LEADER 04177nam 2200745 450 001 9910493752703321 005 20210716 010 $a3-631-70858-0 010 $a3-653-04797-8 035 $a(CKB)4100000009040348 035 $a(MiAaPQ)EBC5851137 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/71332 035 $a(EXLCZ)994100000009040348 100 $a20190913d2019 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aTheater and the sacred in the Middle Ages /$fAndrzej Da?bro?wka ; translated by Jan Burzyn?ski and Miko?aj Golubiewski 210 $aBern$cPeter Lang International Academic Publishing Group$d2019 210 1$aBerlin :$cPeter Lang,$d[2019] 210 4$dİ2019 215 $a1 online resource (574 pages) 225 1 $aInterdisciplinary studies in performance ;$v20 311 $a3-631-65501-0 327 $aPart I. Literature and history -- A philological exercise -- Language and history : the cognitive turn -- Pious spectacle -- The sacred -- Forms of devotion -- Part II. Changes in the ontology of the sacred -- The ontology of the sacred -- The sources of the spiritualization process -- The material symbol and the linguistic sign -- The stages of spiritualization -- The transcendentalization of the sacred as a civilizational transformation -- Part III. The profane : the human estate -- Lower tiers of sacrality -- The new place for people in nature -- From the universalism of obedience to the pluralism of predictability -- Confraternities as media in the civilizing process -- Part IV. The aesthetics of recapitulation : to inscribe into the living hearts -- Theatrica -- Spectator, participant, co-author -- The incarnational aesthetics of the theatrical performance -- The aesthetics of articulation and factuality -- Knowledge of the miracle -- Recapitulation and creativity -- Part V. Spirituality and subjectivity in drama -- The forms of devotion and drama -- The mystery play -- The miracle play -- The morality play -- The recapitulatory drama -- The farce -- Concluding remarks -- Bibliography -- Index. 330 $aThe book presents a theory of relationships between the forms of devotion and early drama genres. The historical background is the circumstances of the Church becoming independent of the Empire. A theological and philosophical aspect of the transformation of piety at the time was the specification of the ontological status of the sacred (spiritualization) and "shifting it to Heaven" (transcendentalization). In opposition to a theory of Western civilization as a process of increasing individual self-control, the author argues for the need to take into account purely religious conditions (the idea of recapitulation). This allows the author to develop a holistic aesthetics for the religiously inspired creativity in the period spanning the 11th-15th centuries and to propose a new typology of medieval drama. 410 0$aInterdisciplinary studies in performance ;$v20. 606 $aDrama, Medieval$xHistory and criticism 610 $a2013 610 $aAges 610 $aArt History 610 $aCognitive Psychology 610 $acywilizacja 610 $aDabrowka 610 $aestetyka 610 $aHistorical Anthropology 610 $aMedieval Drama 610 $aMiddle 610 $aMonografie 610 $aReligia 610 $aReligion and Civilization 610 $aSacred 610 $asacrum 610 $aseria 610 $aSocial History 610 $a?redniowieczu 610 $aTeatr 610 $aTheater 610 $aTheatre 610 $aTorun 610 $aWydawnictwo 615 0$aDrama, Medieval$xHistory and criticism. 676 $a809.202 700 $aDa?bro?wka$b Andrzej$0679224 702 $aBurzyn?ski$b Jan 702 $aGolubiewski$b Miko?aj$f1985- 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910493752703321 996 $aTheater and the sacred in the Middle Ages$92127792 997 $aUNINA