LEADER 03322nam 22006735 450 001 9910484304103321 005 20230810164335.0 010 $a9783030140199 010 $a3030140199 024 7 $a10.1007/978-3-030-14019-9 035 $a(CKB)4100000009590446 035 $a(MiAaPQ)EBC5962847 035 $a(DE-He213)978-3-030-14019-9 035 $a(Perlego)3492453 035 $a(EXLCZ)994100000009590446 100 $a20191017d2019 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aPolitics of Practice $eA Rhetoric of Performativity /$fby Lynette Hunter 205 $a1st ed. 2019. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2019. 215 $a1 online resource (281 pages) 225 1 $aPerformance Philosophy,$x2057-7176 311 08$a9783030140182 311 08$a3030140180 327 $a1. Introduction -- 2. The Sociocultural and the Sociosituated -- 3. The Alongside -- 4. Sustaining Sociosituated Performativity with Collaboration -- 5. Transition - Critical Reflections -- 6. Keith Hennessy's Sol Niger, and Turbulence -- 7. Ilya Noé's Deerwalk -- 8. Caro Novella's parčntesi, and Resistencias Sonoras -- 9. duskin drum - Selections from performance artmaking -- 10. Completed Notes - Finding Critical Form. 330 $aThis book discusses affective practices in performance through the study of four contemporary performers - Keith Hennessy, Ilya Noé, Caro Novella, and duskin drum - to suggest a tentative rhetoric of performativity generating political affect and permeating attempts at social justice that are often alterior to discourse. The first part of the book makes a case for the political work done alongside discourse by performers practising with materials that are not-known, in ways that are directly relevant to people carrying out their daily lives. In the second part of the book, four case study chapters circle around figures of irresolvable paradox - hendiadys, enthymeme, anecdote, allegory - that gesture to what is not-known, to study strategies for processes of becoming, knowing and valuing. These figures also shape some elements of these performances that make up a suggested rhetorical stance for performativity. 410 0$aPerformance Philosophy,$x2057-7176 606 $aTheater$xHistory 606 $aPerforming arts 606 $aTheater 606 $aActors 606 $aAesthetics 606 $aContemporary Theatre and Performance 606 $aTheatre and Performance Arts 606 $aPerformers and Practitioners 606 $aAesthetics 615 0$aTheater$xHistory. 615 0$aPerforming arts. 615 0$aTheater. 615 0$aActors. 615 0$aAesthetics. 615 14$aContemporary Theatre and Performance. 615 24$aTheatre and Performance Arts. 615 24$aPerformers and Practitioners. 615 24$aAesthetics. 676 $a700.4 676 $a701.03 700 $aHunter$b Lynette$4aut$4http://id.loc.gov/vocabulary/relators/aut$0131908 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910484304103321 996 $aPolitics of Practice$92853592 997 $aUNINA