10.1007/978-3-030-73403-9 035 $a(CKB)4100000011999318 035 $a(MiAaPQ)EBC6705788 035 $a(Au-PeEL)EBL6705788 035 $a(DE-He213)978-3-030-73403-9 035 $a(EXLCZ)994100000011999318 100 $a20210816d2021 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aKinaesthesia and Visual Self-Reflection in Contemporary Dance /$fby Shantel Ehrenberg 205 $a1st ed. 2021. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2021. 215 $a1 online resource (286 pages) 225 1 $aCognitive Studies in Literature and Performance,$x2945-7300 311 $a3-030-73402-1 320 $aIncludes bibliographical references and index. 327 $a1. Chapter 1: Introducing, situating, positioning(s)- Chapter 2: Illuminating dancers? kinaesthetic experience -- Chapter 3: A Kinaesthetic Mode of Attention -- Chapter 4: Practices and values which develop and nurture a kinaesthetic mode of attention -- Chapter 5: Kinaesthesia and video self-image(s): foregrounding the imagination -- Chapter 6 Concluding Diffractions / Diffracting Conclusions. 330 $a?This book makes an extraordinarily timely contribution to the field of dance studies, through articulating the kinaesthetic awareness that contemporary dancers cultivate in their professional practice. Artfully synthesising previous scholarly research concerning the embodied knowledge of contemporary dancing subjects, Ehrenberg proposes exciting new ways of conceptualising the intra-action between dancers and the ubiquitous technology supporting dancemaking processes. A highly engaging and impactful read, it points to important new directions in dance and related research fields.? -Dr Jenny Roche, Senior Lecturer in Contemporary Dance, University of Limerick, Ireland ?This book offers an invaluable insight to how dancers respond to and speak about the tension they may experience between the ?felt-sense? of their dancing and their visual image. As such it provides new understandings about how dancers experience being watched. By combining dancer commentary with a range of theories as diverse as feminist philosophy, post-structuralism and posthumanism, the book adeptly conceptualises and interrogates the concept of a ?kinaesthetic mode of attention? for contemporary dance.? -Professor Sarah Whatley, C-DaRE, Coventry University, UK Kinaesthesia and Visual Self-reflection in Contemporary Dance features interviews with UK-based professional-level contemporary, ballet, hip hop, and breaking dancers and cross-disciplinary explication of kinaesthesia and visual self-reflection discourses. Expanding on the concept of a ?kinaesthetic mode of attention? leads to discussion of some of the key values and practices which nurture and develop this mode in contemporary dance. Zooming in on entanglements with video self-images in dance practice provides further insights regarding kinaesthesia?s historicised polarisation with the visual. It thus provides opportunities to dwell on and reconsider reflections, opening up to a set of playful yet disruptive diffractions inherent in the process of becoming a contemporary dancer, particularly amongst an increasingly complex landscape of visual and theoretical technologies. Shantel Ehrenberg is a practitioner/researcher/academic. Her research and practice focus on the complexity of the corporeal. She is Lecturer in Dance & Theatre at the University of Surrey, UK. Her research is also found in publications such as Choreographic Practices, Dance Research Journal, and Research in Dance Education. 410 0$aCognitive Studies in Literature and Performance,$x2945-7300 606 $aDance 606 $aStage management 606 $aScience$xSocial aspects 606 $aActors 606 $aPerforming arts 606 $aTheater 606 $aDance 606 $aTechnology and Stagecraft 606 $aScience and Technology Studies 606 $aPerformers and Practitioners 606 $aTheatre and Performance Arts 615 0$aDance. 615 0$aStage management. 615 0$aScience$xSocial aspects. 615 0$aActors. 615 0$aPerforming arts. 615 0$aTheater. 615 14$aDance. 615 24$aTechnology and Stagecraft. 615 24$aScience and Technology Studies. 615 24$aPerformers and Practitioners. 615 24$aTheatre and Performance Arts. 676 $a792.8 676 $a792.8 700 $aEhrenberg$b Shantel$0849288 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910495162403321 996 $aKinaesthesia and Visual Self-Reflection in Contemporary Dance$91896760 997 $aUNINA