LEADER 06361nam 22007935 450 001 9910485020203321 005 20200629132740.0 010 $a3-319-20603-6 024 7 $a10.1007/978-3-319-20603-5 035 $a(CKB)3710000000436922 035 $a(SSID)ssj0001558587 035 $a(PQKBManifestationID)16183073 035 $a(PQKBTitleCode)TC0001558587 035 $a(PQKBWorkID)14819441 035 $a(PQKB)11435442 035 $a(DE-He213)978-3-319-20603-5 035 $a(MiAaPQ)EBC6287660 035 $a(MiAaPQ)EBC5591456 035 $a(Au-PeEL)EBL5591456 035 $a(OCoLC)911632411 035 $a(PPN)186399715 035 $a(EXLCZ)993710000000436922 100 $a20150615d2015 u| 0 101 0 $aeng 135 $aurnn#008mamaa 181 $ctxt 182 $cc 183 $acr 200 10$aMathematics and Computation in Music $e5th International Conference, MCM 2015, London, UK, June 22-25, 2015, Proceedings /$fedited by Tom Collins, David Meredith, Anja Volk 205 $a1st ed. 2015. 210 1$aCham :$cSpringer International Publishing :$cImprint: Springer,$d2015. 215 $a1 online resource (XIV, 392 p. 147 illus.) 225 1 $aLecture Notes in Artificial Intelligence ;$v9110 300 $aIncludes index. 311 $a3-319-20602-8 327 $aA Structural Theory of Rhythm Notation Based on Tree Representations and Term Rewriting -- Renotation from Optical Music Recognition -- Foundations for Reliable and Flexible Interactive Multimedia Scores -- Genetic Algorithms Based on the Principles of Grundgestalt and Developing Variation -- Describing Global Musical Structures by Integer Programming on Musical Patterns -- Improved Iterative Random Walk for Four-Part Harmonization -- Location Constraints for Repetition-Based Segmentation of Melodies -- Modeling Musical Structure with Parametric Grammars -- Perfect Balance: A Novel Principle for the Construction of Musical Scales and Meters -- Characteristics of Polyphonic Music Style and Markov Model of Pitch-Class Intervals -- A Corpus-Sensitive Algorithm for Automated Tonal Analysis -- Finding Optimal Triadic Transformational Spaces with Dijkstra?s Shortest Path Algorithm -- A Probabilistic Approach to Determining Bass Voice Leading in Melodic Harmonisation -- Hypergestures in Complex Time: Creative Performance Between Symbolic and Physical Reality -- Generating Fingerings for Polyphonic Piano Music with a Tabu Search Algorithm -- Logistic Modeling of Note Transitions -- Evaluating Singer Consistency and Uniqueness in Vocal Performances -- A Change-Point Approach Towards Representing Musical Dynamics -- Structural Similarity Based on Time-Span Sub-Trees -- Cross Entropy as a Measure of Musical Contrast -- Symbolic Music Similarity Using Neuronal Periodicity and Dynamic Programming -- Applications of DFT to the Theory of Twentieth-Century Harmony -- Utilizing Computer Programming to Analyze Post-Tonal Music: Contour Analysis of Four Works for Solo Flute -- A Statistical Approach to the Global Structure of John Cage?s Number Piece Five? -- Exact Cover Problem in Milton Babbitt?s All-Partition Array -- Constructing Geometrical Spaces from Acoustical Representations -- Geometry, Iterated Quantization and Filtered Voice-Leading Spaces -- Using Fundamental Groups and Groupoids of Chord Spaces to Model Voice Leading -- All-Interval Structures -- Unifying Tone System Definitions: Ordering Chromas -- A Categorical Generalization of Klumpenhouwer Networks -- The Spinnen-Tonnetz: New Musical Dimensions in the 2D Network for Tonal Music Analysis: Using Polarization and Tonal Regions in a Dynamic Environment -- Probabilistic Segmentation of Musical Sequences Using Restricted Boltzmann Machines -- żEl Caballo Viejo? Latin Genre Recognition with Deep Learning and Spectral Periodicity -- Can a Musical Scale Have 14 Generators? -- On the Step-Patterns of Generated Scales That are Not Well-Formed -- Triads as Modes within Scales as Modes -- Greek Ethnic Modal Names vs. Alia Musica?s Nomenclature. 330 $aThis book constitutes the thoroughly refereed proceedings of the 5th International Conference on Mathematics and Computation in Music, MCM 2015, held in London, UK, in June 2015. The 24 full papers and 14 short papers presented were carefully reviewed and selected from 64 submissions. The papers feature research that combines mathematics or computation with music theory, music analysis, composition, and performance. They are organized in topical sections on notation and representation, music generation, patterns, performance, similarity and contrast, post-tonal music analysis, geometric approaches, deep learning, and scales. 410 0$aLecture Notes in Artificial Intelligence ;$v9110 606 $aApplication software 606 $aMusic 606 $aAlgebra 606 $aComputer science?Mathematics 606 $aData structures (Computer science) 606 $aComputer Appl. in Arts and Humanities$3https://scigraph.springernature.com/ontologies/product-market-codes/I23036 606 $aMusic$3https://scigraph.springernature.com/ontologies/product-market-codes/417000 606 $aAlgebra$3https://scigraph.springernature.com/ontologies/product-market-codes/M11000 606 $aDiscrete Mathematics in Computer Science$3https://scigraph.springernature.com/ontologies/product-market-codes/I17028 606 $aData Structures$3https://scigraph.springernature.com/ontologies/product-market-codes/I15017 615 0$aApplication software. 615 0$aMusic. 615 0$aAlgebra. 615 0$aComputer science?Mathematics. 615 0$aData structures (Computer science). 615 14$aComputer Appl. in Arts and Humanities. 615 24$aMusic. 615 24$aAlgebra. 615 24$aDiscrete Mathematics in Computer Science. 615 24$aData Structures. 676 $a780.0519 702 $aCollins$b Tom$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aMeredith$b David$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aVolk$b Anja$4edt$4http://id.loc.gov/vocabulary/relators/edt 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910485020203321 996 $aMathematics and Computation in Music$92512995 997 $aUNINA