LEADER 04270nam 22006135 450 001 9910484625503321 005 20251230065726.0 010 $a3-030-74039-0 024 7 $a10.1007/978-3-030-74039-9 035 $a(CKB)4100000011881201 035 $a(MiAaPQ)EBC6550465 035 $a(Au-PeEL)EBL6550465 035 $a(OCoLC)1246350769 035 $a(BIP)79831680 035 $a(BIP)79523190 035 $a(DE-He213)978-3-030-74039-9 035 $a(EXLCZ)994100000011881201 100 $a20210412d2021 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aProceedings of the Worldwide Music Conference 2021 $eVolume 1 /$fedited by Ildar D. Khannanov, Roman Ruditsa 205 $a1st ed. 2021. 210 1$aCham :$cSpringer International Publishing :$cImprint: Springer,$d2021. 215 $a1 online resource (viii, 174 pages) $cillustrations 225 1 $aCurrent Research in Systematic Musicology,$x2196-6974 ;$v8 311 08$a3-030-74038-2 320 $aIncludes bibliographical references and index. 330 $aThis book presents sixteen chapters in Volume 1. This Volume I of the Proceedings of the Worldwide Music Conference 2021 offers a smorgasbord of scientific approaches to music. The congress is one of a kind; it is dedicated not to a specific field but to the interdisciplinary developments and the interaction with the representatives from actual scientific disciplines. The languages of mathematics, computer science, semiotics, palaeography, and medicine are in the mix; geography of the studies is also impressive?Greece, Mexico, China, Russia, India, Poland, and USA, to name just a few. The purpose of such juxtaposition is to see how the terminology, categorical apparatus, and interpretations of music vary from science to science and how this can enrich the terminology of music theory. They cover a wide range of topics that the editors divided into four subfields: music in interdisciplinary contexts, music and current technology, musical instruments and voice, and music pedagogy and medicine. The opening section of the Proceedings is thus dedicated to the idea of interdisciplinarity, relationship of creator of theory of harmony Rameau to sciences of his time, the idea of number in music, co-creation, and the category of musical network. Three more chapters here deal with Russian palaeography, Indian musical genre, and the idea of musical semiotics. It is a kind of opening statement from music theorists. Part two, music and current technology, united three chapters, on ?zero gravity? concept in modern music, discussion of scales as mathematical networks, and the innovation in digital music making, transforming it from stationary to mobile applications. The third part, musical instruments and voice, is of special interest because it is in the study of the instruments, the design, acoustic characteristics, and tuning, and sciences have cooperated with music theory for centuries. In addition to instruments, one chapter here is dedicated to voice. The last part, musical pedagogy and medicine, takes the reader even further into the interdisciplinary domain. The Proceedings is written in standard English language, prepared for the pleasure of reading of wide circles of professionals in different fields. The purpose of the editors is to bring this rather diverse set of texts into the context of a fruitful dialogue. 410 0$aCurrent Research in Systematic Musicology,$x2196-6974 ;$v8 606 $aMusic 606 $aAcoustical engineering 606 $aMusic$xMathematics 606 $aMusic 606 $aEngineering Acoustics 606 $aMathematics in Music 615 0$aMusic. 615 0$aAcoustical engineering. 615 0$aMusic$xMathematics. 615 14$aMusic. 615 24$aEngineering Acoustics. 615 24$aMathematics in Music. 676 $a780.05 702 $aRuditsa$b Roman 702 $aKhannanov$b Ildar Damirovich 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910484625503321 996 $aProceedings of the Worldwide Music Conference 2021$92557861 997 $aUNINA