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182   $cc$2rdamedia
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200 10$aShakespeare and Protestant Poetics$b[electronic resource] /$fby Jason Gleckman
205   $a1st ed. 2019.
210  1$aSingapore :$cSpringer Singapore :$cImprint: Palgrave Macmillan,$d2019.
215   $a1 online resource (379 pages)
311   $a981-329-598-8 
320   $aIncludes bibliographical references and index.
327   $aIntroduction -- Section One ? Predestination -- Predestination, Single and Double in Christian History -- The Reformation and the Revival of Double Predestination Thought -- Double Predestination in Early English Drama -- Double Predestination in Shakespearean Comedy and Tragedy: The Merry Wives of Windsor and Macbeth -- Double Predestination and Assurance in Shakespeare: Macbeth and Twelfth Night -- Section Two ? Conversion -- Conversion in Protestant and Catholic Thought in the Reformation -- The Protestant Conversion into Marriage -- The Shakespearean Conversion Paradigm: Much Ado About Nothing -- English Protestant Conversion in A Midsummer Night?s Dream -- Apostasy in in The Winter?s Tale -- Section Three ? Free Will -- The Three Components of Free will in Plato and Aristotle: Thumos, Reason, and Deliberative Reason -- The Free Will in Augustine, the Middle Ages, and the Reformation -- Free will and Free Conscience in Hamlet -- Hamlet and the Free Will in Action -- The Player?s Speech.
330   $aThis book explores the impact of the sixteenth-century Reformation on the plays of William Shakespeare. Taking three fundamental Protestant concerns of the era ? (double) predestination, conversion, and free will ? it demonstrates how Protestant theologians, in England and elsewhere, re-imagined these longstanding Christian concepts from a specifically Protestant perspective. Shakespeare utilizes these insights to generate his distinctive view of human nature and the relationship between humans and God. Through in-depth readings of the Shakespeare comedies ?The Merry Wives of Windsor?, ?Much Ado About Nothing?, ?A Midsummer Night?s Dream?, and ?Twelfth Night?, the romance ?A Winter?s Tale?, and the tragedies of ?Macbeth? and ?Hamlet?, this book examines the results of almost a century of Protestant thought upon literary art.
606   $aLiterature, Modern
606   $aShakespeare, William, 1564-1616
606   $aProtestantism
606   $aBritish literature
606   $aShakespeare$3https://scigraph.springernature.com/ontologies/product-market-codes/817010
606   $aProtestantism and Lutheranism$3https://scigraph.springernature.com/ontologies/product-market-codes/1A3080
606   $aBritish and Irish Literature$3https://scigraph.springernature.com/ontologies/product-market-codes/833000
615  0$aLiterature, Modern.
615  0$aShakespeare, William, 1564-1616.
615  0$aProtestantism.
615  0$aBritish literature.
615 14$aShakespeare.
615 24$aProtestantism and Lutheranism.
615 24$aBritish and Irish Literature.
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700   $aGleckman$b Jason$4aut$4http://id.loc.gov/vocabulary/relators/aut$01228419
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906   $aBOOK
912   $a9910484266403321
996   $aShakespeare and Protestant Poetics$92851827
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