LEADER 01067nam--2200373---450- 001 990003475680203316 005 20101207155843.0 010 $a978-3-11-018581-2 035 $a000347568 035 $aUSA01000347568 035 $a(ALEPH)000347568USA01 035 $a000347568 100 $a20101207d2005----km-y0itay50------ba 101 $aeng 102 $aDE 105 $a||||||||001yy 200 1 $aStatistics in language research$eanalysis of variance$fby Toni Rietveld and Roeland van Hout 210 $aBerlin$aNew York$cMouton de Gruyter$d2005 215 $aVIII, 265 p.$d23 cm 410 0$12001 454 1$12001 461 1$1001-------$12001 606 0 $aLinguistica$xMetodi statistici 676 $a410.727 700 1$aRIETVELD,$bToni$0221472 701 1$aHOUT,$bRoeland : van$0292067 801 0$aIT$bsalbc$gISBD 912 $a990003475680203316 951 $aI.8.G.36$b9875 DSLL 959 $aBK 969 $aDSLL 979 $aDSLL$b90$c20101207$lUSA01$h1558 996 $aStatistics in language research$91112473 997 $aUNISA LEADER 01288cam0 22002771 450 001 SOBE00042883 005 20140505134155.0 100 $a20140505d1937 |||||ita|0103 ba 101 $afre 102 $aFR 200 1 $aChefs d'oeuvre de l'art français, 1937$ePalais National des Arts, Paris$e[Exposition placée sous le Haut Patronage de Albert Lebrun ...]$f[introduction par Henri Focillon$gpréface de Léon Blum$gavant-propos par Jean Zay$gavertissement par Georges Huisman] 210 $aParis$c[s.e.]$d 1937$eLille$gImprimerie Danel 215 $aLVI, 605 p.$d21 cm 702 1$aFocillon, Henri$3AF00004715$4070 702 1$aBlum, Léon$3A600200063983$4070 702 1$aZay, Jean$3SOBA00009880$4070 710 12$a*Chefs d'oeuvre de l'art français $3SOBA00009879$4070$0773959 801 0$aIT$bUNISOB$c20140505$gRICA 850 $aUNISOB 852 $aUNISOB$j4|A$m12774|ort 912 $aSOBE00042883 940 $aM 102 Monografia moderna SBN 941 $aM 957 $xFondo|Ortolani$a4|A$b009$fModalità di consultazione sulla home page della Biblioteca link Fondi$gNO$d12774|ort$hOrtolaniS$rdono$1calvano123$2UNISOB$3UNISOB$420140505134224.0$520140505134325.0$6calvano123 996 $aChefs d'oeuvre de l'art français, 1937$91710975 997 $aUNISOB LEADER 04196nam 22006255 450 001 9910495154203321 005 20220724071949.0 010 $a9789811640193 010 $a981164019X 024 7 $a10.1007/978-981-16-4019-3 035 $a(CKB)4100000012008389 035 $a(MiAaPQ)EBC6710582 035 $a(Au-PeEL)EBL6710582 035 $a(OCoLC)1265462233 035 $a(DE-He213)978-981-16-4019-3 035 $a(EXLCZ)994100000012008389 100 $a20210820d2021 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aGeographies of Commemoration in a Digital World $eAnzac @ 100 /$fby Danielle Drozdzewski, Shanti Sumartojo, Emma Waterton 205 $a1st ed. 2021. 210 1$aSingapore :$cSpringer Nature Singapore :$cImprint: Palgrave Pivot,$d2021. 215 $a1 online resource (157 pages) 225 1 $aPalgrave Pivot 311 08$a9789811640186 311 08$a9811640181 327 $aChapter 1: Geographies of commemoration in a digital world -- Chapter 2: Epistemology of memory -- Chapter 3: Encounters with Anzac in a digital world: tropes and symbols, spectacle and staging -- Chapter 4: Digital presence and absence -- Chapter 5: Digital feelings -- Chapter 6: Using geography to think-through and towards new commemorative frontiers. 330 $a'How does Anzac feel? Why does it continue to have such a hold on the Australian imagination? And how are digital technologies affecting the ways that we experience Anzac? These are the questions at the heart of this compelling and innovative new book by Danielle Drozdzewski, Shanti Sumartojo and Emma Waterton. It argues convincingly for a new geography of commemoration that recognises the complex ways that digital commemoration interacts with traditional forms. The authors' insights have important applications in enabling scholars across disciplines to better understand the affective appeal of state-sponsored mythologies.' -Dr Carolyn Holbrook, DECRA Senior Research Fellow, Deakin University, Australia 'This accessible book reveals the deep, emotional and mnemonic digital and cultural work of the public during national commemorations. This is cultural work through the co-produced methodology that offers the reader new ways of undertaking participatory research in memory studies. Story becomes action (real-time and remembered) as the authors reveal the phatic experience of Australia's Anzac memories online as a constellation of digital places and feelings and fresh empirical evidence of non-conformity. The originality of this book lies in its collaborative methods across different but inter-related approaches to researching remembrance in the 21st century.' -Joanne Garde-Hansen, Professor of Culture, Media & Communication, University of Warwick, UK This book reframes commemoration through distinctly geographical lenses, locating it within experiential and digital worlds. It interrogates the role of power in representations of memory and shows how experiences of commemoration sit within, alongside and in contrast to its official normative forms. The book charts how memories, places and experiences of commemoration play out and have, or have not, changed in and through a digital world. Key to the book's exploration is a new epistemology of memory, underpinned by an embodied research approach. 410 0$aPalgrave pivot. 606 $aHuman geography 606 $aCultural property 606 $aCollective memory 606 $aHuman Geography 606 $aCultural Heritage 606 $aMemory Studies 615 0$aHuman geography. 615 0$aCultural property. 615 0$aCollective memory. 615 14$aHuman Geography. 615 24$aCultural Heritage. 615 24$aMemory Studies. 676 $a940.46 700 $aDrozdzewski$b Danielle$0846247 702 $aWaterton$b Emma 702 $aSumartojo$b Shanti 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910495154203321 996 $aGeographies of commemoration in a digital world$92855049 997 $aUNINA