LEADER 03408nam 22006615 450 001 9910485033003321 005 20230810170716.0 010 $a9783030446925 010 $a3030446921 024 7 $a10.1007/978-3-030-44692-5 035 $a(CKB)4100000011232705 035 $a(MiAaPQ)EBC6200120 035 $a(DE-He213)978-3-030-44692-5 035 $a(Perlego)3481227 035 $a(EXLCZ)994100000011232705 100 $a20200516d2020 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aFemales in the Frame $eWomen, Art, and Crime /$fby Penelope Jackson 205 $a2nd ed. 2020. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2020. 215 $a1 online resource (xv, 222 pages : 18 illustrations, 13 illustrations in color) 311 08$aPrinted edition: 9783030207656 311 08$aPrinted edition: 9783030207670 311 0 $a9783030446918 311 0 $a3030446913 320 $aIncludes bibliographical references and index. 327 $a1. Introduction: Writing Alternative Art Histories -- 2. Lady Destroyers -- 3. The Mothers of All Art Crimes -- 4. She Vandals -- 5. The Art of the Con[wo]man -- 6. The Light Fingered -- 7. Naming Rights -- 8. The Professionals -- 9. Afterword: Making a Noise About the Silence. 330 $aThis book explores the untold history of women, art, and crime. It has long been widely accepted that women have not played an active role in the art crime world, or if they have, it has been the part of the victim or peacemaker. Women, Art, and Crime overturns this understanding, as it investigates the female criminals who have destroyed, vandalised, stolen, and forged art, as well as those who have conned clients and committed white-collar crimes in their professional occupations in museums, libraries, and galleries. Whether prompted by a desire for revenge, for money, the instinct to protect a loved one, or simply as an act of quality control, this book delves into the various motivations and circumstances of women art criminals from a wide range of countries, including the UK, the USA, New Zealand, Romania, Germany, and France. Through a consideration of how we have come to perceive art crime and the gendered language associated with its documentation, this pioneering study questions why women have been left out of the discourse to date and how, by looking specifically at women, we can gain a more complete picture of art crime history. . 606 $aMotion pictures 606 $aArt$xHistory 606 $aCrime$xSociological aspects 606 $aSex 606 $aAudio-Visual Culture 606 $aArt History 606 $aCrime and Society 606 $aGender Studies 615 0$aMotion pictures. 615 0$aArt$xHistory. 615 0$aCrime$xSociological aspects. 615 0$aSex. 615 14$aAudio-Visual Culture. 615 24$aArt History. 615 24$aCrime and Society. 615 24$aGender Studies. 676 $a364.374 676 $a364.374 700 $aJackson$b Penelope$4aut$4http://id.loc.gov/vocabulary/relators/aut$0913684 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910485033003321 996 $aFemales in the Frame$92046971 997 $aUNINA