LEADER 01058nam0-2200337 --450 001 9910308658203321 005 20200723130018.0 010 $a978-88-299-2888-0 100 $a20190211d2018----kmuy0itay5050 ba 101 0 $aita 102 $aIT 105 $a 001yy 200 1 $aPiante alimentari$ebiologia, composizione chimica, utilizzo$fCalogero Rinallo 205 $a2. ed. 210 $aPadova$cPiccin$d2018 215 $aIX, 246 p.$cill.$d29 cm 300 $aPubblicato precedentemente con il titolo: Botanica delle piante alimentari 610 0 $aPiante alimentari 676 $a581.632$v23$zITA 700 1$aRinallo,$bCalogero$0310656 801 0$aIT$bUNINA$gREICAT$2UNIMARC 901 $aBK 912 $a9910308658203321 952 $a60 581.632 RINC 2018 TER$b049/2019$fFAGBC 952 $a60 581.632 RINC 2018$b047/2019$fFAGBC 952 $a60 581.632 RINC 2018 BIS$b048/2019$fFAGBC 952 $a80 93/II B 11$bBFA93/2020$fFFABC 959 $aFFABC 959 $aFAGBC 996 $aPiante alimentari$91542593 997 $aUNINA LEADER 04676nam 2200553 450 001 9910493685703321 005 20190826145055.0 010 $a90-04-36068-9 024 7 $a10.1163/9789004360686 035 $a(CKB)4100000001400692 035 $a(MiAaPQ)EBC5265002 035 $a(OCoLC)1008759100 035 $a(nllekb)BRILL9789004360686 035 $a(EXLCZ)994100000001400692 100 $a20180302h20182018 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aVisualizing sensuous suffering and affective pain in early modern Europe and the Spanish Americas /$fedited by Heather Graham and Lauren G. Kilroy-Ewbank 210 1$aLeiden, Netherlands ;$aBoston, Massachusetts :$cBrill,$d2018. 210 4$d©2018 215 $a1 online resource (462 pages) $cillustrations, photographs, tables 225 1 $aBrill's Studies in Intellectual History,$x0920-8607 ;$vVolume 277 311 $a90-04-36067-0 320 $aIncludes bibliographical references at the end of each chapters and index. 327 $tFront Matter -- $tCopyright page -- $tDedication -- $tAcknowledgments -- $tList of Illustrations -- $tList of Abbreviations -- $tList of Contributors -- $tIntroduction: Visualizing Sensuous Suffering and Affective Pain in Early Modern Europe and the Spanish Americas /$rHeather Graham and Lauren G. Kilroy-Ewbank -- $tPerforming Pain -- $tPain and Paint: Titian, Ribera, and the Flaying of Marsyas /$rItay Sapir -- $tAnimal Trials, Humiliation Rituals, and the Sensuous Suffering of Criminal Offenders in Late Medieval and Early Modern Europe /$rAllie Terry-Fritsch -- $tCompassionate Suffering: Somatic Selfhood and Gendered Affect in Italian Lamentation Imagery /$rHeather Graham -- $t?One of those Lutherans we used to burn in Campo de? Fiori:? Engraving Sublimated Suffering in Counter-Reformation Rome /$rRuth S. Noyes -- $tPain and Suffering in Franciscan Devotion -- $tPain and Pathos: Franciscan Ideologies and Antonello da Messina?s Images of Ecce Homo /$rPeter Weller -- $tAn Andean Stoning: Francis as Alter Christus in Viceregal Santiago /$rCatherine Burdick -- $tHagiographical Misery and the Liminal Witness: Novohispanic Franciscan Martyr Portraits and the Politics of Imperial Expansion /$rEmmanuel Ortega -- $tSensuous Suffering Through Word and Image -- $t?Eyes Enlivened and Heart Softened:? The Visual Rhetoric of Suffering in Gebedenboek Ruusbroecgenootschap hs 452 /$rWalter S. Melion -- $tLove Hurts: Depictions of Christ Wounded in Love in Colonial Mexican Convents /$rLauren G. Kilroy-Ewbank -- $tReparations for Christ Our Lord: Devotional Literature, Penitential Rituals, and Sacred Imagery in Colonial Mexico City /$rDerek Scott Burdette -- $tEmpathetic Wounds: Gregorio Fernández?s Cristos yacentes as a Nexus of Art, Anatomy, and Counter-Reformation Theology /$rTiffany Lynn Hunt -- $tBack Matter -- $tIndex. 330 $aVisualizing Sensuous Suffering and Affective Pain in Early Modern Europe and the Spanish Americas is a trans-cultural collection of studies on visual treatments of the phenomena of suffering and pain in early modern culture. Ranging geographically from Italy, Spain, and the Low Countries to Chile, Mexico, and the Philippines and chronologically from the fourteenth to the eighteenth centuries, these studies variously consider pain and suffering as somatic, emotional, and psychological experiences. From examination of bodies shown victimized by brutal public torture to the sublimation of physical suffering conveyed through the incised lines of Counter-Reformation engravings, the authors consider depictions of pain and suffering as conduits to the divine or as guides to social behaviour; indeed, often the two functions overlap. 410 0$aBrill's studies in intellectual history. Brill's studies on art, art history, and intellectual history ;$vVolume 277. 606 $aArt, Spanish colonial$xThemes, motives 606 $aArt, European$xThemes, motives 606 $aSuffering in art 606 $aPain in art 608 $aElectronic books. 615 0$aArt, Spanish colonial$xThemes, motives. 615 0$aArt, European$xThemes, motives. 615 0$aSuffering in art. 615 0$aPain in art. 676 $a700.108 702 $aKilroy-Ewbank$b Lauren 702 $aGraham$b Heather$f1978- 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910493685703321 996 $aVisualizing sensuous suffering and affective pain in early modern Europe and the Spanish Americas$92481090 997 $aUNINA LEADER 03370nam 22006495 450 001 9910154814803321 005 20251030105530.0 010 $a9781137595157 010 $a1137595159 024 7 $a10.1057/978-1-137-59515-7 035 $a(CKB)4340000000024117 035 $a(DE-He213)978-1-137-59515-7 035 $a(MiAaPQ)EBC4768842 035 $a(Perlego)3507282 035 $a(MiAaPQ)EBC6237347 035 $a(EXLCZ)994340000000024117 100 $a20161210d2017 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAngela Carter and Western Philosophy /$fby Heidi Yeandle 205 $a1st ed. 2017. 210 1$aLondon :$cPalgrave Macmillan UK :$cImprint: Palgrave Macmillan,$d2017. 215 $a1 online resource (VII, 215 p.) 311 08$a9781137595140 311 08$a1137595140 320 $aIncludes bibliographical references and index. 327 $aIntroduction. Angela Carter?s (de)philosophising Business -- Chapter 1. ?The father of lies, Plato? -- Chapter 2. Hobbes and Rousseau in Heroes and Villains -- Chapter 3. Descartes, Locke, and Hume -- Chapter 4. Wittgenstein and Ryle in Doctor Hoffman -- Chapter 5. Kant, Sade, and Moral Philosophy -- Conclusion. 330 $aThis book unearths Carter?s deconstruction of the male-dominated discipline of Western thought. Revealing the extensive philosophical research that underpins Carter?s intertextual work, this book offers new readings of her fiction in relation to a range of philosophical texts and ideas. By re-examining Carter?s writing with reference to the archived collection of her notes that has recently become available at the British Library, Angela Carter and Western Philosophy puts forward new interpretations of Carter?s writing practices. With chapters examining her allusions to Plato, Hobbes and Rousseau, Descartes, Locke and Hume, Wittgenstein and Ryle, as well as Kant and Sade, this book illuminates Carter?s engagement with different areas of Western thought, and discusses how this shapes her portrayal of reality, identity, civilisation, and morality. Angela Carter and Western Philosophy will be of interest to researchers, lecturers, and students working on contemporary women?swriting, philosophy and literature, and intertextual literary practices. . 606 $aEuropean literature 606 $aLiterature, Modern$y20th century 606 $aPhilosophy$xHistory 606 $aLiterature$xPhilosophy 606 $aFiction 606 $aEuropean Literature 606 $aTwentieth-Century Literature 606 $aHistory of Philosophy 606 $aLiterary Theory 606 $aFiction Literature 615 0$aEuropean literature. 615 0$aLiterature, Modern 615 0$aPhilosophy$xHistory. 615 0$aLiterature$xPhilosophy. 615 0$aFiction. 615 14$aEuropean Literature. 615 24$aTwentieth-Century Literature. 615 24$aHistory of Philosophy. 615 24$aLiterary Theory. 615 24$aFiction Literature. 676 $a809.41 700 $aYeandle$b Heidi$4aut$4http://id.loc.gov/vocabulary/relators/aut$01064197 906 $aBOOK 912 $a9910154814803321 996 $aAngela Carter and Western Philosophy$92536796 997 $aUNINA