LEADER 03983nam 22006495 450 001 9910484573103321 005 20200630064216.0 010 $a3-030-29314-9 024 7 $a10.1007/978-3-030-29314-7 035 $a(CKB)4100000009939877 035 $a(MiAaPQ)EBC5987667 035 $a(DE-He213)978-3-030-29314-7 035 $a(EXLCZ)994100000009939877 100 $a20191129d2019 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aPragmatist Philosophy and Dance $eInterdisciplinary Dance Research in the American South /$fby Eric Mullis 205 $a1st ed. 2019. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2019. 215 $a1 online resource (256 pages) $cillustrations 225 1 $aPerformance Philosophy 300 $aIncludes index. 311 $a3-030-29313-0 327 $a1. Sources beyond the Pale -- 2. Pragmatist Methods: Experimental Inquiry, Somaesthetics, and Performance Praxis -- 3. Religious History: Spirit Poured out on all Flesh -- 4. Dance History: The Rolling Deep -- 5. Ethnographic Research: Signs Follow Them That Believe -- 6. Movement Research: The Most Originally Mine -- 7. Religious Experience: William James, Ecstasy, and Christian Fundamentalism -- 8. Conclusions: On Pragmatist Performance Philosophy. 330 $aThis book investigates how Pragmatist philosophy as a philosophical method contributes to the understanding and practice of interdisciplinary dance research. It uses the author's own practice-based research project, Later Rain, to illustrate this. Later Rain is a post-dramatic dance theater work that engages primarily with issues in the philosophy of religion and socio-political philosophy. It focuses on ecstatic states that arise in Appalachian charismatic Pentecostal church services, states characterized by dancing, paroxysms, shouting, and speaking in tongues (glossolalia). Research for this work is interdisciplinary as it draws on studio practice, ethnographic field work, cultural history, Pentecostal history and theology, folk aesthetics, anthropological understandings of ecstatic religious rituals, and dance history regarding acclaimed works that have sought to present aspects of religious ecstasy on stage; Doris Humphrey's The Shakers (1931), Mark Godden?s Angels in the Architecture (2012), Martha Clarke?s Angel Reapers (2015) and Ralph Lemon?s Geography trilogy (2005). The project thereby demonstrates a process model of dance philosophy, showing how philosophy and dance artistry intertwine in a specific creative process. 410 0$aPerformance Philosophy 606 $aDance 606 $aPerforming arts 606 $aTheater 606 $aPragmatism 606 $aDance$3https://scigraph.springernature.com/ontologies/product-market-codes/415020 606 $aPerforming Arts$3https://scigraph.springernature.com/ontologies/product-market-codes/415030 606 $aNational/Regional Theatre and Performance$3https://scigraph.springernature.com/ontologies/product-market-codes/415080 606 $aContemporary Theatre$3https://scigraph.springernature.com/ontologies/product-market-codes/415040 606 $aPragmatism$3https://scigraph.springernature.com/ontologies/product-market-codes/E38000 615 0$aDance. 615 0$aPerforming arts. 615 0$aTheater. 615 0$aPragmatism. 615 14$aDance. 615 24$aPerforming Arts. 615 24$aNational/Regional Theatre and Performance. 615 24$aContemporary Theatre. 615 24$aPragmatism. 676 $a792.8 676 $a792.8 700 $aMullis$b Eric$4aut$4http://id.loc.gov/vocabulary/relators/aut$01224755 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910484573103321 996 $aPragmatist Philosophy and Dance$92843777 997 $aUNINA