LEADER 05241nam 2200565 450 001 9910494606203321 005 20210719214435.0 010 $a90-04-34646-5 024 7 $a10.1163/9789004346468 035 $a(CKB)4100000000775618 035 $a(MiAaPQ)EBC5151515 035 $a 2017023851 035 $a(nllekb)BRILL9789004346468 035 $a(EXLCZ)994100000000775618 100 $a20171219h20172017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aUt pictura amor $ethe reflexive imagery of love in artistic theory and practice, 1500-1700 /$fedited by Walter S. Melion, Joanna Woodall, Michael Zell 210 1$aLeiden, The Netherlands ;$aBoston, [Massachusetts] :$cBrill,$d2017. 210 4$d©2017 215 $a1 online resource (812 pages) $cillustrations (some color) 225 1 $aIntersections,$x1568-1181 ;$vVolume 48 311 $a90-04-34645-7 320 $aIncludes bibliographical references at the end of each chapters and index. 327 $tIntroduction: Picturing Love and Artifice /$rWalter S. Melion , Joanna Woodall and Michael Zell --$tVision, Imagination, and Erotic Desire --$tFigments of the Imagination: Medical and Moral Discourses on Love in the Counter-Reformation* /$rWietse de Boer --$tThe Gods of Water?Baths, Country Houses, and Their Decoration in Sixteenth- and Seventeenth-Century Flanders* /$rUrsula Härting --$tHishikawa Moronobu and the Imprinting of ?Love? in Early Modern Japan /$rJoshua S. Mostow --$tChinese ?Paintings of Beautiful Women? and Images of Asia in a Jesuit Text /$rDawn Odell --$tMetamorphic Imagery of Love --$tEnacting the Erotic Body: Pictorial and Spectatorial Evocations of Corporeality among Jan Gossaert and His Patrons /$rHaohao Lu --$tThe Trope of Anthropomorphosis in Hendrick Goltzius?s Venus and Cupid (1590), Venus, Bacchus, and Ceres (1593), and Portrait of Frederick de Vries (1597) /$rWalter S. Melion --$tOptics, Aesthetics, and the Visual Poetics of Desire --$tBetween the Human and the Divine: The Maj?lis al-ushsh?q and the Materiality of Love in Early Safavid Art /$rKishwar Rizvi --$tThe Painting Looks Back: Reciprocal Desire in the Seventeenth Century /$rThijs Weststeijn --$tAmorous Desire, Domestic Virtue, and Love?s Mirror --$tAgape, Caritas, and Conjugal Love in Paintings by Rembrandt and Van Dyck /$rStephanie S. Dickey --$tVermeer?s Milkmaid in the Discourse of Love* /$rH. Rodney Nevitt Jr. --$tThe Mirror as Rival: Metsu, Mimesis, and Amor in Seventeenth-Century Dutch Genre Painting /$rMichael Zell --$tPortrayals of Spousal Love --$tWhat?s Love Got to Do with It? Unlacing the Love Knots in Margaret of Austria?s Royal Monastery at Brou /$rLaura D. Gelfand --$tRubens, Rembrandt, and the Spousal Model/Muse /$rH. Perry Chapman --$tYouth, Friendship, and Other Inflections of Divine Love --$tThe Dynamics of Divine Love: Francis de Sales?s Picturing of the Biblical Mystery of the Visitation* /$rJoseph F. Chorpenning --$tIntimacy and Longing: Jacob Cornelisz van Oostsanen and the Distance of Love /$rHenry Luttikhuizen --$tAmor Dei in Emblems for Dutch Youth /$rEls Stronks --$tDesire, Fellowship, and Marian Mimesis --$tMarten de Vos and the Virgin Mary: Love, Mimesis and Music /$rMargit Thøfner --$tBernardo Accolti, Raphael, and the Sistine Madonna: The Poetics of Desire and Pictorial Generation /$rJonathan Unglaub --$tPicturing Love in the Marketplace --$t?For Love and Money. The Circulation of Value and Desire in Abraham Ortelius?s Album amicorum? /$rJoanna Woodall --$tFrans Francken the Younger?s Discovery of Achilles: Desire, Deception, and Inalienable Possession /$rLisa Rosenthal --$tDesire by Candlelight: Body and Coin in Gerrit van Honthorst?s Old Woman With Coins* /$rNatasha Seaman. 330 $aUt pictura amor: The Reflexive Imagery of Love in Artistic Theory and Practice, 1500-1700 examines the related themes of lovemaking and image-making in the visual arts of Europe, China, Japan, and Persia. The term ?reflexive? is here used to refer to images that invite reflection not only on their form, function, and meaning, but also on their genesis and mode of production. Early modern artists often fashioned reflexive images and effigies of this kind, that appraise love by exploring the lineaments of the pictorial or sculptural image, and complementarily, appraise the pictorial or sculptural image by exploring the nature of love. Hence the book?s epigraph? ut pictura amor ??as is a picture, so is love?. 410 0$aIntersections (Boston, Mass.) ;$vVolume 48. 606 $aLove in art 606 $aSex in art 606 $aImage (Philosophy) 606 $aArt$xPhilosophy 608 $aElectronic books. 615 0$aLove in art. 615 0$aSex in art. 615 0$aImage (Philosophy) 615 0$aArt$xPhilosophy. 676 $a700.4543 702 $aMelion$b Walter S. 702 $aWoodall$b Joanna 702 $aZell$b Michael$f1962- 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910494606203321 996 $aUt pictura amor$92446804 997 $aUNINA