LEADER 03252nam 22006615 450 001 9910484593603321 005 20250610110034.0 010 $a9783030527303 010 $a3030527301 024 7 $a10.1007/978-3-030-52730-3 035 $a(CKB)4100000011610058 035 $a(MiAaPQ)EBC6407560 035 $a(DE-He213)978-3-030-52730-3 035 $a(PPN)259778699 035 $a(Perlego)3480929 035 $a(MiAaPQ)EBC29090888 035 $a(EXLCZ)994100000011610058 100 $a20201123d2020 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAesthetics, Poetics and Phenomenology in Samuel Taylor Coleridge /$fby Tom Marshall 205 $a1st ed. 2020. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2020. 215 $a1 online resource (X, 211 p. 2 illus.) 300 $aIncludes index. 311 08$a9783030527297 311 08$a3030527298 327 $a1. Introduction -- 2. Anti-psychologism and Ideal Laws in Biographia I.-3. Coleridge's phenomenological engagements with idealism -- 4. Imagination and Intentionality -- 5. Coleridge's Epoché -- 6.'The acts of the mind itself': Eidetic Intuition and the 'Conversation Poems'. 330 $a'Tom Marshall's erudite study provides what is by some distance the most comprehensive treatment of Coleridge's relation to the phenomenological tradition. Marshall's lucid and provocative analysis defends both the individual poet, and the wider idealist tradition to which he belongs, from the common charge of abstraction. Coleridge stands revealed to us rather as a thinker for whom the most profound philosophical questions turn on the question-and the experience-of sensuous immediacy.' - Dr Ewan James Jones, University of Cambridge, UK This book re-evaluates the philosophical status of Samuel Taylor Coleridge by providing an extended comparison between his work and the phenomenological theory of Edmund Husserl. Examining Coleridge's accounts of the imagination, perception, poetic creativity and literary criticism, it draws a systematic and coherent structure out of a range of Coleridge's philosophical writing. In addition, it also applies the principles of Coleridge's philosophy to an interpretation of his own poetic output. 606 $aEuropean literature 606 $aPoetry 606 $aLiterature, Modern$y18th century 606 $aPhenomenology 606 $aEuropean Literature 606 $aPoetry and Poetics 606 $aEighteenth-Century Literature 606 $aPhenomenology 615 0$aEuropean literature. 615 0$aPoetry. 615 0$aLiterature, Modern 615 0$aPhenomenology. 615 14$aEuropean Literature. 615 24$aPoetry and Poetics. 615 24$aEighteenth-Century Literature. 615 24$aPhenomenology. 676 $a016.2896 676 $a821.7 700 $aMarshall$b Tom$f1938-1993,$0163625 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910484593603321 996 $aAesthetics, poetics and phenomenology in Samuel Taylor Coleridge$92597693 997 $aUNINA LEADER 01664oas 22006493a 450 001 9910142980203321 005 20250718213021.0 011 $a2162-1365 035 $a(OCoLC)60623328 035 $a(CONSER) 2011200763 035 $a(CKB)954921396072 035 $a(EXLCZ)99954921396072 100 $a20050614b19822001 uy a 101 0 $aeng 135 $aurun||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aComputer-aided engineering $eCAE 210 3 $aNew York, N.Y. $cPenton Media 210 $a[Cleveland, Ohio] $c[Penton/IPC] 215 $a20 volumes $cillustrations ;$d28 cm 311 08$a0733-3536 517 3 $aCAE 517 3 $aC.A.E. 517 3 $aC.A.E. annual 517 1 $aCAE annual 531 0 $aComput. aided eng. 606 $aEngineering$xData processing$vPeriodicals 606 $aInge?nierie$xInformatique$vPe?riodiques 606 $aEngineering$xData processing$2fast$3(OCoLC)fst00910334 608 $aPeriodicals.$2fast 615 0$aEngineering$xData processing 615 6$aInge?nierie$xInformatique 615 7$aEngineering$xData processing. 676 $a620 801 0$bOCLCS 801 1$bOCLCS 801 2$bDST 801 2$bCUD 801 2$bTXJ 801 2$bOCLCQ 801 2$bDLC 801 2$bOCLCQ 801 2$bCOO 801 2$bOCLCO 801 2$bOCLCF 801 2$bOCLCO 801 2$bOCLCQ 801 2$bIOY 801 2$bU3W 801 2$bOCLCQ 801 2$bOCLCL 906 $aJOURNAL 912 $a9910142980203321 996 $aComputer aided engineering$9318814 997 $aUNINA