LEADER 04198nam 22006735 450 001 9910484719003321 005 20200704065321.0 010 $a3-030-36733-9 024 7 $a10.1007/978-3-030-36733-6 035 $a(CKB)4900000000505255 035 $a(MiAaPQ)EBC6006818 035 $a(DE-He213)978-3-030-36733-6 035 $a(PPN)259782343 035 $a(EXLCZ)994900000000505255 100 $a20200106d2020 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe American Roadside in Émigré Literature, Film, and Photography$b[electronic resource] $e1955?1985 /$fby Elsa Court 205 $a1st ed. 2020. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2020. 215 $a1 online resource (203 pages) 225 1 $aStudies in Mobilities, Literature, and Culture 311 $a3-030-36732-0 320 $aIncludes bibliographical references and index. 327 $aChapter One: Introduction By the Way: The Roadside as Other Space -- Chapter Two: ?Stationary Trivialities?: Life on the Margins in Vladimir Nabokov?s Lolita (1955) -- Chapter Three: ?Roadside Eye?: Accidents and Epiphanies in Robert Frank?s The Americans (1958) -- Chapter Four: ?We?re all in our private traps?: Alfred Hitchcock?s Psycho (1960) and the Decline of the American Motel -- Chapter Five: Roadside Chronicles: Wim Wenders? Paris, Texas (1984) -- Chapter Six: Conclusion: America Revisited. 330 $aThe American Roadside in Émigré Literature, Film, and Photography: 1955?1985 traces the origin of a postmodern iconography of mobile consumption equating roadside America with an authentic experience of the United States through the postwar road narrative, a narrative which, Elsa Court argues, has been shaped by and through white male émigré narratives of the American road, in both literature and visual culture. While stressing that these narratives are limited in their understanding of the processes of exclusion and unequal flux in experiences of modern automobility, the book works through four case studies in the American works of European-born authors Vladimir Nabokov, Robert Frank, Alfred Hitchcock, and Wim Wenders to unveil an early phenomenology of the postwar American highway, one that anticipates the works of late-twentieth-century spatial theorists Jean Baudrillard, Michel Foucault, and Marc Augé and sketches a postmodern aesthetic of western mobility and consumption that has become synonymous with contemporary America. 410 0$aStudies in Mobilities, Literature, and Culture 606 $aLiterature, Modern?20th century 606 $aAmerica?Literatures 606 $aLiterature?Philosophy 606 $aMotion pictures?History 606 $aCivilization?History 606 $aTwentieth-Century Literature$3https://scigraph.springernature.com/ontologies/product-market-codes/822000 606 $aNorth American Literature$3https://scigraph.springernature.com/ontologies/product-market-codes/834000 606 $aLiterary Theory$3https://scigraph.springernature.com/ontologies/product-market-codes/812000 606 $aFilm History$3https://scigraph.springernature.com/ontologies/product-market-codes/413070 606 $aCultural History$3https://scigraph.springernature.com/ontologies/product-market-codes/723000 615 0$aLiterature, Modern?20th century. 615 0$aAmerica?Literatures. 615 0$aLiterature?Philosophy. 615 0$aMotion pictures?History. 615 0$aCivilization?History. 615 14$aTwentieth-Century Literature. 615 24$aNorth American Literature. 615 24$aLiterary Theory. 615 24$aFilm History. 615 24$aCultural History. 676 $a809.93355 700 $aCourt$b Elsa$4aut$4http://id.loc.gov/vocabulary/relators/aut$0872314 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910484719003321 996 $aThe American Roadside in Émigré Literature, Film, and Photography$91947559 997 $aUNINA