LEADER 04321nam 22005415 450 001 9910484614003321 005 20200930201106.0 010 $a3-030-17034-9 024 7 $a10.1007/978-3-030-17034-9 035 $a(CKB)4100000008707581 035 $a(MiAaPQ)EBC5830014 035 $a(DE-He213)978-3-030-17034-9 035 $a(EXLCZ)994100000008707581 100 $a20190715d2019 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aEastern European Popular Music in a Transnational Context $eBeyond the Borders /$fedited by Ewa Mazierska, Zsolt Gy?ri 205 $a1st ed. 2019. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2019. 215 $a1 online resource (248 pages) 225 1 $aPalgrave European Film and Media Studies,$x2634-615X 311 $a3-030-17033-0 327 $a1. Introduction: Crossing National and Regional Borders in Eastern European Popular Music, Ewa Mazierska and Zsolt Gy?ri -- Part 1: Bringing Foreign Music to the European East -- 2. Loopholes in the Iron Curtain: Obtaining Western Music in State Socialist Czechoslovakia in the 1970s and 1980s, Adam Havlik -- 3. Quiet Fanaticism: The Phenomenon of Leonard Cohen?s Popularity in Poland, Ewa Mazierska and Xawery Sta?czyk -- 4. Authenticity and Orientalism: Cultural Appropriations in Polish Alternative Music Scene in the 1970s and 1980s, Xawery Sta?czyk -- 5. Eastern Europe as Punk Frontier, Aimar Ventsel -- Part 2: Eastern European Music Crossing the Borders -- 6. Success, Failure, Splendid Isolation: Czes?aw Niemen?s Career in Europe, Mariusz Gradowski -- 7. Yugo-Polish: The Uses of Yugoslav Music by Polish Musicians, Ewa Mazierska -- 8. Balkan High, Balkan Low: Music Production between Hybridity and Class Struggle, Slobodan Karamani? and Manuela Unverdorben -- Part 3: Liminal Spaces of Eastern European Music Festivals -- 9. The Intervision Song Contest: A Commercial and Pan-European Alternative to the Eurovision Song Contest, Dean Vuletic -- 10. Between Utopia and the Marketplace: The Case of the Sziget Festival, Zsolt Gy?ri -- 11. A Tale of Two (Or #EverMore) Festivals: Electronic Music in a Transylvanian Town, Ruxandra Trandafoiu. 330 $aThis volume examines the transnational character of popular music since the Cold War era to the present. Bringing together the cross-disciplinary research of native scholars, Eastern European Popular Music in a Transnational Context expands our understanding of the movement of physical music, musicians and genres through the Iron Curtain and within the region of Eastern Europe. With case studies ranging from Goran Bregovi?, Czes?aw Niemen, the reception of Leonard Cohen in Poland, the Estonian punk scene to the Intervision Song Contest, the book discusses how the production and reception of popular music in the region has always been heavily influenced by international trends and how varied strategies allowed performers and fans to acquire cosmopolitan identities. Cross-disciplinary in nature, the investigations are informed by political, social and cultural history, reception studies, sociology and marketing and are largely based on archival research and interviews. . 410 0$aPalgrave European Film and Media Studies,$x2634-615X 606 $aMusic 606 $aEthnology?Europe 606 $aPopular Culture 606 $aMusic$3https://scigraph.springernature.com/ontologies/product-market-codes/417000 606 $aEuropean Culture$3https://scigraph.springernature.com/ontologies/product-market-codes/411070 606 $aPopular Culture $3https://scigraph.springernature.com/ontologies/product-market-codes/411170 615 0$aMusic. 615 0$aEthnology?Europe. 615 0$aPopular Culture. 615 14$aMusic. 615 24$aEuropean Culture. 615 24$aPopular Culture . 676 $a780.9496 676 $a781.640947 702 $aMazierska$b Ewa$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aGy?ri$b Zsolt$4edt$4http://id.loc.gov/vocabulary/relators/edt 906 $aBOOK 912 $a9910484614003321 996 $aEastern European Popular Music in a Transnational Context$92849101 997 $aUNINA