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101 0 $aeng
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181   $ctxt$2rdacontent
182   $cc$2rdamedia
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200 10$aDigital theatre $ethe making and meaning of live mediated performance, US & UK 1990-2020 /$fNadja Masura
205   $a1st ed. 2020.
210  1$aCham, Switzerland :$cPalgrave Macmillan,$d[2020]
210  4$d©2020
215   $a1 online resource (XVI, 295 p. 21 illus., 19 illus. in color.) 
225 1 $aPalgrave Studies in Performance and Technology
311   $a3-030-55627-1 
327   $a1. Introduction -- 2. Scenography -- 3. The Theatre Building/Place -- 4. The Actor -- 5. The Animated Actor -- 6. Costuming -- 7. Director/Dramaturg (Authority) -- 8. Writer/Audience (Authorship) -- 9. Theorizing Body/Place: The Agency of the Digital Performer and the Body as Place -- 10. Theorizing Place/Community: Issues of Access and Performativity -- 11. Conclusion: Binaries of Hope, Theorizing Theater?s Place in an Increasingly Performative Digital World.
330   $aDigital Theatre is a rich and varied art form evolving between performing bodies gathered together in shared space and the ever-expanding flexible reach of the digital technology that shapes our world. This book explores live theatre performances which incorporate video projection, animation, motion capture and triggering, telematics and multisite performance, robotics, VR, and AR. Through examples from practitioners like George Coates, the Gertrude Stein Repertory Theatre, Troika Ranch, David Saltz, Mark Reaney, The Builder?s Association, and ArtGrid, a picture emerges of how and why digital technology can be used to effectively create theatre productions matching the storytelling and expressive needs of today?s artists and audiences. It also examines how theatre roles such as director, actor, playwright, costumes, and set are altered, and how ideas of body, place, and community are expanded. .
410  0$aPalgrave Studies in Performance and Technology
606   $aTechnology and the arts
615  0$aTechnology and the arts.
676   $a700.105
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