LEADER 03590oam 2200661I 450 001 9910487546603321 005 20240131145427.0 010 $a1-317-58724-3 010 $a1-315-74281-0 010 $a1-317-58725-1 024 7 $a10.4324/9781315742816 035 $a(CKB)4330000000003583 035 $a(MiAaPQ)EBC4456360 035 $a(OCoLC)958096660 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/70955 035 $a(EXLCZ)994330000000003583 100 $a20180706d2016 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aGlobal metal music and culture $ecurrent directions in metal studies /$fedited by Andy R. Brown. [et al.] 210 1$aNew York ;$aLondon :$cRoutledge,$d2016. 215 $a1 online resource (388 pages) $cillustrations, tables 225 1 $aRoutledge Studies in Popular Music ;$v12 311 $a1-138-06259-6 311 $a1-138-82238-8 320 $aIncludes bibliographical references at the end of each chapters and index. 327 $apt. 1. Metal musicology -- pt. 2. Metal music scenes -- pt. 3. Metal demographics and identity -- pt. 4. Metal markets and commerce -- pt. 5. Metal and gender politics -- pt. 6. Metal and cultural studies -- pt. 7. Metal futures. 330 $aThis book defines the key ideas, scholarly debates, and research activities that have contributed to the formation of the international and interdisciplinary field of Metal Studies. Drawing on insights from a wide range of disciplines including popular music, cultural studies, sociology, anthropology, philosophy, and ethics, this volume offers new and innovative research on metal musicology, global/local scenes studies, fandom, gender and metal identity, metal media, and commerce. Offering a wide-ranging focus on bands, scenes, periods, and sounds, contributors explore topics such as the riff-based song writing of classic heavy metal bands and their modern equivalents, and the musical-aesthetics of Grindcore, Doom metal, Death metal, and Progressive metal. They interrogate production technologies, sound engineering, album artwork and band promotion, logos and merchandising, t-shirt and jewellery design, and fan communities that define the global metal music economy and subcultural scene. The volume explores how the new academic discipline of metal studies was formed, also looking forward to the future of metal music and its relationship to metal scholarship and fandom. With an international range of contributors, this volume will appeal to scholars of popular music, cultural studies, and sociology, as well as those interested in metal communities around the world. 410 0$aRoutledge studies in popular music ;$v12. 606 $aHeavy metal (Music)$xHistory and criticism 606 $aMusic$xSocial aspects 610 $aDeath metal 610 $aDoom metal 610 $aFandom 610 $aGrindcore 610 $aHeavy Metal 610 $aMetal 610 $aMetal Studies 610 $aMusic 610 $aMusicology 610 $aPopular Music 610 $aProgressive metal 610 $aResearch 610 $aSubculture 615 0$aHeavy metal (Music)$xHistory and criticism. 615 0$aMusic$xSocial aspects. 676 $a781.66 701 $aBrown$b Andy R$0906630 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910487546603321 996 $aGlobal metal music and culture$92027737 997 $aUNINA