LEADER 02149nam 2200385 450 001 9910131232703321 005 20240214095057.0 010 $a1-4123-5769-1 024 7 $a10.1522/24955890 035 $a(CKB)3680000000167156 035 $a(NjHacI)993680000000167156 035 $a(EXLCZ)993680000000167156 100 $a20240214d2007 uy 0 101 0 $afre 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aPolitique et raisonl $efigures de la modernite? /$fRoberto Miguelez 210 1$aChicoutimi :$cJ.-M. Tremblay,$d2007. 215 $a1 online resource (130 pages) 225 1 $aClassiques des sciences sociales ;$v2684 327 $aTable des matie?res -- Roberto Miguelez, Introduction [pp. 1-30.] -- Danie?le Letocha, "Totalite?, temporalite? et politique. Essai de typologie." [pp. 9-31.] -- 1. La totalite? invoque?e comme fondement de l'agir collectif -- 2. Quatre figures de la totalite? dans leur rapport a? l'orientation de l'axe temporel -- -- A. La totalite? dans la conscience archai?que -- B. La totalite? dans la conscience grecque -- C. La totalite? dans la conscience moderne -- D. La totalite? dans la conscience contemporaine -- Douglas Moggach, "Raison pratique et communaute? chez Fichte." [pp. 33-48.] -- Joseph-Yvon The?riault, "La premie?re crise de la raison." [pp. 49-62.] -- La critique du rationalisme de?mocratique -- Vers une philosophie de la vie -- Vers une philosophie de l'histoire -- La victoire des conservateurs ou l'abandon du politique -- Roberto Miguelez, "La deuxie?me crise de la raison et la critique du socialisme." [pp. 63-78.] -- Koula Mellos, "Figures de la rationalite? dans le marxisme contemporain." [pp. 79-97.]. 410 0$aClassiques des sciences sociales ;$v2684. 517 $aPolitique et raisonl 606 $aReason 615 0$aReason. 676 $a128.33 700 $aMiguelez$b Roberto$0686979 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910131232703321 996 $aPolitique et raisonl$93937889 997 $aUNINA LEADER 03579nam 22006735 450 001 9910484857803321 005 20240724122434.0 010 $a9783030246358 010 $a3030246353 024 7 $a10.1007/978-3-030-24635-8 035 $a(CKB)4100000009590493 035 $a(MiAaPQ)EBC5962990 035 $a(DE-He213)978-3-030-24635-8 035 $a(Perlego)3491966 035 $a(EXLCZ)994100000009590493 100 $a20191017d2019 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aFilmmaking as Research $eScreening Memories /$fby Diane Charleson 205 $a1st ed. 2019. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2019. 215 $a1 online resource (190 pages) 311 08$a9783030246341 311 08$a3030246345 327 $a1. Beginnings -- 2. My research journey -- 3. Thematic concentrations : my research world -- 4. Rose's stories -- 5. Video installation and the agency of the viewer -- 6. Creating the still frame -- 7. Remixed memories -- 8. Endings and futures. . 330 $aThis book examines the challenges often experienced by film practitioners who find themselves researching within the academy, either as students or academics. In light of this the author presents her own journey from practitioner to researcher as a lens. Her practice- based research has been a quest to "revision" memories, by creating filmic images that elicit memory and remembering. In so doing she has used a range of platforms: multi- screen video installation, still- framing the moving image and remixing found footage. Central to this research has been the importance of family storytelling and sharing, the relationship of the visual and memory, the agency of nostalgia and the role of aura, particularly evident in the re-appropriating of super 8 home movies into a variety of forms. Important to this is has been the relationship of the viewer and the viewed in particular the role of an immersive environment of viewing. Diane Charleson isa Senior lecturer in Media at Australian Catholic University Melbourne, Australia, and previously at RMIT University. She is a filmmaking researcher who began her career as a documentary maker. Her research explores a variety of visual methods to revision memories that elicit memory recall and personal storytelling. 606 $aTechnology$xSociological aspects 606 $aMotion pictures$xProduction and direction 606 $aCommunication 606 $aSociology$xMethodology 606 $aEthnology 606 $aScience, Technology and Society 606 $aFilm and Television Production 606 $aMedia and Communication 606 $aSociological Methods 606 $aEthnography 615 0$aTechnology$xSociological aspects. 615 0$aMotion pictures$xProduction and direction. 615 0$aCommunication. 615 0$aSociology$xMethodology. 615 0$aEthnology. 615 14$aScience, Technology and Society. 615 24$aFilm and Television Production. 615 24$aMedia and Communication. 615 24$aSociological Methods. 615 24$aEthnography. 676 $a791.430232 676 $a791.43653 700 $aCharleson$b Diane$4aut$4http://id.loc.gov/vocabulary/relators/aut$01225817 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910484857803321 996 $aFilmmaking as Research$92846061 997 $aUNINA