LEADER 02631nam 2200517 450 001 9910487545103321 005 20221223113044.0 010 $a979-1-03-655829-0 035 $a(CKB)5590000000517602 035 $a(NjHacI)995590000000517602 035 $a(FrMaCLE)OB-ariadnaediciones-8480 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/70952 035 $a(MiAaPQ)EBC7174927 035 $a(Au-PeEL)EBL7174927 035 $a(OCoLC)1262681634 035 $a(PPN)25939288X 035 $a(EXLCZ)995590000000517602 100 $a20221223d2021 uy 0 101 0 $aspa 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aIdentidad y poli?tica en la mu?sica del cine chileno (1939-1973) /$fMarti?n Fari?as 205 $aPrimera edicio?n. 210 $aSantiago$cAriadna Ediciones$d2021 210 1$aSantiago, Chile :$cAriadna Ediciones,$d2021. 215 $a1 online resource (240 pages) $cillustrations 311 $a956-6095-18-X 330 $aThis book analyzes the uses of music in the cinema in Chile in terms of meaning and interpretation, considering the socio-political circumstances that have marked the country during the 20th century. The time frame of this research ranges from 1939 when the sustained production of films with optical sound was established in the country and 1973, when the civil-military coup d'e?tat destroyed all the pillars of the cultural field in Chile and many filmmakers and composers left for the exile. This work aims to challenge existing historiography and research by emphasizing the sound dimension of Chilean cinema. Far from being a secondary and decorative aspect, music has been a central element in different moments and practices of Chilean cinema both internally in its formal and narrative proposals and externally in its discursiveness and links with the social and political. 606 $aDramatic music$zChile$y20th century$xHistory and criticism 606 $aMotion picture music$zChile$xHistory and criticism$y20th century 610 $aChilean cinema 610 $asoundtracks 610 $asocial function of music 610 $acultural history 615 0$aDramatic music$xHistory and criticism. 615 0$aMotion picture music$xHistory and criticism 676 $a782.812 700 $aFari?as$b Marti?n$01272479 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910487545103321 996 $aIdentidad y poli?tica en la mu?sica del cine chileno (1939-1973)$92997026 997 $aUNINA LEADER 01026nam a2200265 i 4500 001 991002669119707536 008 070719s2003 it 000 0 ita d 020 $a8888704000 035 $ab13562599-39ule_inst 040 $aDip.to Scienze pedagogiche$bita 082 0 $a371 100 1 $aFrignani, Paolo$0623537 245 10$aDidattica della comunicazione /$cPaolo Frignani ; Paola Rizzati 260 $aFerrara :$bTecom project,$c2003 300 $a358 p. ;$c22 cm 500 $aCon sitografia 504 $aBibliografia: p. [343]-355 650 4$aDidattica$xComunicazione 700 1 $aRizzati, Paola 907 $a.b13562599$b05-11-18$c19-07-07 912 $a991002669119707536 945 $aLE022 371 FRI03.02$g1$i2022000124003$lle022$nConsegnato al prof. Bochicchio - 05/09/07. - restituito alla biblioteca$nLE022/BOCHICCHIO/2007$o-$pE19.00$q-$r-$s- $t0$u0$v0$w0$x0$y.i14537485$z28-08-07 996 $aDidattica della comunicazione$91747042 997 $aUNISALENTO 998 $ale022$b19-07-07$cm$da $e-$fita$git $h0$i0