LEADER 03652nam 2200625Ia 450 001 9910484824103321 005 20200520144314.0 010 $a1-282-63509-3 010 $a3-642-02518-8 024 7 $a10.1007/978-3-642-02518-1 035 $a(CKB)1000000000753964 035 $a(SSID)ssj0000316879 035 $a(PQKBManifestationID)11923504 035 $a(PQKBTitleCode)TC0000316879 035 $a(PQKBWorkID)10287312 035 $a(PQKB)10252012 035 $a(DE-He213)978-3-642-02518-1 035 $a(MiAaPQ)EBC3064263 035 $a(MiAaPQ)EBC5121678 035 $a(Au-PeEL)EBL5121678 035 $a(CaONFJC)MIL263509 035 $a(OCoLC)1027206162 035 $a(PPN)136306934 035 $a(EXLCZ)991000000000753964 100 $a20090606d2009 uy 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt 182 $cc 183 $acr 200 00$aComputer music modeling and retrieval, genesis of meaning in sound and music $e5th International Symposium, CMMR 2008 Copenhagen, Denmark, May 19-23, 2008 Revised Papers /$fSlvi Ystad, Richard Kronland-Martinet, Kristoffer Jensen (Eds.) 205 $a1st ed. 2009. 210 $aBerlin ;$aHeidelberg $cSpringer-Verlag$d2009 215 $a1 online resource (X, 285 p.) 225 1 $aLecture Notes in Computer Science,$x0302-9743 ;$v5493 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a3-642-02517-X 327 $aRetrieving the Meaning -- Timbre Perception of Sounds from Impacted Materials: Behavioral, Electrophysiological and Acoustic Approaches -- Perception of Harmonic and Inharmonic Sounds: Results from Ear Models -- Semantic Contours in Tracks Based on Emotional Tags -- Chunking Sound for Musical Analysis -- Towards a Model of Musical Chunks -- Does Social Interaction Activate Music Listeners? -- Musically Meaningful or Just Noise? An Analysis of On-line Artist Networks -- The Pursuit of Happiness in Music: Retrieving Valence with Contextual Music Descriptors -- Perception of Impacted Materials: Sound Retrieval and Synthesis Control Perspectives -- Refinement Strategies for Music Synchronization -- Labelling the Structural Parts of a Music Piece with Markov Models -- Tree Representation in Combined Polyphonic Music Comparison -- Interval Distinction on Melody Perception for Music Information Retrieval -- A Learning-Based Model for Musical Data Representation Using Histograms -- Generating the Meaning: Tools and Performance -- Ontological Substance and Meaning in Live Electroacoustic Music -- Dynamic Mapping Strategies for Expressive Synthesis Performance and Improvisation -- Amplified Breath ? (Dis)Embodied Habitat: Exploring Sonic Interfaces of Performance, Electronics, Space and Flautist Identity -- KSQuant - Complex Score Manipulation in PWGL through Quantization -- Strategies and Methods for Creating Symbolic Electroacoustic Scores in ENP -- An IEEE 1599-Based Interface for Score Analysis -- New Music in the Atomic Age. 410 0$aLecture notes in computer science ;$v5493. 606 $aComputer music$vCongresses 606 $aComputer sound processing$vCongresses 615 0$aComputer music 615 0$aComputer sound processing 676 $a004.6 701 $aJensen$b Kristoffer$01764185 701 $aKronland-Martinet$b Richard$01369731 701 $aYstad$b Slvi$01369732 712 12$aCMMR (Symposium) 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910484824103321 996 $aComputer music modeling and retrieval, genesis of meaning in sound and music$94204932 997 $aUNINA