LEADER 02968oam 2200517 450 001 9910484300603321 005 20230629234631.0 010 $a9783030473969$belectronic book 010 $a3030473961$belectronic book 010 $z3030473953$bprint 010 $z9783030473952$bprint 035 $a(CKB)4100000011513418 035 $a(MiAaPQ)EBC6380961 035 $a(DE-He213)978-3-030-47396-9 035 $a(EXLCZ)994100000011513418 100 $a20210417d2021 uy 0 101 0 $aeng 135 $aurcn#|||a|a|| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aMemory and intermediality in artists' moving image /$fSarah Durcan 210 1$aCham, Switzerland :$cPalgrave Macmillan,$d[2021] 210 4$d©2021 215 $a1 online resource (x, 250 pages) $cillustrations (chiefly color) 225 1 $aExperimental film and artists' moving image 311 08$aPrint version: 3030473953 9783030473952 (OCoLC)1148901442 320 $aIncludes bibliographical references and index. 327 $g1.$tIntroduction --$g2.$tMemory and Intermediality --$g3.$tCritical Nostalgia --$g4.$tDatabase Narrative --$g5.$tThe Echo-Chamber --$g6.$tDocumentary Fiction --$g7.$tMediatized Memories --$g8.$tConclusion: 'Inconsolable Memory'. 330 $aThis book addresses the preoccupation with memory in contemporary artists? moving image installations. It situates artists? moving image in relation to the transformations of digitalization as hybrid intermedial combinations of analogue film, video and digital video emerge from mid 1990s onwards. While film has always been closely associated with the process of memory, this book investigates new models of memory in artists? remediation of film with video and other intermedial aesthetics. Beginning with a chapter on the theorization of memory and the moving image and the diverse genealogies of artists? film and video, the following chapters identify five different mnemonic modes in artists? moving image: critical nostalgia, database narrative, the ?echo-chamber?, documentary fiction and mediatized memories. Stan Douglas, Steve McQueen, Runa Islam, Mark Leckey and Elizabeth Price are of a generation that has lived through the transition from analogue to digital. Their emphasis on the nuances of intermediality indicates the extent to which we remember through media. 410 0$aExperimental film and artists' moving image. 606 $aExperimental films 606 $aMemory in art 606 $aMemory in motion pictures 615 0$aExperimental films. 615 0$aMemory in art. 615 0$aMemory in motion pictures. 676 $a704.94 700 $aDurcan$b Sarah$01226005 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bUtOrBLW 906 $aBOOK 912 $a9910484300603321 996 $aMemory and intermediality in artists' moving image$92846497 997 $aUNINA