LEADER 04049nam 22005775 450 001 9910484906103321 005 20200930201259.0 010 $a3-030-33051-6 024 7 $a10.1007/978-3-030-33051-4 035 $a(MiAaPQ)EBC6002073 035 $a(DE-He213)978-3-030-33051-4 035 $a(CKB)4100000010013825 035 $a(EXLCZ)994100000010013825 100 $a20191230d2019 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe Films of Kore-eda Hirokazu $eAn Elemental Cinema /$fby Linda C. Ehrlich 205 $a1st ed. 2019. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2019. 215 $a1 online resource (311 pages) 225 1 $aEast Asian Popular Culture,$x2634-5935 327 $a1. Introductory thoughts -- 2. EARTH/ THE DOCUMENTARY IMPULSE. M? hitotsu no kyoku: Ina sh?gakk? haru gumi no kiroku/Lessons from a Calf, 1991 -- 3. WATER - Maboroshi no hikari/Maborosi, 1995 -- 4. Aruite mo aruite mo/Still Walking, 2008 -- 5. Umi yori mada fukaku/After the Storm, 2016 -- 6. LIMINALITY - Wandafuru raifu/ After Life, 1998 -- 7. Daremo shiranai/Nobody Knows, 2004 -- 8. FIRE - Distance, 2001 -- 9. Sandome no satsujin/The Third Murder, 2017 -- 10.AIR - K?ki ningy?/Air Doll, 2009 -- 11. Kiseki/I Wish, 2011 -- 12. Soshite chichi ni naru/Like Father Like Son, 2013 -- 13. Umimachi diari/ Our Little Sister, 2015 -- 14. METAL - Hana yori mo nao/Hana, 2006 -- 15. AN ELEMENTAL CINEMA RE-EXAMINED - Manbiki Kazoku/Shoplifters, 2018 -- 16. ENDINGS -- 17. Final Thoughts -- 18. Filmography. 330 $aThe Films of Kore-eda Hirokazu: An Elemental Cinema draws readers into the first 13 feature films and 5 of the documentaries of award-winning Japanese film director Kore-eda Hirokazu. With his recent top prize at the Cannes Film Festival for Shoplifters, Kore-eda is arguably Japan?s greatest living director with an international viewership. He approaches difficult subjects (child abandonment, suicide, marginality) with a realistic and compassionate eye. The lyrical tone of the writing of Japanese film scholar Linda C. Ehrlich perfectly complements the understated, yet powerful, tone of the films. From An Elemental Cinema, readers will gain a special understanding of Kore-eda?s films through a novel connection to the natural elements as reflected in Japanese traditional aesthetics. An Elemental Cinema presents Kore-eda?s oeuvre as a connected whole with overarching thematic concerns, despite frequent generic experimentation. It also offers an example of how the poetics of cinema can be practiced in writing, as well as on the screen, and helps readers understand the films of this contemporary director as works of art that relate to their own lives. 410 0$aEast Asian Popular Culture,$x2634-5935 606 $aMotion pictures?Asia 606 $aEthnology?Asia 606 $aMotion pictures?History 606 $aPopular Culture 606 $aAsian Cinema and TV$3https://scigraph.springernature.com/ontologies/product-market-codes/413030 606 $aAsian Culture$3https://scigraph.springernature.com/ontologies/product-market-codes/411040 606 $aFilm History$3https://scigraph.springernature.com/ontologies/product-market-codes/413070 606 $aPopular Culture $3https://scigraph.springernature.com/ontologies/product-market-codes/411170 615 0$aMotion pictures?Asia. 615 0$aEthnology?Asia. 615 0$aMotion pictures?History. 615 0$aPopular Culture. 615 14$aAsian Cinema and TV. 615 24$aAsian Culture. 615 24$aFilm History. 615 24$aPopular Culture . 676 $a791.430952 700 $aEhrlich$b Linda C$4aut$4http://id.loc.gov/vocabulary/relators/aut$01210973 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 912 $a9910484906103321 996 $aThe Films of Kore-eda Hirokazu$92845464 997 $aUNINA