LEADER 03353nam 2200541 450 001 9910485598703321 005 20230629233220.0 010 $a3-030-74903-7 010 $a9783030749033$b(eBook) 010 $a3030749037$b(eBook) 010 $z9783030749026$b(hardcover) 010 $z3030749029$b(hardcover) 035 $a(CKB)5590000000487647 035 $a(MiAaPQ)EBC6648167 035 $a(Au-PeEL)EBL6648167 035 $a(OCoLC)1261366152 035 $a(EXLCZ)995590000000487647 100 $a20220318d2021 uy 0 101 0 $aeng 135 $aurcz#---auuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aSampling, biting, and the postmodern subversion of hip hop /$fJim Vernon 210 1$aCham, Switzerland :$cPalgrave Macmillan,$d[2021] 210 4$d©2021 215 $a1 online resource (135 pages) 225 1 $aPalgrave Pivot 311 $a3-030-74902-9 320 $aIncludes bibliographical references (pages 121-127) and index. 327 $aIntro -- Acknowledgments -- Contents -- Chapter 1: Introduction -- Chapter 2: 'Never Let an MC Steal Your Rhyme': The Aesthetics and Values of Hip Hop Culture -- Chapter 3: 'Pure Treason, I'll Tell You Why': The Erasure of Hip Hop Culture by Rap Music and Postmodern Hip Hop Studies -- Chapter 4: 'Sounding Black': Theorizing Blackness in Justin Adams Burton's Posthuman Rap -- Chapter 5: 'The Fifth Element': Knowledge, or Hip Hop's Struggle Against Post-Rap Subversion -- Chapter 6: 'Make Something Original': Hip Hop Sampling from the 'Golden Era' to the Wu-Tang Clan -- Chapter 7: Conclusion: Hip Hop Studies after Reactionary Postmodernism -- Bibliography -- Filmography -- Index. 330 $a"Drawing on the cultures history before and after the birth of rap music, this book argues that the values attributed to Hip Hop by postmodern scholars stand in stark contrast with those that not only implicitly guided its aesthetic elements, but are explicitly voiced by Hip Hops pioneers and rap musics most consequential artists. It argues that the structural evacuation of the voices of its founders and organic intellectuals in the postmodern theorization of Hip Hop has foreclosed the cultures ethical values and political goals from scholarly view, undermining its unity and progress. Through a historically informed critique of the hegemonic theoretical framework in Hip Hop Studies, and a re-centering of the cultures fundamental proscription against biting,' this book articulates and defends the aesthetic and ethical values of Hip Hop against their concealment and subversion by an academic discourse that merely samples the culture for its own reactionary ends."--$cProvided by publisher. 410 0$aPalgrave pivot. 606 $aRap (Music)$xHistory and criticism 606 $aHip-hop$xHistory 606 $aRap (Music)$xPhilosophy and aesthetics 615 0$aRap (Music)$xHistory and criticism. 615 0$aHip-hop$xHistory. 615 0$aRap (Music)$xPhilosophy and aesthetics. 676 $a782.421649 700 $aVernon$b Jim$0900183 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910485598703321 996 $aSampling, Biting, and the Postmodern Subversion of Hip Hop$92569165 997 $aUNINA