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101 0 $aeng
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181   $ctxt$2rdacontent
182   $cc$2rdamedia
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200 10$aPerformance, Subjectivity, Cosmopolitanism /$fby Yana Meerzon
205   $a1st ed. 2020.
210  1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2020.
215   $a1 online resource (292 pages)
311   $a3-030-41409-4 
327   $a1. Introduction: Setting the Stage - Performing the Divided Self of a New Cosmopolitanism -- 2. Chapter One: Dramaturgies of the Self: Staging the Décalage of Vernacular Cosmopolitanism -- 3. Chapter Two: ?Speaking in Tongues?: Staging Hospitality of (Non)Translation -- 4. Chapter Three: Dramaturgies of the Body: Staging Stranger-Fetishism in a Cosmopolitan Solo Performance -- 5. Chapter Four: Staging Cosmoprolis - Constructing the Chorus Play -- 6. Chapter Five: Dramaturgies of the Gaze: On the Intimate Realities of Cosmopolitanism -- 7. Chapter Six: Staging Affective Citizenship ? Constructing Communities of Hope -- 8. Chapter Seven: How to Be a Cosmopolitan: Concluding Remarks. .
330   $aThis book looks at the connection between contemporary theatre practices and cosmopolitanism, a philosophical condition of social behaviour based on our responsibility, respect, and healthy curiosity to the other. Advocating for cosmopolitanism has become a necessity in a world defined by global wars, mass migration, and rise of nationalism. Using empathy, affect, and telling personal stories of displacement through embodied encounter between the actor and their audience, performance arts can serve as a training ground for this social behavior. In the centre of this encounter is a new cosmopolitan: a person of divided origins and cultural heritage, someone who speaks many languages and claims different countries as their place of belonging. The book examines how European and North American theatres stage this divided subjectivity: both from within, the way we tell stories about ourselves to others, and from without, through the stories the others tell about us. .
606   $aTheater
606   $aPerforming arts
606   $aContemporary Theatre$3https://scigraph.springernature.com/ontologies/product-market-codes/415040
606   $aGlobal/International Theatre and Performance$3https://scigraph.springernature.com/ontologies/product-market-codes/415070
606   $aPerforming Arts$3https://scigraph.springernature.com/ontologies/product-market-codes/415030
615  0$aTheater.
615  0$aPerforming arts.
615 14$aContemporary Theatre.
615 24$aGlobal/International Theatre and Performance.
615 24$aPerforming Arts.
676   $a306
676   $a301
700   $aMeerzon$b Yana$4aut$4http://id.loc.gov/vocabulary/relators/aut$01132995
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801  1$bMiAaPQ
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906   $aBOOK
912   $a9910484641403321
996   $aPerformance, Subjectivity, Cosmopolitanism$92848394
997   $aUNINA