LEADER 03531nam 22005652 450 001 9910494716603321 005 20211020234653.0 010 $a90-485-5111-0 024 7 $a10.1515/9789048551118 035 $a(CKB)4100000011207699 035 $a(OCoLC)1176192574 035 $a(MdBmJHUP)muse85623 035 $a(MiAaPQ)EBC6184607 035 $a(DE-B1597)548875 035 $a(DE-B1597)9789048551118 035 $a(UkCbUP)CR9789048551118 035 $a(OCoLC)1152158575 035 $a(EXLCZ)994100000011207699 100 $a20201019d2020|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe female baroque in early modern English literary culture $efrom Mary Sidney to Aphra Behn /$fGary Waller$b[electronic resource] 210 1$aAmsterdam :$cAmsterdam University Press,$d2020. 215 $a1 online resource (288 pages) $cdigital, PDF file(s) 225 1 $aGendering the late medieval and early modern world ; 300 $aTitle from publisher's bibliographic system (viewed on 20 Nov 2020). 311 0 $a94-6372-143-6 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tTable of Contents --$tIntroduction and Acknowledgements --$t1. The Labyrinthine Baroque --$t2. The Female Baroque --$t3. Catholic Female Baroque --$t4. Protestant Baroque --$t5. The Female Baroque in Court and Country --$t6. Lady Mary Wroth : The Countesse of Mountgomeries Urania and Pamphilia to Amphilanthus --$t7. From Baroque to Enlightenment: Margaret Cavendish and Aphra Behn --$tPostscript --$tAbout the Author --$tIndex 330 $aThe Female Baroque is a contribution to the revival since the 1980s of early modern women's writings and cultural production in English. Its originality is twofold: it links women's writing in English with the wider context of Baroque culture, and it introduces the issue of gender into discussion of the Baroque. The title comes from Julia Kristeva's study of Teresa of Avila, that 'the secrets of Baroque civilization are female'. The book is built on a schema of recurring Baroque characteristics - narrativity, hyperbole, melancholia, kitsch, and plateauing, pointing less to surface manifestations and more to underlying ideological tensions. The crucial concept of the Female Baroque is developed in detail. Attention is then given particularly to Gertrude More, Mary Ward, Aemilia Lanyer, The Ferrar/Collet women, Mary Wroth, the Cavendish sisters, Hester Pulter, Anne Hutchinson, Margaret Cavendish and Aphra Behn, the latter two whose lives and writings point to the developing cultural transition to the Enlightenment. 410 0$aGendering the late medieval and early modern world ;$v9. 606 $aEnglish literature$yEarly modern, 1500-1700$xHistory and criticism 606 $aWomen in literature 606 $aBaroque literature$xHistory and criticism 606 $aWomen and literature$zEngland$xHistory$y17th century 615 0$aEnglish literature$xHistory and criticism. 615 0$aWomen in literature. 615 0$aBaroque literature$xHistory and criticism. 615 0$aWomen and literature$xHistory 676 $a820.9352042 700 $aWaller$b Gary F$g(Gary Fredric),$f1945-$0152366 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910494716603321 996 $aThe female baroque in early modern English literary culture$92486513 997 $aUNINA LEADER 03516nam 2200565 450 001 9910823499503321 005 20230213222526.0 010 $a3-11-172796-3 024 7 $a10.1515/9783111727967 035 $a(CKB)3710000000586456 035 $a(MiAaPQ)EBC5049098 035 $a(DE-B1597)98553 035 $a(OCoLC)1002222293 035 $a(OCoLC)1004881435 035 $a(OCoLC)1011461631 035 $a(OCoLC)1013956507 035 $a(OCoLC)979593745 035 $a(OCoLC)987954062 035 $a(OCoLC)992541881 035 $a(OCoLC)999374629 035 $a(DE-B1597)9783111727967 035 $a(Au-PeEL)EBL5049098 035 $a(CaPaEBR)ebr11605328 035 $a(OCoLC)1051140000 035 $a(EXLCZ)993710000000586456 100 $a20180920d1983 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aOn believing $eepistemological and semiotic approaches /$fedited by Herman Parret = De la croyance : approches epistemologiques et semiotiques / textes presentes par Herman Parret 205 $aReprint 2015 210 1$aBerlin ;$aNew York :$cWalter de Gruyter,$d1983. 215 $a1 online resource (368 pages) 225 0 $aGrundlagen der Kommunikation und Kognition / Foundations of Communication and Cognition 300 $aIncludes index. 311 $a3-11-098959-X 327 $tFrontmatter -- $tTable of Contents / Table des matières -- $tList of Contributors / Liste des auteurs -- $tIntroduction. Beliefs and Believing: The Web and the Spinning / $rParret, Herman -- $tSaying and (Dis) believing / $rAlexandrescu, S. -- $tMoore et Wittgenstein: «Je crois que » / « Je sais que» / $rArmengaud, Françoise -- $tBelieving as an Intentional Concept / $rChisholm, Roderick M. -- $tLes discours de la véridiction / $rCoquet, J . C. -- $tCognitive Transactions and Objects of Beliefs / $rGelder, Beatrice De -- $tComposantes thymiques et prédicatives du croire / $rGeninasca, Jacques -- $tLe savoir et le croire: un seul univers cognitif / $rGreimas, Algirdas Julien -- $tMeaning and the Background of Belief / $rHoldcroft, David -- $tSincérité, confiance et intersubjectivité / $rLandowski, Eric -- $tBelief, Acceptance and Cognition / $rLehrer, Keith -- $tGrammaire communicationnelle de ?Je crois que p? / $rLemaire, Paul-M. -- $tSecret, dissimulation: les conditions rhétoriques de la croyance chez Pascal / $rMarin, Louis -- $tCommon Sense and Basic Beliefs: from Certainty to Happiness / $rParret, Herman -- $tConceptual Systems, Belief and Knowledge / $rPavilionis, Rolandas -- $tChoix et croyance: vers une logique de l'idéal / $rPetitot, Jean -- $tLe croire dans une perspective sémio-linguistique dynamique / $rPottier, Bernard -- $tKnowing and Believing - and Syntax / $rRaible, Wolfgang -- $tLa problématique de la croyance: opinion, assentiment, foi / $rRicoeur, Paul -- $tSome Remarks on Belief, Confidence, and Cooperation / $rSbisà, Marina -- $tPropositions and Indexical Attitudes / $rSosa, Ernest -- $tOn Knowing What: Where do Correct Ideas come from? / $rTravis, Charles -- $tIndex of Persons / Index des personnes -- $tBackmatter 606 $aBelief and doubt 615 0$aBelief and doubt. 676 $a121.6 702 $aParret$b Herman 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910823499503321 996 $aOn Believing$91423251 997 $aUNINA