LEADER 03745 am 2200889 n 450 001 9910297030603321 005 20181201 010 $a979-1-03-510292-0 024 7 $a10.4000/books.psorbonne.7420 035 $a(CKB)4100000007279178 035 $a(FrMaCLE)OB-psorbonne-7420 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/45186 035 $a(PPN)233323341 035 $a(EXLCZ)994100000007279178 100 $a20181220j|||||||| ||| 0 101 0 $afre 135 $auu||||||m|||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aLes dimensions relationnelles de l?art $eProcessus créatifs, mise en valeur, action politique /$fJean-Philippe Garric 210 $aParis $cÉditions de la Sorbonne$d2018 215 $a1 online resource (264 p.) 311 $a979-1-03-510050-6 330 $aCe volume rassemble des textes en anthropologie, histoire de l'art, musicologie, histoire du cinéma, réunis pour construire ensemble un véritable objet pluridisciplinaire : l?art est ici examiné comme processus, depuis les modèles cognitifs et conceptuels étudiés dans les contextes de sa création jusqu?à l?impact politique et sociétal de sa réception. La première partie considère des objets aussi divers que la création musicale contemporaine, la mise en récit(s) de la photographie dans la seconde moitié du XXe siècle en France et la production de bronzes au XIXe siècle sous l?angle de leurs processus créatifs. Sa deuxième partie examine les espaces muséaux : ils peuvent être considérés comme des « zones de contact » plus ou moins asymétriques et jouent aujourd?hui un rôle crucial dans la mise en valeur de pratiques et d?objets considérés comme mineurs ou marginaux. Enfin, la dernière partie propose d?interroger l?articulation entre culture et politique au regard de contextes sociaux, politiques et historiques distincts. 517 $adimensions relationnelles de l?art 606 $aArt 606 $aHumanities, Multidisciplinary 606 $asyndicalisme intellectuel 606 $aanalyse musicale 606 $aart tribal 606 $acinéma japonais 606 $aMexique 606 $afado 606 $aindustrie de bronze 606 $aunionised intellectuals 606 $amusical analysis 606 $aindigenous art 606 $aJapanese cinema 606 $aMexico 606 $abronze industry 610 $aunionised intellectuals 610 $abronze industry 610 $aindigenous art 610 $aMexico 610 $afado 610 $amusical analysis 610 $aJapanese cinema 615 4$aArt 615 4$aHumanities, Multidisciplinary 615 4$asyndicalisme intellectuel 615 4$aanalyse musicale 615 4$aart tribal 615 4$acinéma japonais 615 4$aMexique 615 4$afado 615 4$aindustrie de bronze 615 4$aunionised intellectuals 615 4$amusical analysis 615 4$aindigenous art 615 4$aJapanese cinema 615 4$aMexico 615 4$abronze industry 700 $aAguilar$b Anne-Sophie$01303977 701 $aBesada$b José Luis$01303978 701 $aCapel$b Mathieu$01294847 701 $aGuillaume-Pey$b Cécile$01303979 701 $aLavie$b Juliette$01303980 701 $aMétais$b Julie$01295746 701 $aPatrix$b Pénélope$01303981 701 $aVoillot$b Élodie$01303982 701 $aGarric$b Jean-Philippe$01218296 801 0$bFR-FrMaCLE 906 $aBOOK 912 $a9910297030603321 996 $aLes dimensions relationnelles de l?art$93027248 997 $aUNINA LEADER 04573nam 22006255 450 001 9910484753603321 005 20240627165823.0 010 $a9783030194390 010 $a3030194396 024 7 $a10.1007/978-3-030-19439-0 035 $a(CKB)4100000009152664 035 $a(MiAaPQ)EBC5887776 035 $a(DE-He213)978-3-030-19439-0 035 $a(Perlego)3491175 035 $a(EXLCZ)994100000009152664 100 $a20190827d2019 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aTrauma and Disability in Mad Max $eBeyond the Road Warrior's Fury /$fby Mick Broderick, Katie Ellis 205 $a1st ed. 2019. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Pivot,$d2019. 215 $a1 online resource (115 pages) $cillustrations 311 08$a9783030194383 311 08$a3030194388 327 $aIntroduction -- 1. Trauma -- 2. Disability -- 3.Gender -- 4. Mythology -- 5. Fandom -- Conclusion. 330 $a"The Mad Max films have been understood from numerous perspectives, from auteurism to national cinema to action adventure to gender to science fiction to dystopia. Mick Broderick and Katie Ellis have surpassed that literature with this exciting and profound work. Trauma and Disability is more than a new optic through which to view a storied series; it is a challenge to film studies and cultural analysis more broadly to wake up, smell the burning guzzoline, and rethink normativity." - Professor Toby Miller, Loughborough University London, UK "Mad Max is more relevant today than ever, with climate change destroying the Earth and many despot leaders worldwide. Broderick and Ellis critique the imagery of trauma within the films and focus attention on the many narratives involving disabled characters. Their explication of representations of bodies, disabled and nondisabled, makes a significant contribution toour understanding of multiple Mad Max films, specifically, and popular culture, generally." - Professor Beth Haller, Towson University, USA This book explores the inter-relationship of disability and trauma in the Mad Max films (1979-2015). George Miller's long-running series is replete with narratives and imagery of trauma, both physical and emotional, along with major and minor characters who are prominently disabled. The Mad Max movies foreground representations of the body - in devastating injury and its lasting effects - and in the broader social and historical contexts of trauma, disability, gender and myth. Over the franchise's four-decade span significant social and cultural change has occurred globally. Many of the images of disability and trauma central to Max's post-apocalyptic wasteland can be seen to represent these societal shifts, incorporating both decline and rejuvenation. These shifts include concerns with social, economic and political disintegration under late capitalism, projections of survival after nuclear war, and the impact of anthropogenic climate change. Drawing on screen production processes, textual analysis and reception studies this book interrogates the role of these representations of disability, trauma, gender and myth to offer an in-depth cultural analysis of the social critiques evident within the fantasies of Mad Max. Mick Broderick is Associate Professor of Media Analysis at Murdoch University, Australia. Katie Ellis is Associate Professor in Internet Studies and Director of the Centre for Culture and Technology at Curtin University, Australia. . 606 $aMotion pictures 606 $aAustralasia 606 $aPopular culture 606 $aSocial medicine 606 $aCommunication 606 $aAustralasian Film and TV 606 $aPopular Culture 606 $aHealth, Medicine and Society 606 $aMedia and Communication 615 0$aMotion pictures. 615 0$aAustralasia. 615 0$aPopular culture. 615 0$aSocial medicine. 615 0$aCommunication. 615 14$aAustralasian Film and TV. 615 24$aPopular Culture. 615 24$aHealth, Medicine and Society. 615 24$aMedia and Communication. 676 $a791.436520816 676 $a791.4375 700 $aBroderick$b Mick$4aut$4http://id.loc.gov/vocabulary/relators/aut$01204070 702 $aEllis$b Katie$4aut$4http://id.loc.gov/vocabulary/relators/aut 906 $aBOOK 912 $a9910484753603321 996 $aTrauma and Disability in Mad Max$92849829 997 $aUNINA