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Christian Metz and Film Semiology /$rTröhler, Margrit --$tI. Metz and the Tradition of Film Theory --$t2. Two Ways of Thinking /$rBellour, Raymond --$t3. Christian Metz and his Theoretical Legacy /$rMarie, Michel --$t4. Christian Metz for Today /$rOdin, Roger --$t5. Thinking Cinema /$rKessler, Frank --$t6. Barthes' Early Film Semiology and the Legacy of Filmology in Metz /$rKirsten, Guido --$tII. Questions of Form and Aesthetics --$t7. Christian Metz and Aesthetics /$rLefebvre, Martin --$t8. Christian Metz and Modern Cinema /$rCasetti, Francesco --$t9. Christian Metz, Editing, and Forms of Alternation1 /$rGaudreault, André / Gauthier, Philippe --$tIII. Specificities of the Cinematic Code and the Imaginary --$t10. Between Classical and Postclassical Theory /$rRosen, Philip --$t11. Cyber-Metz? /$rKrichane, Selim --$t12. Yes, the Image Lies Beyond Analogy /$rVernet, Marc --$t13. The Cinematic Signifier and the Imaginary /$rDoane, Mary Ann --$t14. Fetishism and Scepticism , or the Two Worlds of Christian Metz and Stanley Cavell /$rRodowick, D.N. --$tIV. Narration, Enunciation, Cinephilia --$t15. Cinema: Image or Narrative? /$rLété, Anne Goliot --$t16. Semiotics, Science, and Cinephilia /$rPolan, Dana --$t17. '"Theorize", he says... ' /$rBoillat, Alain --$t18. Personal Enunciation: Presences of Absences /$rBluher, Dominique --$t19. Metz with Deleuze /$rBaumbach, Nico --$tTwo Interviews with Christian Metz --$t20. Thirty Years After /$rDagrada, Elena --$t21. The Semiology of Cinema? It Is Necessary to Continue! /$rDagrada, Elena / Pescatore, Guglielmo --$t22. Flashback to Winter 1990 /$rTröhler, Margrit --$t23. 'I Never Expected Semiology to Thrill the Masses' /$rBlüher, Dominique / Tröhler, Margrit --$tPostscript --$tConclusion --$tIndex - Names --$tIndex - Film Titles 330 $aA pioneering figure in film studies, Christian Metz proposed countless new concepts for reflecting on cinema, rooted in his phenomenological structuralism. He also played a key role in establishing film studies as a scholarly discipline, making major contributions to its institutionalization in universities worldwide. This book brings together a stellar roster of contributors to present a close analysis of Metz's writings, their theoretical and epistemological positions, and their ongoing influence today. 410 0$aFilm theory in media history. 606 $aFilm criticism 606 $aMotion pictures$xPhilosophy 615 0$aFilm criticism. 615 0$aMotion pictures$xPhilosophy. 676 $a791.4301 686 $aAP 45300$2rvk 700 $aTröhler$b Margrit$4edt$01774878 702 $aKirsten$b Guido 702 $aTröhler$b Margrit 702 $aZutavern$b Julia 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910491849203321 996 $aChristian Metz and the Codes of Cinema$94288176 997 $aUNINA