LEADER 03574nam 22006255 450 001 9910485004703321 005 20251117002658.0 010 $a9783030689087 010 $a3030689085 024 7 $a10.1007/978-3-030-68908-7 035 $a(CKB)4100000011902529 035 $a(MiAaPQ)EBC6566996 035 $a(Au-PeEL)EBL6566996 035 $a(OCoLC)1249470977 035 $a(DE-He213)978-3-030-68908-7 035 $a(EXLCZ)994100000011902529 100 $a20210420d2021 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aEarly Modern Intertextuality /$fby Sarah Carter 205 $a1st ed. 2021. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Pivot,$d2021. 215 $a1 online resource (123 pages) 225 1 $aEarly Modern Literature in History,$x2634-5927 300 $aIncludes index. 311 08$a9783030689070 311 08$a3030689077 327 $a1. Chapter One: Early modern intertextuality: post structuralism, narrative systems, and A Midsummer Night's Dream -- 2. Chapter Two: Allegory, Structuralism, and Intertextuality: Sir Francis Bacon's Wisdom of the Ancients -- 3. Chapter Three: Folklore as a narrative system: old wives, seasonal cycles, and culture wars -- 4. Chapter Four: Parody and Intertextuality: the Ovidian epyllia -- 5. Chapter Five: Intertextuality and Satire: Ben Jonson's Poetaster -- 6. Chapter Six: Chapter Six: Text, Intertext, Hypertext? -- . 330 $aThis book is an exploration of the viability of applying the post structuralist theory of intertextuality to early modern texts. It suggests that a return to a more theorised understanding of intertextuality, as that outlined by Julia Kristeva and Roland Barthes, is more productive than an interpretation which merely identifies 'source' texts. The book analyses several key early modern texts through this lens, arguing that the period's conscious focus on and prioritisation of the creative imitation of classical and contemporary European texts makes it a particularly fertile era for intertextual reading. This analysis includes discussion of early modern creative writers' utilisation of classical mythology, allegory, folklore, parody, and satire, in works by William Shakespeare, Sir Francis Bacon, John Milton, George Peele, Thomas Lodge, Christopher Marlowe, Francis Beaumont, and Ben Jonson, and foregrounds how meaning is created and conveyed by the interplay of texts and the movement between narrative systems. This book will be of interest to undergraduate and postgraduate students of early modern literature, as well as early modern scholars. 410 0$aEarly Modern Literature in History,$x2634-5927 606 $aEuropean literature$yRenaissance, 1450-1600 606 $aLiterature$xHistory and criticism 606 $aLiterature$xPhilosophy 606 $aEarly Modern and Renaissance Literature 606 $aLiterary History 606 $aLiterary Theory 615 0$aEuropean literature 615 0$aLiterature$xHistory and criticism. 615 0$aLiterature$xPhilosophy. 615 14$aEarly Modern and Renaissance Literature. 615 24$aLiterary History. 615 24$aLiterary Theory. 676 $a809 676 $a809 700 $aCarter$b Sarah$f1978-$0801164 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910485004703321 996 $aEarly Modern Intertextuality$91898857 997 $aUNINA