LEADER 05137nam 22007695 450 001 9910495161503321 005 20230628165317.0 010 $a3-030-79100-9 024 7 $a10.1007/978-3-030-79100-1 035 $a(CKB)4100000011996264 035 $a(MiAaPQ)EBC6696248 035 $a(Au-PeEL)EBL6696248 035 $a(OCoLC)1265460734 035 $a(DE-He213)978-3-030-79100-1 035 $a(EXLCZ)994100000011996264 100 $a20210810d2021 u| 0 101 0 $aeng 135 $aurcz#---auuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aPaul McCartney and His Creative Practice $eThe Beatles and Beyond /$fby Phillip McIntyre, Paul Thompson 205 $a1st ed. 2021. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2021. 215 $a1 online resource (315 pages) $cillustrations 225 1 $aPalgrave Studies in Creativity and Culture,$x2755-4511 311 $a3-030-79099-1 320 $aIncludes bibliographical references and index. 327 $aChapter 1. Background to the Study: The Systems Approach to Creativity -- Chapter 2. Paul McCartney as a Performing Musician -- Chapter 3. Paul McCartney and the Creation of ?Yesterday? -- Chapter 4. Paul McCartney and the Creation of ?Paperback Writer?: Examining the Flow of Ideas and Knowledge Between Scalable Creative Systems -- Chapter 5. Paul Mcartney?s Major Creative Collaborators: John Lennon and the Creative System -- Chapter 6. Paul McCartney as Record Producer: Complete Immersion in the Creative System -- Chapter 7. Paul McCartney?s Multiple Creative and Business Ventures. 330 $aThis book provides fresh insight into the creative practice developed by Paul McCartney over his extended career as a songwriter, record producer and performing musician. It frames its examination of McCartney?s work through the lens of the systems model of creativity developed by Mihaly Csikszentmihalyi and combines this with the research work of Pierre Bourdieu. This systems approach is built around the basic structures of idiosyncratic agents, like McCartney himself, and the choices he has made as a creative individual. It also locates his work within social fields and cultural domains, all crucial aspects of the creative system that McCartney continues to be immersed in. Using this tripartite system, the book includes analysis of McCartney?s creative collaborations with musicians, producers, artists and filmmakers and provides a critical analysis of the Romantic myth which forms a central tenet of popular music. This engaging work will have interdisciplinary appeal to students and scholars of the psychology of creativity, popular music, sociology and cultural studies. Phillip McIntyre is a Professor of Communication and Media at the University of Newcastle, Australia where he researches creativity and innovation. Phillip has published widely with a particular focus on the creative processes involved in various aspects of music including songwriting, sound engineering, and record production. He is the author of Creativity and Cultural Production: Issues for Media Practice (2012), co-editor of Creativity as a System in Action (2016), and co-author of Educating for Creativity within Higher Education (2018). Phillip also has extensive experience within the music industry. Paul Thompson is a professional recording engineer and producer who has worked in the music industry for over 15 years. He is currently a Reader in Popular Music at Leeds Beckett University in Leeds School of Arts, and his research is centered on record production, audio education, popular music heritage, creativity and cultural production in popular music. His book ?Creativity in the Recording Studio: Alternative Takes? was published in early 2019 by Palgrave MacMillan. 410 0$aPalgrave Studies in Creativity and Culture,$x2755-4511 606 $aPersonality 606 $aDifference (Psychology) 606 $aMusic 606 $aCulture 606 $aPopular Culture 606 $aMotion pictures 606 $aPersonality and Differential Psychology 606 $aMusic 606 $aSociology of Culture 606 $aPopular Culture 606 $aAudio-Visual Culture 606 $aCreativitat$2thub 608 $aLlibres electrònics$2thub 615 0$aPersonality. 615 0$aDifference (Psychology). 615 0$aMusic. 615 0$aCulture. 615 0$aPopular Culture. 615 0$aMotion pictures. 615 14$aPersonality and Differential Psychology. 615 24$aMusic. 615 24$aSociology of Culture. 615 24$aPopular Culture. 615 24$aAudio-Visual Culture. 615 7$aCreativitat 676 $a782.42166092 676 $a782.42166092 700 $aMcIntyre$b Phillip$f1953-$01074836 702 $aThompson$b Paul$f1981- 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910495161503321 996 $aPaul McCartney and his creative practice$92582558 997 $aUNINA