LEADER 01918nam  2200421   450 
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005 20230629233218.0
010   $a978-3-030-75103-6
035   $a(CKB)5590000000487650
035   $a(MiAaPQ)EBC6648169
035   $a(Au-PeEL)EBL6648169
035   $a(EXLCZ)995590000000487650
100   $a20220603d2021      uy             0
101 0 $aeng
135   $aurcnu||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aSilent film performance $edramatic bodies on screen /$fElisabetta Girelli
210  1$aCham, Switzerland :$cSpringer,$d[2021]
210  4$d©2021
215   $a1 online resource (118 pages)
300   $aIncludes index.
311 18$a3-030-75102-3 
327   $aIntro -- Acknowledgements -- Contents -- List of Figures -- Introduction -- Sign of the Uncanny: Anna Pavlova in The Dumb Girl of Portici (1916, USA) -- References -- Performing Loneliness: Vladimir Mayakovsky's Silent Soliloquy in Baryshnya i Khuligan/The Young Lady and the Hooligan (1918, USSR) -- References -- Re-booting the Self: Ivan Mozzhukhin and Queer Failure in Feu Mathias Pascal/The Late Mathias Pascal (1926, France) -- References -- 'Our Bravest and Most Beautiful Soldier': Pola Negri, Wartime, and the Gendering of Anxiety in Hotel Imperial (1927, USA) -- References -- Silent Performance Beyond Silent Film: Harald Kreutzberg in Paracelsus (1943, Germany) -- References -- Index.
606   $aMotion picture acting
606   $aSilent films$xHistory and criticism
615  0$aMotion picture acting.
615  0$aSilent films$xHistory and criticism.
676   $a791.43028
700   $aGirelli$b Elisabetta$01083910
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910485601003321
996   $aSilent Film Performance$92841689
997   $aUNINA