LEADER 03871nam 22006615 450 001 9910484775103321 005 20230810170318.0 010 $a9783030394073 010 $a3030394077 024 7 $a10.1007/978-3-030-39407-3 035 $a(CKB)4100000010348883 035 $a(MiAaPQ)EBC6110003 035 $a(DE-He213)978-3-030-39407-3 035 $a(Perlego)3480234 035 $a(EXLCZ)994100000010348883 100 $a20200213d2020 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aPerforming Scottishness $eEnactment and National Identities /$fby Ian Brown 205 $a1st ed. 2020. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2020. 215 $a1 online resource (283 pages) 311 08$a9783030394066 311 08$a3030394069 320 $aIncludes bibliographical references and index. 327 $a1. Chapter 1: Introduction: Representational and Representative Performance of the Nation -- Chapter 2: Nationhood, the Declaration of Arbroath and an exploding pillar box -- Chapter 3: The Treaty of Union, Scoto-Britishness and Anglo-Britain -- Chapter 4: Bards, Britishness, buildings and cultural memory -- Chapter 5: Cultural communication, language performance and national literatures -- Chapter 6: Imagined borders, subverted centres and hybridity -- Chapter 7: Tartan enactments and performing hybridity -- Chapter 8: Language and resistance in theatre, music hall and variety -- Chapter 9: Comedy, television, hybridity and Scottish Camp -- Chapter 10: Film from oligopoly to The Angel's Share -- Chapter 11: Internalising exile at home and away. 330 $aThis wide-ranging and ground-breaking book, especially relevant given Brexit and renewed Scottish independence campaigning, provides in-depth analysis of ways Scottishness has been performed and modified over the centuries. Alongside theatre, television, comedy, and film, it explores performativity in public events, Anglo-Scottish relations, language and literary practice, the Scottish diaspora and concepts of nation, borders and hybridity. Following discussion of the 1320 Declaration of Arbroath and the real meanings of the 1706/7 Treaty of Union, it examines the differing perceptions of what the 'United Kingdom' means to Scots and English. It contrasts the treatment of Shakespeare and Burns as 'national bards' and considers the implications of Scottish scholars' invention of 'English Literature'. It engages with Scotland's language politics -rebutting claims of a 'Gaelic Gestapo' - and how borders within Scotland interact. It replaces myths about 'tartan monsters' with level-headed evidence before discussing in detail representations of Scottishness in domestic and international media. 606 $aTheater 606 $aTheater$xHistory 606 $aPerforming arts 606 $aPhilosophy of mind 606 $aSelf 606 $aNational and Regional Theatre and Performance 606 $aContemporary Theatre and Performance 606 $aTheatre and Performance Arts 606 $aPhilosophy of the Self 615 0$aTheater. 615 0$aTheater$xHistory. 615 0$aPerforming arts. 615 0$aPhilosophy of mind. 615 0$aSelf. 615 14$aNational and Regional Theatre and Performance. 615 24$aContemporary Theatre and Performance. 615 24$aTheatre and Performance Arts. 615 24$aPhilosophy of the Self. 676 $a792.09411 676 $a792.09411 700 $aBrown$b Ian$4aut$4http://id.loc.gov/vocabulary/relators/aut$0133446 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910484775103321 996 $aPerforming Scottishness$92259933 997 $aUNINA