LEADER 05231nam 22005535 450 001 9910484814203321 005 20200919230658.0 010 $a3-662-44929-3 024 7 $a10.1007/978-3-662-44929-5 035 $a(CKB)3710000000356809 035 $a(EBL)1974163 035 $a(SSID)ssj0001452220 035 $a(PQKBManifestationID)11789715 035 $a(PQKBTitleCode)TC0001452220 035 $a(PQKBWorkID)11479665 035 $a(PQKB)11252860 035 $a(DE-He213)978-3-662-44929-5 035 $a(MiAaPQ)EBC1974163 035 $a(PPN)184497167 035 $a(EXLCZ)993710000000356809 100 $a20150212d2015 u| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aJizi and His Art in Contemporary China $eUnification /$fby David Adam Brubaker, Chunchen Wang 205 $a1st ed. 2015. 210 1$aBerlin, Heidelberg :$cSpringer Berlin Heidelberg :$cImprint: Springer,$d2015. 215 $a1 online resource (162 p.) 225 1 $aChinese Contemporary Art Series,$x2199-9058 300 $aDescription based upon print version of record. 311 $a3-662-44928-5 320 $aIncludes bibliographical references and index. 327 $aIntroduction Conflicts and Confrontations: The Journey of China?s Contemporary Chinese Ink Paintings -- Chapter 1 Questions -- Chapter 2 Who Is Jizi? -- Chapter 3 Paths of Contemporary Chinese Art -- Chapter 4 Philosophy of Chinese Ink Art -- Chapter 5 Spiritual as Mountains and Cosmos -- Chapter 6 Chinese Ink Art and Global Changes -- Appendix. 330 $aThis interdisciplinary study promotes the thesis that some contemporary Chinese ink artists succeed in using principles of traditional Chinese aesthetics to convey the union of self with nature, others and the universe. The investigation is a case study of the writings and paintings of Jizi, an ink-wash artist in Beijing, who combines images of icy mountains, Tibetan landscapes, cosmic vistas, and enclosures of personal existence. Jizi?s success in expressing the unification of these dimensions is confirmed by developing and applying an interpretation of Jing Hao?s classic description of the authentic image, which resonates with the vitality of nature. To find words for resonance with visible nature, the inquiry extends to such writers as Li Zehou, Arthur Danto and Maurice Merleau-Ponty. In short, an account of authenticity in Chinese ink painting is offered experimentally as a means for assessing whether contemporary Chinese artworks are expressive of Chinese philosophy and culture. The text includes stylistic comparisons with artists. The result is an appreciation of the healing influence of Chinese ink art in a global culture that is vibrant, complex, diverse and affirming of the present. In this rigorous, far-reaching, and original analysis of contemporary ink art painting, Brubaker and Wang focus our attention on the work of one independent painter, Jizi, whose work exemplifies an uncanny marriage between ink art and contemporary concerns. . In the central chapters, Brubaker persuasively argues that in this work Jizi captures principles essential to traditional Chinese aesthetics?articulated in terms of wholeness, emptiness, and visibility--that enable the works to express the unification of the self with nature and the universe as a whole. It does this through forms that are innovative and part of artistic practices and discourses that are becoming increasingly global. Mary Wiseman, The City University of New York This important publication focuses on the evocative ink wash paintings of an artist who has, over the course of decades, demonstrated an unwavering commitment to exploring the technical, formal, philosophical and experiential dimensions of his chosen medium. The essays, commentaries and critical reflections collected in this volume present unique perspectives on Jizi's practice, significantly contributing to the growing body of scholarship on the continuing vitality of the ink wash tradition in the global contemporary. Dr. Wenny Teo, The Courtauld Institute of Art Through an in-depth study of the ink painting practice of contemporary Chinese artist Jizi, the authors discover Chinese ink painting?s philosophical perspectives, cosmic foundations, and contemporary possibilities. They also uncovered a way to enter into the artist?s rich and profound spiritual world; through Jizi?s expansive visual patterning and refined spiritual imagery, he activates a long and great cultural tradition. Yu Yang, Central Academy of Fine Arts . 410 0$aChinese Contemporary Art Series,$x2199-9058 606 $aCultural studies 606 $aCultural Studies$3https://scigraph.springernature.com/ontologies/product-market-codes/X22040 615 0$aCultural studies. 615 14$aCultural Studies. 676 $a300 676 $a306 700 $aBrubaker$b David Adam$4aut$4http://id.loc.gov/vocabulary/relators/aut$01226533 702 $aWang$b Chunchen$4aut$4http://id.loc.gov/vocabulary/relators/aut 906 $aBOOK 912 $a9910484814203321 996 $aJizi and His Art in Contemporary China$92847905 997 $aUNINA LEADER 02933nam 2200745Ia 450 001 9910970827903321 005 20251116175548.0 010 $a1-135-57646-7 010 $a1-135-57647-5 010 $a0-203-90681-0 010 $a1-280-31706-X 024 7 $a10.4324/9780203906811 035 $a(CKB)1000000000249991 035 $a(EBL)170567 035 $a(OCoLC)808013875 035 $a(SSID)ssj0000155876 035 $a(PQKBManifestationID)11158471 035 $a(PQKBTitleCode)TC0000155876 035 $a(PQKBWorkID)10114590 035 $a(PQKB)10073301 035 $a(MiAaPQ)EBC170567 035 $a(Au-PeEL)EBL170567 035 $a(CaPaEBR)ebr10054245 035 $a(CaONFJC)MIL31706 035 $a(OCoLC)826516047 035 $a(OCoLC)50760757 035 $a(FINmELB)ELB153680 035 $a(EXLCZ)991000000000249991 100 $a20000613d2000 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aFlash & crash days $eBrazilian theater in the post dictatorship period /$fDavid S. George 205 $a1st ed. 210 $aNew York $cGarland Pub.$dc2000 215 $a1 online resource (198 p.) 225 1 $aGarland reference library of the humanities ;$v2153.$aLatin American studies ;$v19 300 $aDescription based upon print version of record. 311 08$a0-8153-3839-2 311 08$a0-8153-3360-9 320 $aIncludes bibliographical references (p. 161-168) and index. 327 $aBook Cover; Title; Contents; Series Preface; Preface; Acknowledgments; Introduction; Gerald Thomas and the Postmodernist Theater in Brazil; Women Writers and the Quest for Identity: From Fiction into Playwriting; General Considerations on Scholarship, Playwriting, and Theater Companies; Afterword; Works Cited; Index 330 $aThis book deals with the theatre produced in Brazil during the 1980's and 1990's, especially its postmodernist directors, women playwrights and theatre companies, and examines the effects of a return to civilian government from military rule. 410 0$aGarland reference library of the humanities ;$vv. 2153. 410 0$aGarland reference library of the humanities.$pLatin American studies ;$vv. 19. 517 3 $aFlash and crash 606 $aTheater$zBrazil$xHistory$y20th century 606 $aBrazilian drama$y20th century$xHistory and criticism 606 $aWomen dramatists, Brazilian$y20th century$vBiography 607 $aBrazil$2fast 607 $aBrasilien$2swd 615 0$aTheater$xHistory 615 0$aBrazilian drama$xHistory and criticism. 615 0$aWomen dramatists, Brazilian 676 $a869.2 700 $aGeorge$b David Sanderson$01146277 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910970827903321 996 $aFlash & crash days$94483346 997 $aUNINA