LEADER 01064nam0 22002771i 450 001 UON00075856 005 20231205102410.137 100 $a20020107d1972 |0itac50 ba 101 $aswa 102 $aKE 105 $a|||| ||||| 200 1 $aUtendi wa Ayubu$fUmehaririwa na J.W.T. Allen$bet al.] 210 $aNairobi$cHeinemann Educationa Books$d1972 215 $a44 p.$d22 cm 410 1$1001UON00066864$12001 $aSanaa ya utungo$fMhariri Mkuu: J.W.T. Allen$v4 606 $aPoesia Swahili$xAntologie$3UONC020826$2FI 620 $aKE$dNairobi$3UONL000730 676 $a896.3921008$cPoesia Swahili - Antologie$v21 702 1$aALLEN$bJ. W. T.$3UONV045650 712 $aHeinemann Educational Books$3UONV254121$4650 801 $aIT$bSOL$c20250613$gRICA 899 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$2UONSI 912 $aUON00075856 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI LETT S a 122 $eSI AA 17281 5 122 996 $aUtendi wa Ayubu$91163914 997 $aUNIOR LEADER 03603nam 22006375 450 001 9910484322203321 005 20250610110345.0 010 $a9783030426781 010 $a3030426785 024 7 $a10.1007/978-3-030-42678-1 035 $a(CKB)4100000011354660 035 $a(MiAaPQ)EBC6273797 035 $a(DE-He213)978-3-030-42678-1 035 $a(Perlego)3481690 035 $a(MiAaPQ)EBC6270804 035 $a(MiAaPQ)EBC29090584 035 $a(EXLCZ)994100000011354660 100 $a20200725d2020 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAmerican Cinema and Cultural Diplomacy $eThe Fragmented Kaleidoscope /$fby Thomas J. Cobb 205 $a1st ed. 2020. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2020. 215 $a1 online resource (270 pages) 300 $aIncludes index. 311 08$a9783030426774 311 08$a3030426777 327 $aIntroduction -- Chapter 1: Rehabilitations of idealism - action, satire and the late 1990s -- Chapter 2: Unanticipated synergy - lost innocence in early 2000s war cinema -- Chapter 3: 'The thaw' - the 2004 election and questions of cultural diplomacy -- Chapter 4: Imperial overstretch and the nihilistic frontier - Western political allegory in the late 2000s -- Chapter 5: Apex of allegory - Blockbuster responses to the end of the Bush era -- Chapter 6 (concluding chapter): Forever fragmented - Obama to Trump and the new identitarianism of IR dichotomies. 330 $aThis book contends that Hollywood films help illuminate the incongruities of various periods in American diplomacy. From the war film Bataan to the Revisionist Western The Wild Bunch, cinema has long reflected US foreign policy's divisiveness both directly and allegorically. Beginning with the 1990s presidential drama The American President and concluding with Joker's allegorical treatment of the Trump era, this book posits that the paradigms for political reflection are shifting in American film, from explicit subtexts surrounding US statecraft to covert representations of diplomatic disarray. It further argues that the International Relations theorist Walter Mead's concept of a US polity dominated by contesting beliefs, or a 'kaleidoscope', permeates these changing paradigms. This synergy reveals a cultural milieu where foreign policy fissures are increasingly encoded by cinematic representation. The interdisciplinarity of this focus renders this book pertinent reading for scholars and students of American Studies, Film Studies and International Relations, along with those generally interested in Hollywood filmmakers and foreign policy. 606 $aMotion pictures, American 606 $aEthnology$zAmerica 606 $aCulture 606 $aAmerica$xPolitics and government 606 $aAmerican Film and TV 606 $aAmerican Culture 606 $aAmerican Politics 615 0$aMotion pictures, American. 615 0$aEthnology 615 0$aCulture. 615 0$aAmerica$xPolitics and government. 615 14$aAmerican Film and TV. 615 24$aAmerican Culture. 615 24$aAmerican Politics. 676 $a791.43658 676 $a301 700 $aCobb$b Thomas J$4aut$4http://id.loc.gov/vocabulary/relators/aut$0879312 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910484322203321 996 $aAmerican Cinema and Cultural Diplomacy$91963551 997 $aUNINA