LEADER 06459nam 22007455 450 001 9910484560603321 005 20200930214505.0 010 $a3-030-37998-1 024 7 $a10.1007/978-3-030-37998-8 035 $a(CKB)4100000011263813 035 $a(MiAaPQ)EBC6207822 035 $a(DE-He213)978-3-030-37998-8 035 $a(EXLCZ)994100000011263813 100 $a20200521d2020 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aDocumenting Trauma in Comics$b[electronic resource] $eTraumatic Pasts, Embodied Histories, and Graphic Reportage /$fedited by Dominic Davies, Candida Rifkind 205 $a1st ed. 2020. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2020. 215 $a1 online resource (352 pages) 225 1 $aPalgrave Studies in Comics and Graphic Novels,$x2634-6370 311 $a3-030-37997-3 320 $aIncludes bibliographical references and index. 327 $a1. Introduction: Documenting Trauma in Comics. Section I: Documenting Trauma- 2. Hierarchies of Pain: Trauma Tropes Today and Tomorrow -- 3. Emotional History and Legacies of War in Recent German Comics and Graphic Novels -- 4. The Past That Will Not Die: Trauma, Race and Zombie Empire in Horror Comics of the 1950s -- 5. Exploring Trauma and Social Haunting Through Community Comics Creation -- 6. Comic: "Documenting Trauma" -- Section II: Traumatic Pasts -- 7. Traumatic Moments: Retrospective ?Seeing? of Violation, Rupture and Injury in Three Post-millennial Indian Graphic Narratives. - 8. This Side, That Side: Restoring Memory, Restorying Partition -- 9. Visual Detention: Reclaiming Human Rights Through Memory in Leila Abdelrazaq?s Baddawi -- 10. Comic: Crying in the Chapel -- Section III: Embodies Histories -- 11. Folding, Cutting, Reassembling: Materializing Trauma and Memory in Comics -- 12. 'To Create Her World Anew?: Charlotte Salomon?s Graphic Life Narrative -- 13. Una?s Becoming Unbecoming, Visuality, and Sexual Trauma. -- 14. Discourses of Trauma and Representation: Motherhood and Mother Tongue in Miriam Katin?s Graphic Memoirs -- 15. Comic: First Person Third -- Section IV: Graphic Reportage -- 16. Comics Telling Refugee Stories -- 17. Migrant Detention Comics and the Aesthetic Technologies of Compassion -- 18. Comics as Memoir and Documentary: A Case Study of Sarah Glidden -- 19. Afterword. . 330 $a?Documenting Trauma in Comics: Traumatic Pasts, Embodied Histories, and Graphic Reportage brings together a diverse group of scholars to offer a new perspective on representations of trauma in graphic narratives. Using primary source comics from a broad geographic and historical scope, this collection focuses on creating relationships between texts, demonstrating not only the global interest in trauma narratives but also the myriad representational techniques that comics can employ. As such, the coordinates by which this work is steered are academically rigorous, contemporary, and highly topical.? --Professor Harriet EH Earle, Sheffield Hallam University ?A necessary collection, both for its crucial global scope and for its contribution to how we think about trauma and images.? --Professor Hillary Chute, Northeastern University Why are so many contemporary comics and graphic narratives written as memoirs or documentaries of traumatic events? Is there a specific relationship between the comics form and the documentation and reportage of trauma? How do the interpretive demands made on comics readers shape their relationships with traumatic events? And how does comics? documentation of traumatic pasts operate across national borders and in different cultural, political, and politicised contexts? The sixteen chapters and three comics included in Documenting Trauma in Comics set out to answer exactly these questions. Drawing on a range of historically and geographically expansive examples, the contributors bring their different perspectives to bear on the tangled and often fraught intersections between trauma studies, comics studies, and theories of documentary practices and processes. The result is a collection that shows how comics is not simply related to trauma, but a generative force that has become central to its remembrance, documentation, and study. Dominic Davies is a Lecturer in the Department of English at City, University of London. Candida Rifkind is a Professor in the Department of English, University of Winnipeg, Canada. 410 0$aPalgrave Studies in Comics and Graphic Novels,$x2634-6370 606 $aComic books, strips, etc 606 $aPopular Culture 606 $aCulture 606 $aCommunication 606 $aLiterature, Modern?20th century 606 $aLiterature, Modern?21st century 606 $aHistoriography 606 $aComics Studies$3https://scigraph.springernature.com/ontologies/product-market-codes/411250 606 $aPopular Culture $3https://scigraph.springernature.com/ontologies/product-market-codes/411170 606 $aGlobal/International Culture$3https://scigraph.springernature.com/ontologies/product-market-codes/411160 606 $aMedia and Communication$3https://scigraph.springernature.com/ontologies/product-market-codes/412010 606 $aContemporary Literature$3https://scigraph.springernature.com/ontologies/product-market-codes/815000 606 $aMemory Studies$3https://scigraph.springernature.com/ontologies/product-market-codes/711010 615 0$aComic books, strips, etc. 615 0$aPopular Culture. 615 0$aCulture. 615 0$aCommunication. 615 0$aLiterature, Modern?20th century. 615 0$aLiterature, Modern?21st century. 615 0$aHistoriography. 615 14$aComics Studies. 615 24$aPopular Culture . 615 24$aGlobal/International Culture. 615 24$aMedia and Communication. 615 24$aContemporary Literature. 615 24$aMemory Studies. 676 $a741.5973 702 $aDavies$b Dominic$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aRifkind$b Candida$4edt$4http://id.loc.gov/vocabulary/relators/edt 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910484560603321 996 $aDocumenting Trauma in Comics$92208997 997 $aUNINA