LEADER 04259nam 22008175 450 001 9910484804103321 005 20250703104747.0 010 $a3-030-70210-3 024 7 $a10.1007/978-3-030-70210-6 035 $a(CKB)4100000011794532 035 $a(DE-He213)978-3-030-70210-6 035 $a(MiAaPQ)EBC6512617 035 $a(Au-PeEL)EBL6512617 035 $a(OCoLC)1244625908 035 $a(PPN)254719031 035 $a(EXLCZ)994100000011794532 100 $a20210309d2021 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aPerception, Representations, Image, Sound, Music $e14th International Symposium, CMMR 2019, Marseille, France, October 14?18, 2019, Revised Selected Papers /$fedited by Richard Kronland-Martinet, Sølvi Ystad, Mitsuko Aramaki 205 $a1st ed. 2021. 210 1$aCham :$cSpringer International Publishing :$cImprint: Springer,$d2021. 215 $a1 online resource (XVII, 726 p. 121 illus., 1 illus. in color.) 225 1 $aInformation Systems and Applications, incl. Internet/Web, and HCI,$x2946-1642 ;$v12631 311 08$a3-030-70209-X 320 $aIncludes bibliographical references and index. 327 $aMusic Information Retrieval - Music, Emotion and Representation -- Computational Musicology -- Audio Signal Processing - Music Structure, Analysis, Synthesis and Composition Tools -- Notation and Instruments Distributed on Mobile Devices -- Auditory Perception and Cognition - From the Ear to the Body -- The Process of Sound Design -- Sonic Interaction for Immersive Media - Virtual and Augmented Reality -- Musical Interaction: Embodiment, Improvisation, Collaboration -- Jean-Claude Risset and Beyond. 330 $aThis book constitutes the refereed proceedings of the 14th International Symposium on Perception, Representations, Image, Sound, Music, CMMR 2019, held in Marseille, France, in October 2019. The 46 full papers presented were selected from 105 submissions. The papers are grouped in 9 sections. The first three sections are related to music information retrieval, computational musicology and composition tools, followed by a section on notations and instruments distributed on mobile devices. The fifth section concerns auditory perception and cognition, while the three following sections are related to sound design and sonic and musical interactions. The last section contains contributions that relate to Jean-Claude Risset's research. 410 0$aInformation Systems and Applications, incl. Internet/Web, and HCI,$x2946-1642 ;$v12631 606 $aUser interfaces (Computer systems) 606 $aHuman-computer interaction 606 $aArtificial intelligence 606 $aImage processing$xDigital techniques 606 $aComputer vision 606 $aSoftware engineering 606 $aEducation$xData processing 606 $aComputer networks 606 $aUser Interfaces and Human Computer Interaction 606 $aArtificial Intelligence 606 $aComputer Imaging, Vision, Pattern Recognition and Graphics 606 $aSoftware Engineering 606 $aComputers and Education 606 $aComputer Communication Networks 615 0$aUser interfaces (Computer systems) 615 0$aHuman-computer interaction. 615 0$aArtificial intelligence. 615 0$aImage processing$xDigital techniques. 615 0$aComputer vision. 615 0$aSoftware engineering. 615 0$aEducation$xData processing. 615 0$aComputer networks. 615 14$aUser Interfaces and Human Computer Interaction. 615 24$aArtificial Intelligence. 615 24$aComputer Imaging, Vision, Pattern Recognition and Graphics. 615 24$aSoftware Engineering. 615 24$aComputers and Education. 615 24$aComputer Communication Networks. 676 $a789.9 702 $aYstad$b Sølvi 702 $aAramaki$b Mitsuko 702 $aKronland-Martinet$b Richard 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910484804103321 996 $aPerception, representations, image, sound, music$91907143 997 $aUNINA