LEADER 03409nam 22006615 450 001 9910484631103321 005 20250610110041.0 010 $a9783030468514 010 $a3030468518 024 7 $a10.1007/978-3-030-46851-4 035 $a(CKB)4100000011569172 035 $a(MiAaPQ)EBC6396066 035 $a(DE-He213)978-3-030-46851-4 035 $a(Perlego)3480932 035 $a(MiAaPQ)EBC29092523 035 $a(EXLCZ)994100000011569172 100 $a20201113d2020 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aShakespeare's Serial Returns in Complex TV /$fby Christina Wald 205 $a1st ed. 2020. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2020. 215 $a1 online resource (IX, 267 p.) 225 1 $aReproducing Shakespeare,$x2730-9312 311 08$a9783030468507 311 08$a303046850X 320 $aIncludes bibliographical references and index. 327 $a1. Introduction -- 2. Coriolanus and Homeland: The Return of the Soldier -- 3. The Tempest and Westworld: The Return of the Dead -- 4. King Lear and Succession: The Return of the Predecessor -- 5. Hamlet and Black Earth Rising: Returns to the Roots -- 6. Conclusion -- . 330 $aThis book examines how Shakespeare's plays resurface in current complex TV series. Its four case studies bring together The Tempest and the science fiction-Western Westworld, King Lear and the satirical dynastic drama of Succession, Hamlet and the legal thriller Black Earth Rising, as well asCoriolanus and the political thriller Homeland. The comparative readings ask what new insights the twenty-first-century remediations may grant us into Shakespeare's texts and, vice versa, how Shakespearean returns help us understand topical concerns negotiated in the series, such as artificial intelligence, the safeguarding of democracy, terrorism, and postcolonial justice. This study also proposes that the dramaturgical seriality typical of complex TV allows insights into the seriality Shakespeare employed in structuring his plays. Discussing a broad spectrum of adaptational constellations and establishing key characteristics of the new adaptational aggregate of serial Shakespeare, it seeks to initiate a dialogue between Shakespeare studies, adaptation studies, and TV studies. 410 0$aReproducing Shakespeare,$x2730-9312 606 $aEuropean literature$yRenaissance, 1450-1600 606 $aAdaptation (Literary, artistic, etc.) 606 $aTelevision broadcasting 606 $aFilm genres 606 $aEarly Modern and Renaissance Literature 606 $aAdaptation Studies 606 $aTelevision Studies 606 $aGenre Studies 615 0$aEuropean literature 615 0$aAdaptation (Literary, artistic, etc.) 615 0$aTelevision broadcasting. 615 0$aFilm genres. 615 14$aEarly Modern and Renaissance Literature. 615 24$aAdaptation Studies. 615 24$aTelevision Studies. 615 24$aGenre Studies. 676 $a822.33 700 $aWald$b Christina$f1976-$01132440 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910484631103321 996 $aShakespeare's serial returns in complex TV$92851575 997 $aUNINA