LEADER 07198nam 22007935 450 001 9910484481803321 005 20230404072724.0 010 $a3-662-44335-X 024 7 $a10.1007/978-3-662-44335-4 035 $a(CKB)3710000000227445 035 $a(SSID)ssj0001338702 035 $a(PQKBManifestationID)11867836 035 $a(PQKBTitleCode)TC0001338702 035 $a(PQKBWorkID)11344739 035 $a(PQKB)11595813 035 $a(DE-He213)978-3-662-44335-4 035 $a(MiAaPQ)EBC6295031 035 $a(MiAaPQ)EBC5586263 035 $a(Au-PeEL)EBL5586263 035 $a(OCoLC)889715830 035 $a(PPN)180625926 035 $a(EXLCZ)993710000000227445 100 $a20140822d2014 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt 182 $cc 183 $acr 200 10$aEvolutionary and Biologically Inspired Music, Sound, Art and Design$b[electronic resource] $eThird European Conference, EvoMUSART 2014, Granada, Spain, April 23-25, 2014, Revised Selected Papers /$fedited by Juan Romero, James McDermott, Joćo Correia 205 $a1st ed. 2014. 210 1$aBerlin, Heidelberg :$cSpringer Berlin Heidelberg :$cImprint: Springer,$d2014. 215 $a1 online resource (XIV, 132 p. 55 illus.) 225 1 $aTheoretical Computer Science and General Issues,$x2512-2029 ;$v8601 300 $aIncludes index. 311 $a3-662-44334-1 327 $aIntro -- Preface -- Organization -- Table of Contents -- Probabilistic Decision Making for Interactive Evolution with Sensitivity Analysis -- 1 Introduction -- 2 Related Work -- 3 Method -- 3.1 Sensitivity Analysis for Interactive Design with Parametric Models -- 3.2 Probabilistic Decision Making for the Genetic Operators -- 3.3 Sampling Modifications -- 4 Results -- 5 Conclusion -- References -- An Interface for Fitness Function Design -- 1 Introduction -- 2 State of the Art -- 3 The Framework -- 3.1 Ants' Simulation -- 3.2 Extracted Features -- 3.3 Evolutionary Engine -- 4 The Anatomy of a Fitness Function -- 5 Fitness Function Design Interface -- 6 Final Rendering Interface -- 7 Experimentation -- 8 Conclusions and Future Work -- References -- Balancing Act: Variation and Utility in Evolutionary Art -- 1 Introduction -- 1.1 Utility and Diversity -- 1.2 Related Work -- 2 Generative Mechanisms -- 2.1 Graph Interpretation -- 2.2 Animation and Sound -- 2.3 Evolution -- 3 Discussion -- 3.1 Composing Structure -- References -- Size Does Not Matter: Evolving Parameters for a Cayley Graph Visualiser Using 64 Bits -- 1 Introduction -- 2 Jenn3d -- 3 Methodology -- 3.1 Evolutionary Approach -- 3.2 Encoding -- 3.3 Fitness Evaluation -- 4 Results -- 4.1 More Efficient Encoding -- 5 Conclusions -- References -- A Complexity Approach for Identifying Aesthetic Composite Landscapes -- 1 Introduction -- 2 State of the Art -- 3 Complexity Metrics and Presented Features -- 4 Experimental Dataset for Aesthetic Composition -- 5 Classification Method and Results Obtained -- 5.1 An Expert Overview -- 6 Future Work -- References -- Feature Construction Using Genetic Programming for Classification of Images by Aesthetic Value -- 1 Introduction -- 1.1 Goals -- 2 Related Work -- 2.1 Genetic Programming for Image Classification -- 3 Methodology. 327 $a3.1 Genetic Programming Configuration -- 3.2 Data Sets -- 4 Experiments and Results -- 4.1 Implementation -- 4.2 Experiment with Imagene Evolved Art -- 4.3 Experiment with Photographs -- 4.4 Discussion -- 5 Conclusion -- References -- Authorship and Aesthetics Experiments:Comparison of Results between Human and Computational Systems -- 1 Introduction -- 2 Experiments Involving Humans -- 2.1 Authorship Experiments -- 2.2 Aesthetics Appreciation -- 3 Developed System -- 4 Results: Authorship Test -- 5 Results: Aesthetic Validation Test -- 6 Conclusions -- References -- An Indirect Fitness Scheme for Automated Evolution of Aesthetic Images -- 1 Introduction -- 2 On the Role of Novelty -- 3 Our Fitness Function -- 4 Evolved Images -- 5 Diversity or Plasticity? -- 6 Conclusion -- References -- A Novelty Search and Power-Law-Based Genetic Algorithm for Exploring Harmonic Spaces in J.S. Bach Chorales -- 1 Introduction -- 2 Background -- 3 Data Representation -- 3.1 Musical Corpora -- 3.2 Harmony Extraction -- 3.3 Harmony Representation -- 4 User Interface Design -- 5 Markov Model -- 6 Evolutionary Algorithm -- 6.1 Power-Law Metrics -- 6.2 Genotype Representation -- 6.3 Novelty Search -- 6.4 Melody Guided Fitness -- 7 Conclusion and Future Work -- References -- Genomic: Evolving Sound Treatments Using Genetic Algorithms -- 1 Motivation -- 2 Past Work: Evolutionary Systems -- 3 Genomic: An Evolutionary System for Sound Treatments -- 3.1 A Note on Terminology -- 3.2 Genotype and Phenotype -- 3.3 Running the GA -- 3.4 The Fitness Function -- 3.5 Implementation -- 4 Goals for Evolution -- 4.1 Evolving Novelty -- 4.2 Evolving towards a Target -- 5 Extending Genomic with CorpusDB -- 5.1 Developing a Corpus from Several Seed Sounds -- 5.2 Observations -- 6 Conclusion and Future Work -- References -- Evolving an Aircraft Using a Parametric Design System. 327 $a1 Introduction -- 2 Parametric Design -- 3 Computational Fluid Dynamics -- 4 Evolutionary Aircraft Optimisation -- 5 Optimisation of Blended Wing Body Design -- 5.1 Experimental Settings -- 6 Optimisation Results -- 7 Conclusions -- References -- Author Index. 330 $aThis book constitutes the refereed proceedings of the Third International Conference on Biologically Inspired Music, Sound, Art and Design, Evo MUSART 2014, held in Granada, Spain, in April 2014, co-located with the Evo* 2013 events Euro GP, Evo COP, Evo BIO and Evo Applications. The 11 revised full papers presented were carefully reviewed and selected from 30 submissions. They cover a wide range of topics and application areas. 410 0$aTheoretical Computer Science and General Issues,$x2512-2029 ;$v8601 606 $aUser interfaces (Computer systems) 606 $aHuman-computer interaction 606 $aAlgorithms 606 $aArtificial intelligence 606 $aDigital humanities 606 $aUser Interfaces and Human Computer Interaction 606 $aAlgorithms 606 $aArtificial Intelligence 606 $aDigital Humanities 615 0$aUser interfaces (Computer systems). 615 0$aHuman-computer interaction. 615 0$aAlgorithms. 615 0$aArtificial intelligence. 615 0$aDigital humanities. 615 14$aUser Interfaces and Human Computer Interaction. 615 24$aAlgorithms. 615 24$aArtificial Intelligence. 615 24$aDigital Humanities. 676 $a005.11 702 $aRomero$b Juan$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aMcDermott$b James$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aCorreia$b Joćo$4edt$4http://id.loc.gov/vocabulary/relators/edt 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910484481803321 996 $aEvolutionary and Biologically Inspired Music, Sound, Art and Design$91886552 997 $aUNINA