LEADER 03912nam 22005895 450 001 9910484508603321 005 20200919064439.0 010 $a3-662-46510-8 024 7 $a10.1007/978-3-662-46510-3 035 $a(CKB)3710000000466460 035 $a(EBL)3568400 035 $a(SSID)ssj0001546798 035 $a(PQKBManifestationID)16140923 035 $a(PQKBTitleCode)TC0001546798 035 $a(PQKBWorkID)14796190 035 $a(PQKB)11120976 035 $a(DE-He213)978-3-662-46510-3 035 $a(MiAaPQ)EBC3568400 035 $z(PPN)258869224 035 $a(PPN)188459847 035 $a(EXLCZ)993710000000466460 100 $a20150817d2015 u| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aIssues of Contemporary Art and Aesthetics in Chinese Context /$fby Eva Kit Wah Man 205 $a1st ed. 2015. 210 1$aBerlin, Heidelberg :$cSpringer Berlin Heidelberg :$cImprint: Springer,$d2015. 215 $a1 online resource (108 p.) 225 1 $aChinese Contemporary Art Series,$x2199-9058 300 $aDescription based upon print version of record. 311 $a3-662-46509-4 320 $aIncludes bibliographical references. 327 $aWhat is an Author? -- Rethinking Art and Values -- Contemporary Philosophical Aesthetics in China: The Relation Between Subject and Object -- A Critical Reflection on a Suggested Return to Aesthetic Experience in Socialist China -- Some Reflections on Confucian Aesthetics and Its Feminist Modalities -- Metaphysics, Corporeality and Visuality: A Developmental and Comparative Review of the Discourses on Chinese Ink Painting -- Experimental Painting and Painting Theories in Colonial Hong Kong (1940-1980): Reflections on Cultural Identity -- The Notion of "Orientalism" in the Modernization Movement of Chinese Painting of Hong Kong Artists in 1960s: The Case of Hon Chi-fun -- Some Reflections on "Feminist Aesthetics": Private/Public? Personal/ Political? Gender/Post-Colonial? --- The Case of Young Women Art in Post-Colonial Hong Kong -- A Museum of Hybridity: The History of the Display of Art in the Public Museum of Hong Kong and Its Implications for Cultural Identities -- The Trinity ?Hong Kong- China-The World?: The Battle of Cultural Identities as a Form of Hegemony in Art in Postcolonial Hong Kong (since 1990s) -- Hong Kong Pavilion at the Venice Biennale As Method: The Case of Lee Kit Rights in Hong Kong -- Influence of Global Aesthetics on Chinese Aesthetics: The Adaption of Moxie and the Case of Dafen Cun. 330 $aThis book discusses how China?s transformations in the last century have shaped its arts and its philosophical aesthetics. For instance, how have political, economic and cultural changes shaped its aesthetic developments? Further, how have its long-standing beliefs and traditions clashed with modernizing desires and forces, and how have these changes materialized in artistic manifestations? In addition to answering these questions, this book also brings Chinese philosophical concepts on aesthetics into dialogue with those of the West, making an important contribution to the fields of art, comparative aesthetics and philosophy. 410 0$aChinese Contemporary Art Series,$x2199-9058 606 $aAesthetics 606 $aArts 606 $aAesthetics$3https://scigraph.springernature.com/ontologies/product-market-codes/E11000 606 $aArts$3https://scigraph.springernature.com/ontologies/product-market-codes/416000 615 0$aAesthetics. 615 0$aArts. 615 14$aAesthetics. 615 24$aArts. 676 $a100 700 $aMan$b Eva Kit Wah$4aut$4http://id.loc.gov/vocabulary/relators/aut$0900723 906 $aBOOK 912 $a9910484508603321 996 $aIssues of Contemporary Art and Aesthetics in Chinese Context$92842032 997 $aUNINA