LEADER 01020nam--2200337---450- 001 990003667640203316 005 20120605105418.0 010 $a978-0-521--88144-9 035 $a000366764 035 $aUSA01000366764 035 $a(ALEPH)000366764USA01 035 $a000366764 100 $a20120605d2009----km-y0itay50------ba 101 $aeng 102 $aGB 105 $a||||||||001yy 200 1 $aEuropean Union law for international business$ean introduction$fBernard Bishop 210 $aCambridge$cCambridge University press$d2009 215 $aXX, 241 p.$d24 cm 410 0$a1122 606 0 $aCommercio internazionale$xDiritto comunitario$2BNCF 676 $a346.2407 700 1$aBISHOP,$bBernard$0612452 801 0$aIT$bsalbc$gISBD 912 $a990003667640203316 951 $aXXIII.4.H. 263$b73904 G.$cXXIII.4.H.$d00311122 959 $aBK 969 $aGIU 979 $aCHIARA$b90$c20120605$lUSA01$h1054 996 $aEuropean Union law for international business$91141091 997 $aUNISA LEADER 03784nam 2200493 450 001 9910494741803321 005 20200909235058.0 010 $a90-04-33985-X 024 7 $a10.1163/9789004339859 035 $a(CKB)3710000001084423 035 $a(MiAaPQ)EBC4825540 035 $a(OCoLC)976395900$z(OCoLC)978539346$z(OCoLC)978850791$z(OCoLC)979036926$z(OCoLC)979410452$z(OCoLC)979922049$z(OCoLC)980132944$z(OCoLC)980403971$z(OCoLC)980636942$z(OCoLC)985932419 035 $a(nllekb)BRILL9789004339859 035 $a(EXLCZ)993710000001084423 100 $a20170405h20172017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe philosophical Baroque $eon autopoietic modernities /$fby Erik S. Roraback 210 1$aLeiden, The Netherlands ;$aBoston, [Massachusetts] :$cBrill Rodopi,$d2017. 210 4$d©2017 215 $a1 online resource (311 pages) $cillustrations 225 1 $aLiterary Modernism,$x2405-9315 ;$vVolume 2 311 $a90-04-32327-9 320 $aIncludes bibliographical references and index. 327 $aPreliminary Material -- Introduction: Re-Framing Modernity -- Luhmann and Autopoietic Forms of the (Neo) Baroque Modern: Or, Structure, System, and Contingency -- Folds of Desire?s (Dis)contents: Orson Welles, Lacan, and Shakespeare?s King Lear (c. 1606) -- The Monad of Deleuze?s Many-Tiered High Baroque Leibniz -- Folds of an Autopoietic and Unconscious Monad: Henry James, Benjamin, and Blanchot -- (Neo) Baroque Intersections: Finnegans Wake (1939), Gravity?s Rainbow (1973), and L?Écriture du désastre (The Writing of the Disaster) (1980) -- Neobaroque Fingerprints: Artistic Authority, Interpretation, and Economic Power/Un-power of Finnegans Wake -- Deleuze?s Le pli: Leibniz et le baroque (The Fold: Leibniz and the Baroque) (1988) with Joyce?s ?stohong baroque? Finnegans Wake -- Autopoietic Baroque Energies: Finnegans Wake -- Folding Blanchot onto Pynchon: Enlightenment Reason, the Global Technical System, and World Citizenship -- Catastrophe, Allegory, and the Philosophical Baroque: A Quartet of Benjamin-Lacan and Joyce-Pynchon -- Conclusions -- Select Bibliography -- Index of Premodern and Modern Authors -- Index of Sources -- Index of Names and Subjects. 330 $aIn his pioneering study The Philosophical Baroque: On Autopoietic Modernities , Erik S. Roraback argues that modern culture, contemplated over its four-century history, resembles nothing so much as the pearl famously described, by periodizers of old, as irregular, barroco . Reframing modernity as a multi-century baroque, Roraback steeps texts by Shakespeare, Henry James, Joyce, and Pynchon in systems theory and the ideas of philosophers of language and culture from Leibniz to such dynamic contemporaries as Luhmann, Benjamin, Blanchot, Deleuze and Guattari, Lacan, and ?i?ek. The resulting brew, high in intellectual caffeine, will be of value to all who take an interest in cultural modernity?indeed, all who recognize that ?modernity? was (and remains) a congeries of competing aesthetic, economic, historical, ideological, philosophical, and political energies 410 0$aLiterary modernism (Leiden) ;$vVolume 2. 606 $aLiterature, Modern 606 $aLiterature, Modern$xCriticism and interpretation 608 $aElectronic books. 615 0$aLiterature, Modern. 615 0$aLiterature, Modern$xCriticism and interpretation. 676 $a808.8032 700 $aRoraback$b Erik S.$01049216 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910494741803321 996 $aThe philosophical Baroque$92478030 997 $aUNINA